The Beauty of Religious Spaces
September 22, 2010 · 1 Comment
As I and many others have mentioned in previous posts, examining religion and religious life in London has been a big part of our course. Central to increasing our knowledge and understanding of a number of religions has been visiting the various houses of worship. We have visited a few churches, a mosque, a mandir, and a synagogue. We have gone into these institutions with varying levels of welcome, and we have observed a variety of rituals, customs, and traditions. Beauty has also been a recurring theme in the course. Almost all of the houses of worship that we visited had put serious thought and effort into the beautification of their buildings. The only exception was the mosque, but I think it is ok to assume that this was due to the financial circumstances of the community than lack of desire or appreciation for a beautiful space. In addition to all being beautiful, these spaces were all aesthetically very unique. The Mandir was extremely ornate, but not to the point of tackiness or fussiness. All of the stone and teak carvings were well executed and the building as a whole had a feel of luxury to it. The synagogue was a more simple, paired down building, but even as a more streamlined space, it still packed ample visual drama in the floor to ceiling red and gold mosaic behind the ark and tall, dramatic stained glass windows, which unfortunately had to be obscured by anti-terrorism curtains. Comparing St. Paul's and Westminster Abbey, aesthetically, St. Paul's is the clear winner. Westminster Abbey is cluttered with tombs and plaques and statues, it is mostly dark and parts do look kind of shabby. Don't get me wrong, it's a place of great historical significance and cultural value, I'm not denying that, but on looks alone.... ehhh. St. Paul's on the other hand, is light, airy, and spacious. It has a regal, elegant exterior and strikes a nice profile. The mosaics on the ceiling close to the WWII memorial were exceptional. As John explained to us, the tesserae had been set in at a specific angle, not flat against the wall, so that the sunlight reflects off of them just enough to allow them to glint and glitter. Perhaps over stepping here, but I think the visual atmosphere, the aesthetics of the particular houses of worship, reflect something of the character of the congregations who pray there.