{"id":59,"date":"2017-10-25T21:32:04","date_gmt":"2017-10-25T21:32:04","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/?p=59"},"modified":"2017-10-27T18:34:39","modified_gmt":"2017-10-27T18:34:39","slug":"remixing-the-american-dream-raquel-cepeda","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/2017\/10\/25\/remixing-the-american-dream-raquel-cepeda\/","title":{"rendered":"Remixing The American Dream &#8211; Raquel Cepeda"},"content":{"rendered":"<h2>Remixing the American Dream<\/h2>\n<p><strong>Wednesday, October 4, 2017<\/strong><br \/>\n<strong>Anita Tuvin Schlechter Auditorium, 7 p.m.<\/strong><\/p>\n<p>The American Dream, Cepeda argues, is a pipedream for some and a birthright for others.\u00a0Challenging the absurdity of the black-white national conversation about the American dream, Cepeda offers a working and accessible revision to suit generations of Americans, like her, who have been pushed to the margins.<\/p>\n<p>This event is sponsored by the Clarke Forum for Contemporary Issues and co-sponsored by the Women\u2019s &amp; Gender Resource Center, the Popel Shaw Center for Ethnicity &amp; Race, the Division of Student Life, and the Departments of Spanish &amp; Portuguese, English, and Women\u2019s, Gender &amp; Sexuality Studies.<\/p>\n<p><strong>Biography (provided by the speaker)<\/strong><\/p>\n<p>Born in Harlem to Dominican parents, award-winning journalist, cultural activist, podcaster, and documentary filmmaker <a href=\"http:\/\/djalirancher.com\/\"><strong>Raquel Cepeda<\/strong><\/a> is the author of <i>Bird of Paradise: How I Became Latina.<\/i>\u00a0Equal parts memoir about Cepeda\u2019s coming of age in New York City and Santo Domingo, and detective story chronicling her year-long journey to discover the truth about her ancestry, the book also looks at what it means to be Latinx today. Cepeda\u2019s latest documentary <i><a href=\"http:\/\/djalirancher.com\/some-girls\/\">Some Girls<\/a>, <\/i>produced by Henry Chalfant and Sam Pollard, focuses on a group of troubled Latina teens from a Bronx-based side prevention program who are transformed by an exploration of their roots via the use of ancestral DNA testing, followed by a treat to the seat of the Americas. Cepeda is currently in production on her next documentary and currently writing <i>East of Broadway<\/i>, a story about one community in New York as soon through the lives of several of its inhabitants. She lives with her husband, Sacha Jenkins, a filmmaker, musician, and creative agency partner, her daughter, 20, and five-year-old son in New York City, <i>\u201c\u2026concrete jungle where\u00a0dreams are made of [and] there\u2019s nothin\u2019 you can\u2019t do\u2026\u201d<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>Read the article: <a href=\"http:\/\/www.dickinson.edu\/news\/article\/2834\/remixing_the_american_dream\">EXAMINING IDENTITY<\/a>\u00a0<em>by Kaila Basile\u00a0&#8217;20\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Remixing the American Dream Wednesday, October 4, 2017 Anita Tuvin Schlechter Auditorium, 7 p.m. The American Dream, Cepeda argues, is a pipedream for some and a birthright for others.\u00a0Challenging the absurdity of the black-white national conversation about the American dream, &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/2017\/10\/25\/remixing-the-american-dream-raquel-cepeda\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3705,"featured_media":60,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[148340,148524],"tags":[],"class_list":["post-59","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-blog-posts","category-clark-forum-talks"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/posts\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/users\/3705"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/posts\/59\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/media\/60"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/media?parent=59"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/categories?post=59"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/filmstudiesnewsblog\/wp-json\/wp\/v2\/tags?post=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}