Workshop, Reading, DJ-Set
by Janine Ludwig
On June 2nd and 3rd, 2017, the Durden Dickinson Program in Bremen hosted the acclaimed writer Thomas Meinecke.
Please find the poster here: DLS Meinecke 2017 Poster (Grafikdesign Sibyll Wahrig)
Thomas Meinecke has received several prizes and many labels: postmodern author, writer of pop literature – although pop philosophy would be more accurate – feminist writer and even queer studies icon, because his new novel Self will surely become a reference text. Meinecke’s other professions as a musician, texter and singer of the alternative cult band F.S.K., as a DJ (Berghain, Pudel Club a.o.) and performer with the format “turntable” (Plattenspieler) at the Berliner Hebbel am Ufer, seem to reflect in his postmodern writing style: His writing technique has been described as sampling, t.i. mixing and juggling with phenomena of 20th and 21st century pop history as well as of diasporas and gender identities, and is based on a wide theoretical background, ranging from Judith Butler to Barbara Vinken.
Public lecture and DJ-Set in the club Spedition on June 3rd
His brand new novel Self (“Selbst”) deals mainly with blurring (gender) identities, love, and erotic desire by analyzing phenomena from fashion (androgynous models), music/ entertainment (e.g. David Bowie or Mykki Blanco music videos), and life style (techno clubs, selfies, beards, intimate shaving, feminist porn). As part of “The William ’71 and Elke Durden Literary Series at Bremen,” he held a public lecture in the off-scene arts & culture & music club Spedition which had hosted him before. An attentive audience of 60-70 people followed a lively mix of reading, video clips and discussion between Meinecke and presenter Janine Ludwig. Afterwards, DJ Winkhorst warmed up the crowd before Thomas started to turn the tables from midnight to 3 a.m.
Workshop at the University of Bremen, in cooperation with the IfkuD, on June 2nd
In addition, Meinecke gave an intimate breakfast workshop to both our current group of Dickinsonians and Bremen students at the University of Bremen the day before. One of the threads of his multi-perspective novel happens to deal with utopian, libertarian German immigrants in Texas in the mid-19th century. Ironically, a German society of nobleman (“Adelsverein”) bought land in Texas in order to get rid of German communists by sending them there to colonize it. However, they were duped with dour land, and the colonists, a bunch of intellectuals with little farming experience anyhow, struggled for survival. They did, however, under John O. Meusebach, manage to sign a peace treaty with the hostile Comanche tribe – supposedly the only one which was never broken and is still commemorated annually by the Comanches today.
Meinecke has extensively researched on these settler colonies and produced a film (at the behest of Alexander Kluge/dctp) for which he interviewed the descendants of the “Texas Germans” – who still speak the language, infused with some English terms: “Die sind hier reingemoved.” „Die Kuh ist über den fence gejumpt.“ Despite the settlement fiasco, the descendants still proudly remember the peace treaty as well as the fact that the colonists opposed slavery and some even defected from the confederate Army (and were killed in consequence). We watched snippets from the film, read passages from the book and discussed the idea of “communes” without government, but shared work and property. The workshop presented amazing insights into an almost forgotten culture between the “Beethoven Männerchor” in San Antonio, the “Wurstfest” in New Braunfels, the “Vereins Kirche” and “Social Turn Verein” in Fredericksburg (named after Frederick of Prussia). All this followed up nicely to the seminar “German 340: Comparative Cultures – USA/Germany” which Janine Ludwig taught in fall 2016/17 and which (among other things) covered German immigration to the US in the 18th and 19th centuries. But most of all, it was a unique opportunity for the students to meet, work, and discuss with an author of such a stature in an almost private atmosphere.
The William ’71 and Elke Durden Literary Series at Bremen, this year in cooperation with the Institute for Cultural Studies (IfkuD) at the University of Bremen and the Kunst- und Kulturverein Spedition e.V., was sponsored by Bill and Elke Durden and the Dickinson College. We are grateful for the generous support and also thank the Spedition for wonderfully hosting Saturday’s evening event.