It is interesting to note that propaganda about the Italian colonies was emphasized in terms of space (endless territories) that were to be used to solve the immigrant problem. Part of the failure to study decolonization in Italy was the fact that colonialism was equated to fascism and with the end of fascism, attention was directed towards westernizing in the American model. With the economic boom of the 50′s and 60′s all attention was placed on creating new spaces to be “colonized”, namely rural Italy close to large cities in need of housing.
EUR is a good example of the displacement of a colonial project (a reflection of what Italy planed to achieve in its colonies) which has become a “space” for offices, government buildings and residential developments. The article by Pinkus describes Antonioni’s film L’eclisse and the character of Vittoria as part of a generation that may have internalized fascist racial ideals. The film is set in the EUR, a “virtually and spiritually empty” space. The transfer of colonial planning to the “new colonies” of the EUR, as Pinkus states, is a process of forgetting and not reflecting on the past.
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Aerial view of EUR in 1953 EUR today
















