Dickinson College Humanities Program in Norwich

The final [museum] countdown

September 14th, 2009 · No Comments

After spending a month in London and visiting a plethora of museums, they all are beginning to blur together in my mind.  I have an easier time remembering specific pieces included in the museums that I loved rather than the overall museum itself, but I’ll try to relay my general sentiments of my final two destinations, the Sir John Soane and the Victoria and Albert Museums.

I felt that the Sir John Soane Museum was fascinating, but was distracted by how much was packed into such a small space.  I wasn’t able to fully enjoy what I was looking at simply because I got a bit claustrophobic.  On the flip side, though, it certainly was impressive how much was packed into the equivalent of three townhouses.  One of my favorite aspects was the collection of clocks included in the house, because it reminded me of our trip to Greenwich and the importance of early timepieces.  His particular collection stuck me because it really showed how clocks were once a symbol of status, specifically that which was made for Christopher Wren by Queen Anne.

Although the Sir John Soane Museum had interesting artifacts and art, I much preferred the Victoria and Albert Museum.  My favorite section was the sculptures portion on the ground floor, and I spent a great deal of time exploring there.  I enjoyed reading the captions to each, for example, a plaque under a bust of Albert Einstein stated that he was a culmination of “the humane, the humorous, and the profound.”  Another statue, a monument to one Emily Georgiana, moved me in saying “I who dreamed wildly and madly/am happy to die.”  The writing on that statue seemed simultaneously inspiring and sad, and I’ve thought of that quote often since reading it for the first time.  My favorite actual work was a bronze piece created to hang above a fireplace depicting a nude man and woman entwined while being watched by a shocked and disgusted crowd.  Made by Charles Sargeant, “Scandal” was interesting to me because it showed not only a couple in love (as many works do) but also the rarely shown negative reaction of the surrounding community.  Lovers in art are so often isolated, so seeing a different perspective within the work was certainly interesting.

To summarize my previous blog entries regarding museums, I was unaffected by the British Museum, disliked the Tate Modern, moderately enjoyed the Cabinet War Rooms and Churchill Museum, and loved both the National Gallery and the Victoria and Albert museum.

Tags: Amy

Deep Breaths…

August 31st, 2009 · 1 Comment

   Imagine being in a place where all of your passions interconnect, where your heart races, you forget to breathe, your interest peaks. I have to remind myself to breathe today upon entering The Victoria and Albert Museum directly from stepping off the tube station into the museum. Deep breaths, I say to myself when I see Louis Richard Garbe’s piece, Primavera. Deep breaths I tell myself when I see the dresses by Catherine Walker worn by Princess Diana. Deep breaths when I stumble upon Joan Rhodes’s theatrical costumes, Reg Wilson’s performance photographs, sight of jewelry worn throughout centuries, breath taking carpets and other Islamic crafts. Inspiration surrounds me everywhere. 

   “Sculpture is a three-dimensional object with a message…”

Bob Brendle

   After examining the sculptures showed at The Victoria and Albert Museum, I felt the messages sculptures were illuminating. A child and a mother, the look they share, the connection and love that exists between them. A cupid slyly planning his next attack, by preparing a bow and arrow to shoot at a King. Two soldiers fighting, the anger and determination in their stony eyes. Moving on to Islamic carpets, I am reminded of my own culture, of beautifully woven rugs and elaborately decorated vases. Not having a map at hand, I began walking through the museum, stumbling upon the silver lined plates and crafts of Paul de Lamerie and the portion of the museum which holds theatre exhibitions. Ranging from costumes worn by Joan Rhodes to the construction of the stage and backstage look at the performances in 18th Century, I was pleasantly surprised. Although the museum provided satisfaction to all of my senses, I was on the quest to finding two of my upmost passions, photography and jewelry. As I finally stepped through the doors of jewelry exhibit, I was blinded by diamonds, gold, silver, crowns, pendents. I thought “This is what heaven must look like” (at least in my world). Behind glass windows, jewels worn in 1500’s lined against the walls ranged to the present trends in jewelry. Inspiration surrounding me everywhere, I headed towards the photography section. As I entered, I was overpowered by Charles de Temple, E.R. Nele, Roger Moris and many more. The museum began acquiring pieces in 1852 and now I was in the presence of classic as well as contemporary works. One piece that particularly caught my attention was of a “Shell-shocked Soldier, Hue” by  Don McCullin in 1968 taken during the Vietnam War. The simplicity yet so much emotion behind the piece and the soldier’s eyes is indescribable. My passion has ignited. Although I have always captured my surroundings and emotions through a camera lens, seeing the photography exhibit has encouraged me and made me hope that one day I can also show my work. Who knows what holds in the future for me and my photography. But for now I am planning on returning to The Victoria and Albert Museum and exploring other photography exhibitions in London such as Tom Hunter’s “A Journey Back” shown close by on Oxford Street.  

I am inspired. DSC05300DSC05309

Tags: Jeyla · Museums

In London At Last

August 21st, 2009 · 1 Comment

After little sleep, I awoke this morning at 7:30 to begin my journey down the Thames rive; the first event of this trip to really make me feel like I was in London. Coming from New York City, I am used to city life, trains, buses, and lots of people. So exploring the city on our first day and learning the tube was a little less exciting for me. As I walked the streets and rode the train I felt almost like I was still back home, that the plane had circled JFK for 6hrs and 55mins and then just put me back where I started.

Big Ben

Big Ben

But that feeling disappeared as soon as I stepped onto the Ferry boarding dock and spotted Big Ben in the distance. Instantly I realized that there was nothing like this back home. After snapping way too many photos of the distance clock tower, we boarded the Ferry which would take us down the river.

I found the Ferry ride itself to be mostly relaxing, especially considering the low amount of sleep I was running on. We docked near a dirt beach and headed on our long walking tour around Greenwich. Although I found the history and fun facts that we learned along the way interesting, what really got me excited was the details of the architecture. Not only was every single building ornaments with ionic or corinthian columns, but also faces, family crests, and shields. As an art minor, I find the time spent on the monuments and decorative elements of London to be the most beautiful thing about it.

Royal Observatory

Royal Observatory

For example, when I visited the Royal Observatory today, it was not the clock museum, the view from the telescope tower, or even the amazing planetarium show that I loved most about that part of our day tour, but rather the gorgeous and detailed buildings that housed these things.

"Astronomia" Mermaid Relief

"Astronomia" Mermaid Relief

Just as I left the planetarium show (which I encouraged everyone to attend, and turned out to be a huge success!) I spotted a mermaid relief low on the wall across from the exit. On a closer look I found the word “Astronomia” engraved on it. I found that these small details and reliefs awakened my passion for visual arts that the historical facts and information never could.

That is another element of this city that really differs from my home city. Although the architecture of New York will always have a special place in my heart, it lacks the ancient and authentic hand crafted beauty that the old buildings of London have. There is always something very striking to me about the juxtaposition of the modern buildings against the classical structures that founded this city.  It is almost like there is a continuing battle between history and modernization. Unfortunately for my passion, it looks like modernization is winning.

If you would like to continue following my adventures, feel free to visit my photo page for a slide show tour of some of the sites I have seen over the past two days: http://s644.photobucket.com/albums/uu163/mliberty2011/London%20the%20first%20two%20days/?albumview=slideshow

After little sleep, I awoke this morning at 7:30 to begin my journey down the Thames rive; the first event of this trip to really make me feel like I was in London. Coming from New York City, I am used to city life, trains, buses, and lots of people. So exploring the city on our first day and learning the tube was a little less exciting for me. As I walked the streets and rode the train I felt almost like I was still back home, that the plane had circled JFK for 6hrs and 55mins and then just put me back where I started.

Big Ben

Big Ben

But that feeling disappeared as soon as I stepped onto the Ferry boarding dock and spotted Big Ben in the distance. Instantly I realized that there was nothing like this back home. After snapping way too many photos of the distance clock tower, we boarded the Ferry which would take us down the river.

I found the Ferry ride itself to be mostly relaxing, especially considering the low amount of sleep I was running on. We docked near a dirt beach and headed on our long walking tour around Greenwich. Although I found the history and fun facts that we learned along the way interesting, what really got me excited was the details of the architecture. Not only was every single building ornaments with ionic or corinthian columns, but also faces, family crests, and shields. As an art minor, I find the time spent on the monuments and decorative elements of London to be the most beautiful thing about it.

Royal Observatory

Royal Observatory

For example, when I visitied the Royal Observatory today, it was not the clock museum, the view from the telescope tower, or even the amazing planetarium show that I loved most about that part of our day tour, but rather the gorgeous and detailed buildings that housed these things.

"Astronomia" Mermaid Relief

“Astronomia” Mermaid Relief

Just as I left the planetarium show (which I encouraged everyone to attend, and turned out to be a huge success!) I spotted a mermaid relief low on the wall across from the exit. On a closer look I found the word “Astronomia” engraved on it. I found that these small details and reliefs awakened my passion for visual arts that the historical facts and information never could.

That is another element of this city that really differs from my home city. Although the architecture of New York will always have a special place in my heart, it lacks the ancient and authentic hand crafted beauty that the old buildings of London have. There is always something very striking to me about the juxtaposition of the modern buildings against the classical structures that founded this city.  It is almost like there is a continuing battle between history and modernization. Unfortunately for my passion, it looks like modernization is winning.

If you would like to continue following my adventures, feel free to visit my photo page for a slideshow tour of some of the sites I have seen over the past two days: http://s644.photobucket.com/albums/uu163/mliberty2011/London%20the%20first%20two%20days/?albumview=slideshow

Tags: Megan