For Soviet Leadership, the 1957 Moscow World Festival of Youth and Students was a prime opportunity to illustrate the Soviet Union as “an international, active, peace-loving population that was collectively committed to promoting an alternative to American exploitation around the world.” The festival contributors were depended upon to exhibit Soviet Youth as superior, having admirable ethics and awareness. These youth were not only expected to convey these ideals, but also give the impression to the world delegates that they were invigorated by the memorandum in Khrushchev’s 20th Party Congress speech and embody “Soviet openness and international mobilization.”… Read the rest here
Youth and children in general are widely known for being easily influenced and moulded. So why then, did the Soviet Union choose this particular demographic to represent the face of the nation? Was it because the party wanted to ensure delegates would only spout Soviet propaganda? If that it true, then the 1957 World Moscow Festival did, in fact, completed some of the goals it set out to accomplish. As Peacock notes in her article, The Perils of Building Cold War Consensus at the 1957 Moscow World Festival of Youth and Students, there were no organized protests during this particular festival.… Read the rest here
In Peacock’s article, the 1957 Moscow World Fair is established as a symbol for the newly-found importance in the youth’s involvement in the Soviet Union. Peacock begins by pointing out the World Festival’s display of this view is not only for the international community, but to the Soviet youth as well.
Peacock give some historical context to the feeling of necessity of the government to reemphasize the importance of the youth. In World War II, the youth of that time “suffere disproportionately at the hands of the Nazis” who were able to “understand the necessity of peace against imperialist aggression” (Peacock 517). … Read the rest here