Colorful Transitions in Vietnamerica

Cover of Vietnamerica graphic novel
What better way to tell your story than by the creative use of drawings, color, and free-flow structure? From the first few pages, G.B. Tran’s Vietnamerica (2010) emits layers of meanings through its structure, colors, form, and language. One of the noticeable structures is the many blank single-colored pages that act as a separator for different sections/eras of the novel. They have little to no other content on the page and function as a transition for different time periods (past and present).

The pages range in color from maroon, to white, to semi-pitch black, to bright blue, to dark navy blue, and to bright red. The maroon page comes before GB’s trip to Vietnam for his grandmother’s funeral. The white page comes after a portrait of Tran outlined in black with outlines of his parent in blue and red overlapping. The semi-pitch black page comes after the all-white page and appears before a section in which Tri’s family is forced to make the decision to move to a village outside of Mytho. The dark navy-blue page comes before the section that begins with GB packing his stuff in New York. The bright red pages come after a section where Tri is getting tortured for information.

This pattern of using different colored blank pages as transitions from past events to present day allows the readers to get a hint of the tone of the next section and gives reader a chance to read the next section with a blank slate (without thinking too much about previous information they were just given in prior sections). These blank pages remind me of clean slates, which is significant considering the narrative is bouncing back and forth from past and present. It allows readers to digest what they’ve just read and prepare for the next section. The choices of colors themselves also provide some sort of indication of the tone for the following section. For example, the dark navy blue page indicates that the tone of the next section is one of dreariness, routine, or lackluster.

In providing these plain, colorful blank pages, the graphic novel takes readers on a rollercoaster of an emotional narrative. They allow readers to empathize in some way with Tran’s experience, which gives the novel more meaning that just pictures and colors on a page.

 

Works Cited
Tran, Gia-Bao. Vietnamerica. New York, Villard Books, 2010.

B4.

2 thoughts on “Colorful Transitions in Vietnamerica

  1. I really like your point of the almost blank colored pages being a blank slate. While reading graphic novels and comic books it can be at times overwhelming given that there are so many images and things taking place. A blank page can give the readers a breather in order to think about what they just read and be able to digest it without feeling stressed of being forced to digest more images and information. In addition, along with this idea the blank pages can work as an emotional pause, in this memoir there’s a lot of emotional scenes for instance death of the grandmother and the idea of families being torn apart. I also think the blank pages are created in order to break apart sections into main ideas for instance like how in books there are chapters and section one or section two. This aligns with the idea that you mentioned in which the blank pages show change in present and past. I really liked this post it was very interesting to read! Good job.

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