{"id":197,"date":"2017-09-24T21:21:34","date_gmt":"2017-09-25T01:21:34","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/403lit\/?p=197"},"modified":"2021-09-23T16:18:54","modified_gmt":"2021-09-23T20:18:54","slug":"apocalypse-and-me-jonah-adler-thesis-reading-list","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/403lit\/2017\/09\/24\/apocalypse-and-me-jonah-adler-thesis-reading-list\/","title":{"rendered":"Apocalypse And Me: Jonah Adler Thesis Reading List"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Secondary Works:<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li><span style=\"font-weight: 400\"> Mythen, Gabe. <\/span><i><span style=\"font-weight: 400\">Ulrich Beck: A Critical Introduction to the Risk Society<\/span><\/i><span style=\"font-weight: 400\">. LONDON; <\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400\">STERLING, VIRGINIA, Pluto Press, 2004. <\/span><i><span style=\"font-weight: 400\">JSTOR<\/span><\/i><span style=\"font-weight: 400\">, <\/span><a href=\"http:\/\/www.jstor.org\/stable\/j.ctt18fs3c4\"><span style=\"font-weight: 400\">www.jstor.org\/stable\/j.ctt18fs3c4<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><span style=\"font-weight: 400\"> Beck, Ulrich. <\/span><i><span style=\"font-weight: 400\">Risk Society: towards a New Modernity<\/span><\/i><span style=\"font-weight: 400\">. Sage, 2010.<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><span style=\"font-weight: 400\"> Tate, Andrew. Apocalyptic Fiction. London, UK ; New York, NY, <\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400\">USA: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., 2017. 21st century genre fiction series.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li><span style=\"font-weight: 400\"> Szendy, Peter. Apocalypse-Cinema: 2012 and Other Ends of the World. New York : Fordham <\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400\">University Press, 2015., 2015. College Complete.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"5\">\n<li><span style=\"font-weight: 400\"> Robert Torry, author. &#8220;Apocalypse Then: Benefits of the Bomb in Fifties Science Fiction \u00a0<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400\">Films.&#8221; Cinema Journal, no. 1, 1991, p. 7.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Literary Journal:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Cinema Journal published by University of Texas Press on behalf of the Society for Cinema &amp; Media Studies.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Key Words:<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u201cApocalyptic Fiction \/ Risk Society\u201d<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u201cGenre\u201d<\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">\u201cFilm Studies\u201d<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">My thesis currently stands as a more general genre study of apocalypse fiction, with possible connections to society and disaster. From the <\/span><i><span style=\"font-weight: 400\">The Broadview Anthology of Short Fiction, Third Edition<\/span><\/i><span style=\"font-weight: 400\"> by Levine, LePan, and Mather, genre is defined as a class or type of literary work with different levels of generality. I intend to create a genre \u201cmap\u201d, that is, a comprehensive study of changing ideas in current works of Apocalypse fiction. I want to discover latent links between film, television, and literature in the genre. I focuses currently on one critic, Ulrich Beck, while also on several films and novels. Beck fits my interest in the post disaster or apocalypse genre with his book \u201cRisk Society\u201d, which is also a concept he loosely defines as everyday risks our society takes in the name of progress, such as nuclear science disasters. Risk society sub-genres, as I like to label them, also include natural, epidemic, technological, transportation-related, and conflict-based disasters.. This text is in conversation with Gabe Mythen, which may prove to be a valuable secondary source. In my discussion with Professor Malchic, we discussed films such as \u201cChildren of Men\u201d (2006), The Day The Earth Stood Still and \u201cMelancholia\u201d (2011). I was drawn on my own to the short book called <\/span><i><span style=\"font-weight: 400\">Apocalypse Cinema<\/span><\/i><span style=\"font-weight: 400\"> by Peter Szendy, as well as Andrew Tate\u2019s <\/span><i><span style=\"font-weight: 400\">Apocalypse Fiction<\/span><\/i><span style=\"font-weight: 400\"> for their insight into works such as these. I believe it is likely that I will need to find more critics and articles of the genre in literature or film to talk about. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">For now I have framed my working thesis on: Why does the apocalypse genre always focus on \u201cirreversible\u201d tragedies? What does apocalypse fiction say about our current state of the zeitgeist? What are some aspects of \u201crisk society\u201d that have not been explored in fiction yet?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Secondary Works: &nbsp; Mythen, Gabe. Ulrich Beck: A Critical Introduction to the Risk Society. LONDON; STERLING, VIRGINIA, Pluto Press, 2004. JSTOR, www.jstor.org\/stable\/j.ctt18fs3c4. &nbsp; Beck, Ulrich. Risk Society: towards a New Modernity. Sage, 2010. &nbsp; Tate, Andrew. Apocalyptic Fiction. London, UK ; New York, NY, USA: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017., 2017. &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/403lit\/2017\/09\/24\/apocalypse-and-me-jonah-adler-thesis-reading-list\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Apocalypse And Me: Jonah Adler Thesis Reading List<\/span><\/a><\/p>\n","protected":false},"author":2758,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145910,145911,1],"tags":[],"class_list":["post-197","post","type-post","status-publish","format-standard","hentry","category-2017-blog-posts","category-2017-reading-lists","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts\/197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/users\/2758"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/comments?post=197"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/posts\/197\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/media?parent=197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/categories?post=197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/403lit\/wp-json\/wp\/v2\/tags?post=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}