“The process is a performance, a back and forth between creation and destruction”
As an artist, I have never considered paper, the medium on which I usually paint on, as the ‘art’. However Hong Hong’s process of intricately layering fibers, of various textures and colours and hand weaving the material into paper, is a stunning representation of art. Her work explores more than just a fixed landscape but instead, an understanding of change in colours and light as well as of the feelings and mood behind a certain setting. She also takes inspiration from “things that might shape a person’s experiences of the land” Hong combines Tibetan and Japanese traditional forms of paper making, however she does so in a contemporary style, in terms of process and scale. Her ‘mobile paper studio’ gives her the freedom to travel and create, taking inspiration from different places, landscapes and cultures. I find her creation vs. destruction process fascinating because I mainly think of art as something created, rarely something that has been destructed. Hong also strays from the traditional use of paper in paper making and incorporates organic materials like leaves and branches (Void, 2016) and even plastic in her next project of yearlong site specific installations, Everlasting Ephemera.