{"id":146,"date":"2023-04-23T23:08:25","date_gmt":"2023-04-23T23:08:25","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/german-environments\/?p=146"},"modified":"2023-04-27T14:34:08","modified_gmt":"2023-04-27T14:34:08","slug":"sertig-valley-in-autumn-by-ernst-ludwig-kirchner","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/german-environments\/2023\/04\/23\/sertig-valley-in-autumn-by-ernst-ludwig-kirchner\/","title":{"rendered":"\u201cSertig Valley in Autumn\u201d by Ernst Ludwig Kirchner"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-148\" src=\"https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large-1024x695.jpeg\" alt=\"\" width=\"584\" height=\"396\" srcset=\"https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large-1024x695.jpeg 1024w, https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large-300x204.jpeg 300w, https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large-768x521.jpeg 768w, https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large-442x300.jpeg 442w, https:\/\/blogs.dickinson.edu\/german-environments\/files\/2023\/04\/03iht-rartkirchner-1-superJumbo-Large.jpeg 1280w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/>\u201cSertig Valley in Autumn\u201d was painted by Ernst Ludwig Kirchner in 1925. Kirchner was a founder of the Die Br\u00fccke style of German Expressionism, which emerged in the early 20th century in Dresden as a rejection of traditional artistic styles. \u201cBr\u00fccke\u201d translates to bridge, and these artists saw themselves as a sort of bridge between the artistic world and the bourgeois. The group became defined by bright colors and intense emotion in scenes sometimes communicating radical political views. A manifesto from Die Br\u00fccke written in 1906 states that their goal was to \u201cachieve freedom of life and action against the well-established older forces\u201d (<\/span><i><span style=\"font-weight: 400\">Br\u00fccke<\/span><\/i><span style=\"font-weight: 400\">, n.d.).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The Sertig Valley is located in Davos, Switzerland. After serving in the German Army in 1915, Kirchner had a mental breakdown and became addicted to morphine. He traveled to a sanatorium in Davos to retreat from the war and his former city life. This self-imposed exile in Switzerland lasted until his death in 1938. He was blacklisted by the Nazis, and fearing that they might invade Switzerland took his own life. In his time in Davos, Kirchner was fascinated by the sturdy characters and simple lives of his Swiss neighbors. His work here received less acclaim but focused more on the beauty of nature and human connection to it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This painting depicts a mountain vista and small village along a winding river, foregrounded by three figures, perhaps hiking in the mountains, overlooking the valley along with the viewer. The brushstrokes are rough and expressive. Bright blues, yellows, greens, and pinks are layered beside each other, giving the painting a vivid, dream-like quality. While the Expressionist landscapes painted by Kirchner\u2019s comrades back in Germany turned more muted and somber as the war progressed, the joy of his freedom and security is evident in the painting\u2019s boisterous character. This contrast highlights how the political and emotional environments shape artist\u2019s work as much, if not more, than the physical. Kirchner\u2019s experience of the Sertig Valley is literally colored by his personal experience of healing.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">For many German Expressionists, their goal \u201cachieve freedom of life\u201d through art was continually challenged by oppressive forces. Kirchner\u2019s retreat from conflict and fear perhaps made possible the realization of this goal. The Sertig Valley is not a German environment per se, but painted by a German in an era of increased emigration and oppression, it is a bright example of beauty and reprieve.\u00a0<\/span><\/p>\n<p><b>References<\/b><\/p>\n<p><i><span style=\"font-weight: 400\">Br\u00fccke<\/span><\/i><span style=\"font-weight: 400\">. (n.d.). Tate. Retrieved April 23, 2023, from<\/span><a href=\"https:\/\/www.tate.org.uk\/art\/art-terms\/b\/brucke\"> <span style=\"font-weight: 400\">https:\/\/www.tate.org.uk\/art\/art-terms\/b\/brucke<\/span><\/a><\/p>\n<p><i><span style=\"font-weight: 400\">German Expressionism\u2014One of the Greatest German Art Movements<\/span><\/i><span style=\"font-weight: 400\">. (2021, February 15). Artincontext.Org.<\/span><a href=\"https:\/\/artincontext.org\/german-expressionism\/\"> <span style=\"font-weight: 400\">https:\/\/artincontext.org\/german-expressionism\/<\/span><\/a><\/p>\n<p><i><span style=\"font-weight: 400\">German Expressionism Themes: Nature<\/span><\/i><span style=\"font-weight: 400\">. (n.d.). MoMA. Retrieved April 23, 2023, from<\/span><a href=\"https:\/\/www.moma.org\/s\/ge\/curated_ge\/themes\/nature.html\"> <span style=\"font-weight: 400\">https:\/\/www.moma.org\/s\/ge\/curated_ge\/themes\/nature.html<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">Siegal, N. (2015, December 2). Mountains as Muse for a Self-Exiled Artist. <\/span><i><span style=\"font-weight: 400\">The New York Times<\/span><\/i><span style=\"font-weight: 400\">.<\/span><a href=\"https:\/\/www.nytimes.com\/2015\/12\/03\/arts\/international\/mountains-as-muse-for-a-self-exiled-artist.html\"> <span style=\"font-weight: 400\">https:\/\/www.nytimes.com\/2015\/12\/03\/arts\/international\/mountains-as-muse-for-a-self-exiled-artist.html<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cSertig Valley in Autumn\u201d was painted by Ernst Ludwig Kirchner in 1925. Kirchner was a founder of the Die Br\u00fccke style of German Expressionism, which emerged in the early 20th century in Dresden as a rejection of traditional artistic styles. &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/german-environments\/2023\/04\/23\/sertig-valley-in-autumn-by-ernst-ludwig-kirchner\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4524,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-146","post","type-post","status-publish","format-standard","hentry","category-art-and-environment"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/posts\/146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/users\/4524"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/posts\/146\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/media?parent=146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/categories?post=146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/german-environments\/wp-json\/wp\/v2\/tags?post=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}