Of the many thought provoking and avant-garde ideas contained in Karl Marx and Friedrich Engels’ Manifesto of the Communist Party, the core concept is explicitly stated in the opening line of the document where they wrote, “The history of all hitherto existing society is the history of class struggle.” (126) This concept of class antagonisms is alluded to throughout several portions of the text. They believed that the proletariat would ultimately rise up and unify, dissolving all class distinctions to create a society conducted by a tier-less working class.… Read the rest here
Metropolis, Fritz Lang’s 1927 science-fiction movie, portrays a futuristic dystopian Weimar, Germany where the classes rebel and fight one another. The film follows Freder, the son to the city’s master, and Maria, a beautiful woman who works with children and belongs in the working class, as they try to diminish the vast separation between the two classes and bring them together. The distinction between the two classes is that the working class has to work long, hard hours, while the rich enjoy their lavish lifestyle above the city.… Read the rest here
Fritz Lang’s 1927 science-fiction masterpiece Metropolis depicts a futuristic dystopia ridden with class-struggle. Made in Weimar Germany, the films follows Freder, the son of the city’s overlord, and Maria, his love interest, as they try to disenfranchise the classist nature of this urban society. Throughout the film, there is a stark contrast between the scene’s of the workers slaving endlessly to power the city, and the pleasured lives of rich. The city eventually crumbles due to the rocky internal nature and ends with a reconciliation (despite total destruction) of “head” and “heart.”
The scene that stood out to me the most was when Freder explained the horrific details of an accident on of the machine rooms to his father, Fredersen.… Read the rest here
Metropolis, created in 1927, is the grandfather work of the dystopian genre and reminds me of the epistemology of Rene Descartes and The Matrix (1999), which has deep philosophical roots which revolve around skepticism. The central theme of this movie is about capitalism, and the stark contrast it can create between the working class and the elite, and class relations in general.
Rene Descartes, a famous 17th century French philosopher who questioned the legitimacy of our sensory perception in relation to what was considered “real”, may have had influenced Fritz Lang, the writer and director of Metropolis.… Read the rest here
Starting from scratch, Magnitostroi, a Soviet Union steel plant in 1929, evolved from an premature industrial environment to a site with 250,000 people in three and a half years. (64) Located in the remote Urals, the plant was entirely dependent on long distance train for its imports, including labor force. The labor force in Magnitostroi was mixed, ranging from educated urbanites to peasants and proletariat. The problems that these workers faced, despite the rough working conditions, was their lack of prior experience with industrial machinery.… Read the rest here
While reading Anton Chekhov’s The Cherry Orchard I found examples of the many types of struggles Russia would face in the 20th Century. There were so many seemingly direct allusions to these struggles that when I remembered the play was written in 1904, I was shocked. Many of these foreshadows are related to sustainability, and The Cherry Orchard touches on sustainability in multiple ways: preserving the environment, maintaining economic prosperity and keeping old traditions and ways of life alive.… Read the rest here