Cinematography and Youth in Triumph des Willens

Triump des Willens (1935) succeeds in convincing the viewer that Adolf Hitler’s rise—and the rise of the Nazi party, was an enthusiastic national movement that served as the core of Germany’s ascension to dominance. The camera work is marvelous. The cameras spend the majority of time with their lenses pointed upwards at Hitler’s face or the structure upon which he stands, a subtle yet effective tactic to generate a larger than life feel. The long shots used in Trimph des Willens are the longest I have seen done in a film so aged, and are strategically placed to absorb as much of the parade or rally as possible.… Read the rest here