{"id":141,"date":"2023-02-08T01:00:04","date_gmt":"2023-02-08T01:00:04","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/britishpoetry\/?p=141"},"modified":"2023-02-08T01:00:04","modified_gmt":"2023-02-08T01:00:04","slug":"what-have-we-done-to-ourselves","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/britishpoetry\/2023\/02\/08\/what-have-we-done-to-ourselves\/","title":{"rendered":"What Have We Done to Ourselves?"},"content":{"rendered":"<p><span style=\"font-weight: 400\">What has humankind done to the natural world? What crimes have been committed in the name of man against the flora and fauna of our natural home? The speaker in William Wordsworth\u2019s \u201cLines Written in Early Spring\u201d ponders questions similar to these as they observe the simple pleasures of nature whilst relaxing in a grove of trees. It is here that the speaker ponders the natural landscape, noting budding flowers and birds hopping about. Wordsworth writes about the flowers and flora of the natural scene in front of him as if they have conscious minds, lending a level of personability to the inanimate objects and indicating that every part of nature takes pleasure in its home.<\/span><\/p>\n<p><span style=\"font-weight: 400\">After observing this scene, the speaker then questions on two occasions, \u201cWhat man has made of man.\u201d (8, 24). The first time, the speaker is enjoying thoughts so pleasant in response to the beautiful grove he is sitting in, that worse thoughts begin to come to mind. These thoughts, in conjunction with the intense connection to nature the speaker experiences whilst sitting in the grove, are those of humankind, particularly how it has destroyed itself and parts of the natural world. The speaker then quickly moves on and begins taking note of the illustrious natural portrait painted before them, and realizes that each living piece of nature they can see is taking pleasure in the simplicity that is their natural environment.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The speaker then begins to wonder again, why couldn\u2019t mankind take pleasure in that simplicity? Why has humanity come to, and how have we put ourselves there? If there is such pleasure found in the natural world, why has mankind destroyed so much of it? The speaker quickly realizes how sad it is that they must ask these questions and begs the reader to understand \u2013 \u201cHave I not reason to lament \/ What man has made of man?\u201d (23-24). This is the second time the speaker is pondering this idea, this question of what mankind has done to itself and the natural world, emphasizing the concept. This time around, however, the idea is shrouded in sadness, whereas the first time it was more of an observation. After all, the speaker has by then spent quite some time surrounded by the natural world that mankind is hell bent on destroying, and has developed a sense of empathy toward each aspect of the natural scene before them.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What has humankind done to the natural world? What crimes have been committed in the name of man against the flora and fauna of our natural home? The speaker in William Wordsworth\u2019s \u201cLines Written in Early Spring\u201d ponders questions similar to these as they observe the simple pleasures of nature whilst relaxing in a grove &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/britishpoetry\/2023\/02\/08\/what-have-we-done-to-ourselves\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">What Have We Done to Ourselves?<\/span><\/a><\/p>\n","protected":false},"author":5134,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-141","post","type-post","status-publish","format-standard","hentry","category-spring-2023"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts\/141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/users\/5134"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/comments?post=141"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts\/141\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/media?parent=141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/categories?post=141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/tags?post=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}