{"id":1563,"date":"2024-11-12T00:02:52","date_gmt":"2024-11-12T05:02:52","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/403lit\/?p=1563"},"modified":"2024-11-12T00:02:52","modified_gmt":"2024-11-12T05:02:52","slug":"publication-history-of-carmilla","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/403lit\/2024\/11\/12\/publication-history-of-carmilla\/","title":{"rendered":"Publication History of Carmilla"},"content":{"rendered":"<p><i><span data-contrast=\"auto\">Carmilla <\/span><\/i><span data-contrast=\"auto\">was first published in the periodical <\/span><i><span data-contrast=\"auto\">The Dark Blue <\/span><\/i><span data-contrast=\"auto\">in four serialized segments. The first segment was published in December 1871, and the following three were each published a month apart, with the final installment appearing in March 1872. These chapters were accompanied by three illustrations which were drawn by D.H. Friston and engraved by C.M. Jenkin. <\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The journal <\/span><i><span data-contrast=\"auto\">The Dark Blue<\/span><\/i><span data-contrast=\"auto\"> was created by John Christian Freund and first published in March 1871 (Chapman). Though the journal was only in publication for three years, it received acclaim for the quality and variety of the content it produced, as well as the notable writers who were published in it. The periodical was reportedly named after the colors of Oxford University, which Freund and many of the periodical\u2019s contributors had attended (Chapman). This fact speaks to the journal\u2019s educated and likely well-connected readership. Though <\/span><i><span data-contrast=\"auto\">Carmilla <\/span><\/i><span data-contrast=\"auto\">would have been considered a middlebrow contribution to the journal, <\/span><i><span data-contrast=\"auto\">The Dark Blue\u2019<\/span><\/i><span data-contrast=\"auto\">s<\/span> <span data-contrast=\"auto\">educated and well-received writers and readers suggests that the story was written for such an audience.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Following the story\u2019s publication in <\/span><i><span data-contrast=\"auto\">The Dark Blue<\/span><\/i><span data-contrast=\"auto\">, it was published in Joseph Sheridan Le Fanu\u2019s anthology <\/span><i><span data-contrast=\"auto\">In a Glass Darkly<\/span><\/i><span data-contrast=\"auto\"> as a short story (Le Fanu xiii). Notably, this version of <\/span><i><span data-contrast=\"auto\">Carmilla <\/span><\/i><span data-contrast=\"auto\">added \u201cThe Prologue,\u201d which was not present in the version published in <\/span><i><span data-contrast=\"auto\">The Dark Blue <\/span><\/i><span data-contrast=\"auto\">(Le Fanu xiv). In the prologue, Le Fanu introduces the story as though it is a true record collected by a Doctor Hesselius. This addition frames the supernatural story and its female narrator Laura through the lens of the doctor\u2019s male medical authority. This male-centered framing contrasts the at-the-time shocking nature of the novel\u2019s powerful and assertive female villain Carmilla. <\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Though <\/span><i><span data-contrast=\"auto\">Carmilla <\/span><\/i><span data-contrast=\"auto\">is said to have partially inspired Bram Stoker\u2019s <\/span><i><span data-contrast=\"auto\">Dracula<\/span><\/i><span data-contrast=\"auto\">, which was published over two decades later, it didn&#8217;t gain much notice when it was first published. This is likely due to the female-centric plot and the subversive sexuality of the vampire Carmilla. However, the novella is now regarded as having had a strong role in establishing the conventions of the vampire novel, as well as providing insight into Victorian attitudes towards female sexuality. Consequently, the novella has gained popularity in the late 20<\/span><span data-contrast=\"auto\">th<\/span><span data-contrast=\"auto\"> and early 21<\/span><span data-contrast=\"auto\">st<\/span><span data-contrast=\"auto\"> century, resulting in increased scholarly discourse and several book, TV, and film adaptations. <\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Works Cited<\/span><span data-ccp-props=\"{&quot;335551550&quot;:2,&quot;335551620&quot;:2}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Chapman, Alison. \u201cThe Dark Blue, and J. Sheridan Le Fanu\u2019s \u2018Carmilla\u2019 (1871-1872).\u201d <\/span><i><span data-contrast=\"auto\">The University of Victoria Libraries<\/span><\/i><span data-contrast=\"auto\">, Omeka, 2018, omeka.library.uvic.ca\/exhibits\/show\/movable-type\/networks\/dark_blue_carmilla.html.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335559685&quot;:567,&quot;335559737&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:240,&quot;335559991&quot;:567}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Le Fanu, Joseph Sheridan. \u201cNotes on the Text.\u201d <\/span><i><span data-contrast=\"auto\">Carmilla: A Critical Edition<\/span><\/i><span data-contrast=\"auto\">, edited by Kathleen Costello-Sullivan, Syracuse University Press, 2013, pp. xiii\u2013xvi. <\/span><i><span data-contrast=\"auto\">JSTOR<\/span><\/i><span data-contrast=\"auto\">, <\/span><a href=\"http:\/\/www.jstor.org\/stable\/j.ctt1j5d4xp.5\"><span data-contrast=\"none\">http:\/\/www.jstor.org\/stable\/j.ctt1j5d4xp.5<\/span><\/a><span data-contrast=\"auto\">. Accessed 12 Nov. 2024.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335559685&quot;:720,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559991&quot;:720}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carmilla was first published in the periodical The Dark Blue in four serialized segments. The first segment was published in December 1871, and the following three were each published a month apart, with the final installment appearing in March 1872. These chapters were accompanied by three illustrations which were drawn by D.H. Friston and engraved &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/403lit\/2024\/11\/12\/publication-history-of-carmilla\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Publication History of Carmilla<\/span><\/a><\/p>\n","protected":false},"author":4998,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145914],"tags":[],"class_list":["post-1563","post","type-post","status-publish","format-standard","hentry","category-2024-blog-posts"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts\/1563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/users\/4998"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/comments?post=1563"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts\/1563\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/media?parent=1563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/categories?post=1563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/tags?post=1563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}