Film Check

Film History, Opinions, and Industry Roundups

Author: Marshall Edwards (Page 1 of 2)

Industry Roundup Week of June 28

Industry Roundup

Top TV/Film on Netflix (As of July 2, 2020)

  1. Floor Is Lava
  2. Eurovision
  3. George Lopez: We’ll Do It For Half
  4. The Order
  5. Da 5 Blood
  6. Crazy Delicious
  7. Feel the Beat
  8. The Nut Job
  9. Dark
  10. Gaspar Noe’s Love

EU’s ban on Americans does not include filmmaker

Even though the European Union has allowed travel to its countries, it has prohibited countries like the US from visiting. This ban on the US and other countries like Brazil is due to their poor response to the coronavirus. Because the EU’s decision is not enforced, many European countries can choose to allow visitors from these countries. Countries like Hungary and the Czech Republic are eager to have international visitors, even from the US, to start filming in their countries again. To read more, click here.

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My optimism towards reboots, remakes, and sequels

       Reboots, remakes, and sequels are a common trend in Hollywood right now, which has many people angry. People are mad for two main reasons: one being that their favorite franchises are being rebooted and the other for the lack of creativity. The latter reason is quite understandable. Why would Hollywood remake something that has already been done? Why not make something new? The simple answer is because of money. Remaking a film especially one with name-recognition, like The Murder on the Orient Express, is a sure-fire way of bringing in money. While a film like The Murder on the Orient Express brought in millions, not every remake is a guaranteed success. When Paramount and MGM remade Ben-Hur in 2016, it only made 94 million dollars on a budget of 100 million dollars. While people may not like remakes, reboots, and sequels, I do not mind them. In fact, I am usually optimistic about their success. I believe that many reboots, remakes, and sequels improved on their original material and, in many cases, were far superior to their predecessor.

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Living Up to Expectations: Watching Classic Films for the First Time

      When I was studying to become an English major, I was taught many theories on how to analyze texts and films. One of these theories was “close reading” which required the reader to look at the text and nothing more. Close reading prohibited any outside information like events that happened when the book was published or even the life of the author. I primarily hated close reading due to its exclusion of outside knowledge. I believe outside information can help improve one’s experience reading a book or watching a film. When I read The Bell Jar, my knowledge of Sylvia Plath granted me a unique perspective of the book. However, I was never afforded the opportunity to read The Bell Jar isolated. Maybe, if I read the book without knowing about Plath, I could have enjoyed it even more. My experience with The Bell Jar was similar to my experience watching classic films for the first time. I recently watched Casablanca, and, like The Bell Jar, I was never afforded the opportunity to experience it without any outside information. I knew that Casablanca was considered to be one of the greatest films of all time when I started to watch it. But did it live up to my expectation? Somewhat.

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Changing the website

Hello there. Sorry for the delay but there will be no articles publish this week. There is a lot of stuff I need to do, which leaves me no time to write and research this week. Furthermore, I am changing the flow of articles I write. I’ve been doing articles about the history of film, opinion pieces, and industry roundups once a week. However, the history of film articles requires a massive amount of time and research, so I may limit the number of historical articles I write. Furthermore, I will write more opinion pieces in order to replace the history articles. I really do enjoy writing about the history of film and I will definitely continue researching but the articles will just take longer than usual.

Industry Roundup Week of June 14

Industry Roundup

Top TV/Film on Netflix (As of June 18, 2020)

  1. 365 Dni
  2. 13 Reasons Why
  3. Iglesias
  4. Da 5 Blood
  5. Space Force
  6. Alexa & Katie
  7. Avatar: The Last Airbender
  8. F is for Family
  9. Pokémon Journey
  10. How to Get Away with Murder

Jeffrey Katzenberg is “optimistic” about Quibi’s future.

Despite not doing as well as expected, former chairmen of Disney, Jeffrey Katzenberg is “quite optimistic” about the future of his streaming service, called Quibi. Katzenberg said that since Quibi’s launch in early April, he and his company were able to examine what people like and didn’t like about the app. Katzenberg is confident that Quibi will be successful for the rest of the year. To read more, click here.

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The problem with modern day film criticism (and why I like Ebert)

         Saying that I love film is quite an understatement. After all, I created this blog just to talk about films. I also love the fact that other people are able to create their own film blog and share their thoughts about films too. Because of the online film community, I have been introduced to so many great films. However, while there are great film critics and communities out there, I do have a few problems with some modern-day film criticism. While I am not trying to paint a picture that all film reviewers and communities are bad, but I have noticed a rising trend in film criticism that I would like to address.

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“1888-1908”- The First Theater

          Thomas Edison created a film projector called the vitascope and sold them to many vaudeville theaters as an act.[1] For example, the vitascope played at the Keith’s Bijou Theatre in Philadelphia.[2] However, many times, theaters were not able to use the vitascope due to electrical problems.[3] Across the Atlantic, two French technicians, Auguste and Louis Lumiere were also selling a projector/camera called the cinématographe.[4] The cinématographe was hand-cranked, so it did not have the same electric problem as the vitascope.[5] As mentioned, Edison sold his vitascope to Keith’s Bijou Theater. That same theater later replaced its vitascope with the cinématographe two months later for a 19-week run.[6]

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Industry Roundup Week of June 7

Industry Roundup

Top TV/Film on Netflix (As of June 11, 2020)

  1. 13 Reasons Why
  2. 365 Dni
  3. Space Force
  4. Jeffrey Epstein: Filthy Rich
  5. Queer Eye
  6. Fuller House
  7. Avatar: The Last Airbender
  8. Cloudy with a Chance of Meatballs
  9. Queen of the South
  10. The Last Days of American Crime

SAG-AFTA agreed to a new deal with AMPTP.

SAG-AFTA (Screen Actors Guild – American Federation of Television and Radio Artists), one of the biggest unions in film, was able to reach an agreement with AMPTP (Alliance of Motion Picture and Television Producers), which represent major studios and broadcast networks. The current contract will expire on the last day of this month. The benefits gained by SAG-AFTA include increases in wages and an increase in residuals from streaming. To read more, click here

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Why Theaters Might Survive

       There have been a lot of discussions recently about the future of movie theaters. Questions surrounding the longevity of theaters have been asked mainly due to the rise of streaming services. Now, with AMC announcement of a net loss between $2.12 and $2.42 billion for this past quarter, the future seems quite bleak for theaters. While I am no expert on business, I do believe that theaters will survive.

        First of all, Hollywood, especially directors, won’t let theaters go under. When Kodak went under, directors like JJ. Abrams and Christopher Nolan convinced Hollywood studios to help bail out Kodak. Furthermore, many directors like Nolan and Steven Spielberg believe in classic Hollywood techniques and traditions. This means shooting movies on celluloid and making films specifically for the big screen. These directors would never think about making a film that would skip the theater and go straight to streaming. Spielberg even said that “I want to see the survival of movie theaters. I want the theatrical experience to remain relevant in our culture.” Lastly, with the overturning of the paramount decree which prevented studios from owning theaters, many theaters can now be bought by studios.

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Kinetoscope parlor. Photo Courtesy from the American Society of Cinematographers. https://theasc.com/asc/asc-museum-kinetoscope

“1888-1909”- The Kinetoscope

          Thomas Edison and his employee, William Kennedy Laurie Dickson, were credited for making many new inventions in filmmaking during this era. They created both the kinetoscope and the kinetograph. The kinetoscope was a four-foot-high box that played film reels on a loop.[1] The viewers paid a nickel to watch a film through the box’s lens peephole. [2] The kinetograph was the first film camera, which used 35mm film. Both Edison and Dickinson created many films, using the kinetograph, at Edison’s studio in West Orange, New Jersey. [3]  These films include Dickson Greeting, Men Boxing, Duncan Smoking, and many other shorts.[4] However, the films were only shown at exclusive events. For example, Dickinson Greeting, which was filmed in 1891, was only shown to members of The Women’s Club of America.[5]

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