{"id":223,"date":"2021-12-03T20:29:30","date_gmt":"2021-12-04T01:29:30","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/?page_id=223"},"modified":"2021-12-13T21:26:27","modified_gmt":"2021-12-14T02:26:27","slug":"the-bridal-ballad-by-edgar-allen-poe","status":"publish","type":"page","link":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/digital-editions\/the-bridal-ballad-by-edgar-allen-poe\/","title":{"rendered":"&#8220;The Bridal Ballad&#8221; by Edgar Allen Poe"},"content":{"rendered":"<h1>&#8220;The Bridal Ballad&#8221; by Edgar Allen Poe- a digital edition project<\/h1>\n<p>Although Edgar Allen Poe is best known for his literary works &#8220;The Fall of the House of Usher&#8221;, &#8220;The Tell-Tale Heart&#8221;, and &#8220;The Ravin&#8221;, he composed a multitude of writings that are equally worth of attention and analysis. Poe&#8217;s poem, &#8220;The Bridal Ballad&#8221;, written in 1837, shows his range as a writer by exploring themes of love, hope, death, and despair that are typical in the Feminine Gothic literary style. Through this digital edition and exploration of &#8220;The Bridal Ballad&#8221;, readers will learn about the less familiar side of Poe&#8217;s writing and gain a deeper understanding of Poe&#8217;s relation to the gothic genre, including both male and female authors, as a whole.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.poetryfoundation.org\/poets\/edgar-allan-poe\">Background on Edgar Allen Poe<\/a><\/li>\n<li>Description of Related Genres\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/the-romantics\">Romanticism<\/a><\/li>\n<li><a href=\"https:\/\/www.bl.uk\/romantics-and-victorians\/articles\/gothic-motifs\">Gothic<\/a>\n<ul>\n<li><a href=\"https:\/\/researchguides.library.tufts.edu\/c.php?g=824030&amp;p=6338054\">Victorian Gothic<\/a><\/li>\n<li><a href=\"https:\/\/oxfordre.com\/literature\/view\/10.1093\/acrefore\/9780190201098.001.0001\/acrefore-9780190201098-e-304\">Southern Gothic<\/a><\/li>\n<li><a href=\"https:\/\/www.nature.com\/articles\/palcomms201742\">The Female Gothic<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/the-bridal-ballad-with-annotations\/\">&#8220;The Bridal Ballad&#8221; with Annotations<\/a><\/li>\n<li>A Distant Reading of &#8220;The Bridal Ballad&#8221;\n<ul>\n<li><a href=\"https:\/\/dickinson0-my.sharepoint.com\/:x:\/g\/personal\/hughesma_dickinson_edu\/ETeF6xJkNMxOhHJk7UcrhR0Bk1HhRtIZh06Cs5aUQBwUMA?e=4%3AQ0N0wj&amp;at=9&amp;CID=ebf68c02-8b29-b560-696c-4ccadf6457cf\">Raw Data<\/a><\/li>\n<li><a href=\"https:\/\/dickinson0-my.sharepoint.com\/personal\/rices_dickinson_edu\/_layouts\/15\/doc.aspx?sourcedoc={f36564ab-098e-4379-b571-c5550e34f1f0}&amp;action=edit\">Graphed Data<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"https:\/\/dickinson0-my.sharepoint.com\/personal\/rices_dickinson_edu\/_layouts\/15\/doc.aspx?sourcedoc={988c3cc6-da07-4e08-b236-b467ae0bdf43}&amp;action=edit\">Project Analysis<\/a><\/li>\n<li><a href=\"https:\/\/dickinson0-my.sharepoint.com\/:w:\/g\/personal\/rices_dickinson_edu\/EU8zXTji77dMp9cdMbDFPQ0BcJj1ODjOzc_-YalZYcGX9w?e=NP3UOc\">Citations<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Bridal Ballad&#8221; by Edgar Allen Poe- a digital edition project Although Edgar Allen Poe is best known for his literary works &#8220;The Fall of the House of Usher&#8221;, &#8220;The Tell-Tale Heart&#8221;, and &#8220;The Ravin&#8221;, he composed a multitude of writings that are equally worth of attention and analysis. Poe&#8217;s poem, &#8220;The Bridal Ballad&#8221;, written &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/digital-editions\/the-bridal-ballad-by-edgar-allen-poe\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">&#8220;The Bridal Ballad&#8221; by Edgar Allen Poe<\/span><\/a><\/p>\n","protected":false},"author":4793,"featured_media":0,"parent":14,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-223","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/pages\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/users\/4793"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/pages\/223\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/pages\/14"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/wp-json\/wp\/v2\/media?parent=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}