Feminine Identity, Sexuality and Power in Italian Film and Media

Author: Nicoletta Marini-Maio

Nicoletta Marini-Maio is Associate Professor of Italian and Film Studies, and Chair of the French and Italian Department at Dickinson College. She is a regular contributor to the Film Studies Program at Dickinson.

She is interested in 20th and 21st century Italian and transnational film, theater, and culture, particularly in the intersections between politics, the narrative mode, and collective memory. She is currently completing a monograph on the representation of left-wing terrorism in Italian film and theater. Her research project was granted the Penn Humanities Forum Mellon Regional Faculty Fellowships for the year 2013–2014.

Marini-Maio is the founding Editor of the forthcoming academic journal gender/sexuality/italy and co-founder of the research group Culture and Politics of Gender. She is currently working on the constructions of femininity and masculinity with regards to power gender relations, patriarchy, and sexuality through the analysis of the Decamerotici, a series of Italian films produced in the 1970s and inspired by Boccaccio’s Decameron.

She recently co-edited a critical translation of Corpo di stato, by the Italian playwright Marco Baliani. She has published articles on Italian cinema and theater, Italian teaching pedagogy, and technology-enhanced language learning. In this areas, she has also co-edited two scholarly volumes: Set the Stage! Teaching Italian through Theater and Dramatic Interactions: Teaching the Foreign Language, Culture, and Literature through Theater

The Witches Are Back: Feminism, Violence, and the Male Gaze in the Two “Suspiria”s

by Mia Merrill

My video essay compares the cult classic horror film Suspiria, directed by Dario Argento in 1977, to the 2018 adaptation of the story, directed by Luca Guadagnino. While the films are completely different in many ways, both are full of images of violence against women. What does the new Suspiria have to say about women’s power, agency, and bodily autonomy? Are reclamations of agency in the 2018 Suspiria negated or lessened by the film’s perpetuation of the male gaze?

[ensemblevideo contentid=TPoF4xZ_ZEej87TCk8R7og]

This is a transformative video for educational use only. The content of this video is protected by the Academic Fair Use clause (Section 107) of the U.S. Copyright Act of 1976. For further information, see: copyright.gov/circs/circ21.pdf

A Podcast on Yesterday, Today, and Tomorrow

To publish your podcast:

  1. Log in to your WordPress account;
  2. Selected “Post” in your dashboard;
  3. Select “Add New” in the Post menu;
  4. Add your podcast here from the “Add Media” button;
  5. Type the title and/or the caption/text you wish in your edit window;
  6. Check your name on the bottom right column (WARNING: if you forget to check your name, your material will be published on the main page!!);
  7. When everything is ready, click the blue button “Publish” on the right.

 

To publish your videoessay:

  1. In order to avoid problems with copyright, instead of Youtube, upload the video essay to https://ensemble.dickinson.edu/Dropbox/sp19videoessays.  YouTube has bots that can obscure your video essay for copyright issues.
  2. Confirm that your video is marked as Ready and Published (in Ensemble).
  3. Click on the small icon (i). Copy the content ID from the popup box.
  4. Now login to the WrdPress and select “Posts” in your dashboard;
  5. Select “Add New”;
  6. Type the title of your video essay in the top and/or the caption/text you wish in the new window. Also add this language as a caption in the edit window (also add the same language to your videoessay closing credits): “This is a transformative video for educational use only. The content of this video is protected by the Academic Fair Use clause (Section 107) of the U.S. Copyright Act of 1976. For further information, see: copy

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