I loved it since the first time I saw it. Your movements are so well-transition. You embody space extremely well which I feel is important in a performance.
You’re movements are poised, regal, and sensual. Something that really stood out was the difference between the slow pulled movements and the movements that you strike.
The skirt you’re wearing works well with the movements. Whenever you move so that the skirt flows backwards, it looks regal. I would agree that the movements are regal.
You have come to it here. In this very scene you strip away the conscious reality that there is an audience as you desire- In your later videos you also come to this by the bouncing-Try placing these two together?? I could see them interact as the bouncing is so carefree, and this movement is very placed and almost moved by the external-the interaction of your arms and the air. Great work.
February 9th, 2012 at 6:29 am
I loved it since the first time I saw it. Your movements are so well-transition. You embody space extremely well which I feel is important in a performance.
February 10th, 2012 at 6:23 pm
You’re movements are poised, regal, and sensual. Something that really stood out was the difference between the slow pulled movements and the movements that you strike.
February 12th, 2012 at 7:31 pm
The skirt you’re wearing works well with the movements. Whenever you move so that the skirt flows backwards, it looks regal. I would agree that the movements are regal.
February 14th, 2012 at 5:03 am
You look strong and in control by these movements. I like the song it almost sounds like elevator music which is interesting. Also love the thud.
February 14th, 2012 at 5:04 am
Ooooooh. The skirt is new. Maybe try playing with it more and integrating it into the choreography?
March 5th, 2012 at 4:33 am
You have come to it here. In this very scene you strip away the conscious reality that there is an audience as you desire- In your later videos you also come to this by the bouncing-Try placing these two together?? I could see them interact as the bouncing is so carefree, and this movement is very placed and almost moved by the external-the interaction of your arms and the air. Great work.