{"id":954,"date":"2021-12-17T12:52:53","date_gmt":"2021-12-17T17:52:53","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/?page_id=954"},"modified":"2021-12-22T11:00:59","modified_gmt":"2021-12-22T16:00:59","slug":"the-good-morrow-annotated-page-auditory-devices","status":"publish","type":"page","link":"https:\/\/blogs.dickinson.edu\/digitalmethodsforthehumanities\/digital-editions\/the-good-morrow-by-john-donne\/the-good-morrow-annotated-page-auditory-devices\/","title":{"rendered":"Annotated Page 2: Auditory Devices & Tones"},"content":{"rendered":"

THE GOOD-MORROW<\/strong><\/p>\n

by John Donne<\/p>\n

I wonder, by my troth, what thou and I<\/span><\/span>
\nDid, till w<\/span>e loved?<\/span> W<\/span>ere w<\/span>e not w<\/span>eaned till then<\/span>?
\nBut sucked on country pleasures, childishly<\/span>?
\nOr s<\/span>norted we in the S<\/span>even S<\/span>leepers\u2019 den<\/span>?
\n\u2019Twas so; but this, all pleasures fancies be<\/span>.
\nIf ever any beauty I did see<\/span>,
\nWhich I desired, and got, \u2019twas but a dream of thee<\/span>.<\/p>\n

And now good-morrow to our w<\/span>aking souls<\/span>,
\nW<\/span>hich w<\/span>atch not one another out of fear<\/span>;
\nFor love<\/span>, all love<\/span> of other sights controls<\/span>,
\nAnd makes one little room an everywhere<\/span>.
\nLet<\/span> sea-discoverers to<\/span> new worlds<\/span> have gone<\/span>,
\nLet<\/span> maps to<\/span> other, worlds<\/span> on worlds<\/span> have shown<\/span>,
\nLet<\/span> us possess one world<\/span>, each hath one and is one<\/span>.<\/p>\n

My face in thine eye, thine in mine<\/span> appears<\/span>,
\nAnd true plain hearts do in the faces rest<\/span>;
\nW<\/span>here can we find two better hemispheres<\/span>,
\nW<\/span>ithout<\/span> sharp north, w<\/span>ithout<\/span> declining w<\/span>est<\/span>?
\nW<\/span>hatever dies, w<\/span>as not mixed equally<\/span>;
\nIf our two loves be one, or, thou and I<\/span>
\nLove so alike, that none<\/span> do slacken, none<\/span> can die<\/span>.<\/p>\n

<Color codes><\/strong>
\n– Rhyme Scheme:<\/span> A<\/span> B<\/span> A<\/span> B<\/span> <\/em><\/strong>C C C
\n<\/strong><\/em>– Internal Rhyme<\/span><\/strong>
\n<\/strong><\/em><\/span>– Anaphora<\/span><\/strong>
\n– Alliteration
\n– Chiasmus<\/span><\/span><\/strong><\/span><\/p>\n

> Stress pattern<\/a><\/p>\n