{"id":348,"date":"2023-03-31T16:18:12","date_gmt":"2023-03-31T16:18:12","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/britishpoetry\/?p=348"},"modified":"2023-03-31T16:18:12","modified_gmt":"2023-03-31T16:18:12","slug":"wordsworths-brutal-withering-in-time","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/britishpoetry\/2023\/03\/31\/wordsworths-brutal-withering-in-time\/","title":{"rendered":"Wordsworth&#8217;s Brutal Withering in Time"},"content":{"rendered":"\r\n<p>I wanted to look at the poem, \u201cSonnet (To an Octogenarian) by William Wordsworth through the lens of comparing it to Wordsworth\u2019s earlier poem, \u201cAn Old Man Travelling\u201d. There were several themes in both of these poems that related to one another. They are both, at the core of their messages, about the concept of time, and how one accepts this constant movement in time. I found this interesting because both of these poems have such developed ideas about time, that differ greatly from one another. It was interesting to see how wordsworth\u2019s perception of time had evolved as he lived through it on his own. <br \/><br \/>\u201cThe Old Man Travelling\u201d emphasizes the idea of re-envisioning the concept of age and growing old in time. This poem romanticizes the experience of an old man and explores the beauty of having been raisined with time. There is this idea that there is a physical pain that may be present through the withering of time, but the mind is at peace. There is a lack of a mental burden in comparing it to physical pain. A line that highlights this idea is, \u201cA man who does not move with pain, but moves | With thought. He is insensibly subdued\u201d (L 6-7). This line captures the theme of the entire poem by expressing how important the old man\u2019s mental space is, despite his old age. <br \/><br \/>In contrast to this, \u201cSonnet (To an Octogenarian)\u201d takes a different approach to the idea of time. This poem is a lot more fearful, and in this, a lot more lonely. There is an emptiness to the experience of time that is not present in \u201cThe Old Man Travelling\u201d. \u201cAffections lose their object; Time brings forth \/ No successors; and, lodged in memory, \/ If love exist no longer, it must die,\u201d (L 1-3). In these lines, Wordsworth expresses how time is not worth experiencing when love no longer exists. In other words, loneliness burdens your experience with time so much that it is empty. There is a lack of motivation to continue on without \u201clove\u201d. Wordsworth also adds to this idea by expressing how mourful it is to be given the part of being the \u201csole survivor of thy race\u201d (L 10). By this, he is saying that it is painful to feel like you are the last person alive who understands you. Time has not only withered away your body, but the love surrounding you as well. This concept is so different from \u201cThe Old Man Travelling\u201d, who, although never explicitly said to be alone, has also gone through the trials of growing old in time. The Old man was never so burdened by age. He was at peace, insensibly subdued. <br \/><br \/>The contrast of the ideas of time support how much more brutal \u201cSonnet (To an Octogenarian)\u201d is. Without looking at this lens of comparing this poem to \u201cThe Old Man Travelling\u201d, the raw idea of this poem is just focusing on a person who is experiencing an empty loneliness at an old age. However, by comparing the two poems, the audience is given the perspective that this speaker is experiencing an empty loneliness at an old age, but this is so far from their expectations and views on being old, that they had decades ago. It is so morbid because in \u201cThe Old Man Travelling\u201d there was a sense of hope for the future. An expectation that time would wither away your body, but your mind would be nourished and at peace. In \u201cSonnet (To an Octogenarian)\u201d, it is revealed that this is not how things turned out. The hope that was in \u201cThe Old Man Travelling\u201d was unfulfilled. Wordsworth is digging at this theme of Man vs. Time in a way that exploits the duality in the beauty and the burden of nature, and things in nature that are out of human control (time). <br \/><br \/>These ideas are important in understanding both poems because you cannot have it one way or the other. The message that the two poems are speaking together is that time is uncontrollable. The human relationship with time is something that is hopeful and beautiful, but in the same will also always be brutal and painful. The poems together highlight this idea by being in conversation with one another, as opposed to individually. We are only given one side of this conversation by reading these poems separately. <\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>I wanted to look at the poem, \u201cSonnet (To an Octogenarian) by William Wordsworth through the lens of comparing it to Wordsworth\u2019s earlier poem, \u201cAn Old Man Travelling\u201d. There were several themes in both of these poems that related to one another. They are both, at the core of their messages, about the concept of &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/britishpoetry\/2023\/03\/31\/wordsworths-brutal-withering-in-time\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Wordsworth&#8217;s Brutal Withering in Time<\/span><\/a><\/p>\n","protected":false},"author":5132,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-348","post","type-post","status-publish","format-standard","hentry","category-spring-2023"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts\/348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/users\/5132"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/comments?post=348"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/posts\/348\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/media?parent=348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/categories?post=348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/britishpoetry\/wp-json\/wp\/v2\/tags?post=348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}