Due to several factors, most of which were a result of the Mongol invasion, there is very little evidence detailing the day-to-day culture which existed in Post-Keivan Rus. What we do have, however, does provide interesting clues about literacy, the arts, and entertainment of the day.
One source is a doodle by a boy distracted in the middle of practicing his alphabet. The boy, Onfim, provides a drawing of an unidentified man atop a horse stabbing another unidentified man lying upon the ground.… Read the rest here
The readings, focused on culture during the fourteenth and fifteenth century, shed light on literacy rates and leisure. Birchbark charters show evidence of literacy among children, while artifacts (instruments, masks and manuscript initials) are indicative of traveling minstrels. Despite the information provided, however, the author and compiler speaks of many things we don’t know or have evidence of (possibly due to the Mongol occupation). Art and architecture are almost absent, prior to what Sakharov notes as a ‘cultural renewal.’
The birchbarks were particularly interesting, providing some evidence to the notion that literacy was spreading.… Read the rest here
Little evidence of culture and everyday life was left behind after the Mongol occupation. As A.M. Sakharov had pointed out in our previous readings, the Mongol Yoke destroyed centers of elite culture, cities, and markets all around Rus. Despite all that was lost during the occupation, it seems that starting in the early fourteenth century, a new Russian culture had awakened.
One of Russian history’s most famous painters, Andrei Rublev lived during this era. Rublev pioneered a whole new style of art and invented painting techniques never known before.… Read the rest here