Art and culture seems to have been parallel with the greatest of the political philosophy Russia was seeing at the time. Russia had already begun to emerge a little bit on the international stage, but not enough. These artists wanted to explode this emergence and make the Russian art known throughout the world. This puts an emphasis on each individual in their part of the whole. Revolutionaries wanted to remake the world and believed that they could this new world into one in which things are unified.… Read the rest here
In both “Chapaev” and “We Grow Out of Iron”, the authors are teaching the audience about industrialism and revolutionary thoughts. After the revolution in 1917, new thoughts on modernity emerged.
In Gastev’s poem, “We Grow Out of Iron”, symbols of factories and iron structures elude to society changes, both literal and metaphorically. Gastev describes the buildings are very large and indestructible. The author also describes them as ever-growing structures. After the revolution of 1917, new definitions of modernity emerged.… Read the rest here
Though the poet Aleksei Gastev was killed during Stalin’s Great Purges, he had been a Communist supporter for much of his life. Though he was distanced from the Party in 1907, when he was in his late twenties, after a disagreement on how to combat the spread of capitalism, he still supported the proletariat in a variety of ways. Gastev’s intention in “We Grow out of Iron” can be better understood if we consider his strong belief in unions, which was the basis of his break from the Party.… Read the rest here
To me, the poem “We Grow Out of Iron” by Aleksei Gastev is about the power of the working class of Russia. The poem begins with the subject constructing a building out of iron, but by the middle lines of the poem the subject realizes that his work makes him strong, too. He grows confident and solid in his actions, surprising himself with his own strength and endurance as he shouts to his comrades “may I have the floor?”… Read the rest here