{"id":1643,"date":"2021-03-04T12:48:54","date_gmt":"2021-03-04T17:48:54","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/everythinginbetween\/?p=1643"},"modified":"2021-03-04T12:48:54","modified_gmt":"2021-03-04T17:48:54","slug":"perception-and-the-self","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/2021\/03\/04\/perception-and-the-self\/","title":{"rendered":"Perception and the self"},"content":{"rendered":"<p><strong>It\u2019s not the photograph that disturbs you it\u2019s you don\u2019t understand what photography is. Photography is disturbing <\/strong>said Geryon.<\/p>\n<p><strong>Photography is a way of playing with perceptual relationships. Well exactly.<\/strong><\/p>\n<p><strong>But you don\u2019t need a camera to tell you that. What about stars? Are you going to tell me none of the stars are really there? Well some are there but some burned out ten thousand years ago. <\/strong><\/p>\n<p><strong>I don\u2019t believe that.<br \/>\nHow can you not believe it, it\u2019s a known fact. But I see them. You see memories! \u00a0<\/strong><\/p>\n<p><strong>Have we had this conversation before? <\/strong><\/p>\n<p>Geryon followed Herakles to the back porch. They sat on opposite ends of the sofa.<\/p>\n<p><strong>Do you know how far away some of those stars are? <\/strong><\/p>\n<p><strong>Just don\u2019t believe it. Let\u2019s see someone touch a star and not get burned. He\u2019ll holdup his finger. Just a memory burn he\u2019ll say<br \/>\nthen I\u2019ll believe it. <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>When Herackles discusses photography with Geryon, we begin to understand his ideas about memory and reality. Geryon has a difficult relationship with perception and throughout the book we\u2019re forced to consider what it means for someone who\u2019s considered a monster to interact with the rest of society. Geryon is physically marked with his wings and his skin as \u2018other\u2019 but he also has a different relationship with learning and with words. Photography speaks to him because it\u2019s a medium which he can understand and control and manipulate in ways he isn\u2019t able to do with words and language.<\/p>\n<p>While re-reading this passage, I couldn\u2019t help but think about the poem we read in class by Adrienne Rich, <em>Diving Into the Wreck<\/em>. Rich brings up ideas about longevity and mythology, and she really hits the audience with thoughts on memory and belonging. She begins the poem, \u201cFirst having read the book of myths, and loaded the camera\u2026\u201d before diving into the ocean to explore, and the journey to the ship wreck she begins preparing herself with what she thinks she\u2019ll need, and it\u2019s only after beginning her journey that she realizes that she\u2019s not looking at the wreck from an outsider perspective, but rather she is a part of it and has to confront it within her own perceptions. She ends the poem,<\/p>\n<p>We are, I am, you are<br \/>\nby cowardice or courage<br \/>\nthe one who find our way<br \/>\nback to this scene<br \/>\ncarrying a knife, a camera<br \/>\na book of myths<br \/>\nin which<br \/>\nour names do not appear.<\/p>\n<p>&nbsp;<\/p>\n<p>Geryon develops through the story in similar ways to the narrator in Adrienne Rich\u2019s poetry; by diving up close to the wreck, he\u2019s forced to consider how he fits into his own story, rather than viewing his role in his own story as passive. His own mythos is only clear to him because of his work with the camera.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s not the photograph that disturbs you it\u2019s you don\u2019t understand what photography is. Photography is disturbing said Geryon. Photography is a way of playing with perceptual relationships. Well exactly. But you don\u2019t need a camera to tell you that. What about stars? Are you going to tell me none of the stars are really &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/everythinginbetween\/2021\/03\/04\/perception-and-the-self\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Perception and the self<\/span><\/a><\/p>\n","protected":false},"author":4657,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169398],"tags":[],"class_list":["post-1643","post","type-post","status-publish","format-standard","hentry","category-2021-blog-post"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/posts\/1643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/users\/4657"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/comments?post=1643"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/posts\/1643\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/media?parent=1643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/categories?post=1643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/everythinginbetween\/wp-json\/wp\/v2\/tags?post=1643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}