In the discussion of Raleigh’s chapters exploring the Sputnik Generation in the USSR, the notion that during the 1950s and 1960s Soviet society shared many similarities to that of the United States in their gender relations and in their restrictive childhoods. William Risch’s article, “Soviet ‘Flower Children.’ Hippies and the Youth Counter-culture in 1970s L’viv,” continues to examine the cultural similarities between the two warring nations. More particularly, Risch seeks to address how the hippies in the Soviet Union affected the counter-culture that emerged among the generation born after the end of World War II (page 565).… Read the rest here
Youth and children in general are widely known for being easily influenced and moulded. So why then, did the Soviet Union choose this particular demographic to represent the face of the nation? Was it because the party wanted to ensure delegates would only spout Soviet propaganda? If that it true, then the 1957 World Moscow Festival did, in fact, completed some of the goals it set out to accomplish. As Peacock notes in her article, The Perils of Building Cold War Consensus at the 1957 Moscow World Festival of Youth and Students, there were no organized protests during this particular festival.… Read the rest here
The importance of the young people to the Soviet regime is widely known. Children were to have sheltered, happy, healthy and vibrant childhoods to show the prosperity of Stalin’s reign. By 1957, the political party leader has changed and the propaganda is shifting. Fortunately, the problem of the thousands of homeless and vagrant youths no longer exists. The child labor camps and the elapse of time allowed many of these orphans from WWII to grow up.… Read the rest here
Leni Riefensthal film, Triumph of the Will, depicts the rise of the Nazi party in 1934. The film portrays different excepts of speeches by various Nazi leaders to promote the goals and objectives of Nazism. The film was intended as propaganda to the German public.
Hitler, along with other Nazi leaders, have power over all the other party members. They use words of threat, but also powerful words and goals to make both the adults and youths be a part of the Nazi party and join the “working force”.… Read the rest here
Triump des Willens (1935) succeeds in convincing the viewer that Adolf Hitler’s rise—and the rise of the Nazi party, was an enthusiastic national movement that served as the core of Germany’s ascension to dominance. The camera work is marvelous. The cameras spend the majority of time with their lenses pointed upwards at Hitler’s face or the structure upon which he stands, a subtle yet effective tactic to generate a larger than life feel. The long shots used in Trimph des Willens are the longest I have seen done in a film so aged, and are strategically placed to absorb as much of the parade or rally as possible.… Read the rest here
The 1935 documentary, Triumph of the Will, by Leni Riefenstahl, portrays powerful propaganda images of the Nazi regime. It focuses in on speeches made by both high-ranking Nazi officers and Hitler himself. In between every scene change are minutes of marching and rejoicing in the German nation. The film encompasses many facets of Nazi ideology.
In one scene in particular, we see the mobilization of the children in the Nazi youth. There is a seemingly endless sea of kids, both boys and girls, in uniform listening to the Fuhrer speak.… Read the rest here
What are some characteristics of the manipulation of youth (base) for the good of society and how does conditioning affect family structure and values in a utopian or dystopian society?
The paper will generally focus on how the manipulation of children in a utopia or dystopia changes family structure and values. I will mainly write about this topic as seen in film and literature. The paper will be limited to perhaps a few references to historical texts and real world applications, and the focus will be mostly limited to fiction. … Read the rest here