{"id":4619,"date":"2015-06-05T15:19:38","date_gmt":"2015-06-05T19:19:38","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/glossen\/?page_id=4619"},"modified":"2015-06-05T15:45:14","modified_gmt":"2015-06-05T19:45:14","slug":"susanne-eules-glossen40-2015","status":"publish","type":"page","link":"https:\/\/blogs.dickinson.edu\/glossen\/archive\/most-recent-issue-glossen-402015\/susanne-eules-glossen40-2015\/","title":{"rendered":"Susanne Eules"},"content":{"rendered":"

poems from: herding the queen’s hares<\/em><\/strong><\/a><\/p>\n

 <\/p>\n

hare paw notes<\/strong>
\nItalics: from Friederike Mayr\u00f6cker’s dieses J\u00e4ckchen (n\u00e4mlich) des Vogel Greif (that little jacket (namely) of the bird Griffin), Suhrkamp 2009 and \u00e9tudes, Suhrkamp 2013, Frankfurt am Main, Germany.
\nMayr\u00f6cker’s first mentioned title refers to the Brothers Grimm fairytale of the Bird Griffin, KHM 165 in which another type of fairy tales AT 570 Herding the King\u2019s hares is included.<\/p>\n

 <\/p>\n

coinevale<\/strong><\/p>\n

lights turned off : there is this drumfare : the game fair @ 4 : am : the fanfare<\/p>\n

of whistles as in procession for warfare : the cort\u00e8ge : the inner ring with tickell’s<\/p>\n

& naumann’s ouzeling : the outer clockwise counter with true thrushes in dark<\/p>\n

bushes : a wayward ring : o : how they on trailers : throwing sweets or treats :<\/p>\n

waggis & r\u00e4ppli : <\/em>copious amounts of coinfetti : unicoloured : redwinged : rufous<\/p>\n

bellied cliques of nullarbored quails : mutediuos : crimson winged : white crested<\/p>\n

bluethroats : marching with tottering pipes : schyssdr\u00e4ggziigli : in the end all<\/p>\n

masqueraded nightingales : eyebrowed fieldfares : h\u00e2[r]z coinstumed forever<\/p>\n

 <\/p>\n

Notes<\/strong><\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Carnival_of_Basel<\/a><\/p>\n

http:\/\/www.youtube.com\/watch?v=iT8Capo9o9M<\/a><\/p>\n

http:\/\/www.youtube.com\/watch?v=9ZTn3TQE3UM<\/a><\/p>\n

 <\/p>\n

h\u00e2[r]z: combination of hare and h\u00e2z (old high German) for clothing<\/p>\n

 <\/p>\n

\n

 <\/p>\n

coinnale<\/strong><\/p>\n

germania’s title taken down from the neoclassicist facade stairwell pathetic<\/p>\n

gesture & placed interiorly on the half round wall : imperial eagle & preyed<\/p>\n

hare as swastika : recoined : an oversized Deutsche Mark framed by oaks’<\/p>\n

leaves : reunified & coinversioned in 1990 : a monetary monastery : trans<\/p>\n

cendent : superior : unavailable in monst[e]rance transsubstanti[n]ation :<\/p>\n

demonstration of thaler by coin : a temporary measure : a provisional<\/p>\n

arrangement of wooden slats supporting the magnificently red staged photo<\/p>\n

graph of italy’s & germany’s leaders’ 1934 biennale visit : a marbled floor<\/p>\n

approved in 1937 by aspiring artist a.h. : abandoned after ww2 : adopted<\/p>\n

in 1950 by the ecoinomic miracle : smashed in 1993 & expa<\/sup>e<\/sub>nd<\/sup>s<\/sub>ed in rubble<\/p>\n

: ding dong : hark now i hear them : ding dong bones not coral made :<\/p>\n

full fathom five our fathers & enemies lie : the sound of mortal bus<\/sub>zz<\/sup>iness<\/p>\n

: icy & shattered ship wrecks :\u00a0\u00a0 de<\/sup>mind<\/sup>t<\/sub>ed\u00a0\u00a0 capitaliz<\/sub>n<\/sup>ation<\/p>\n

 <\/p>\n

Notes<\/strong><\/p>\n

In reference to Hans Haacke’s contribution to the 1993 Venice Biennale \u2018Germania\u2019 & William Shakespeare’s Ariel’s Song.<\/p>\n

In Nazi Germany, the emblematic hare was replaced by a swastika, see: Simon Carnell: Hare<\/em>, London 2010, p. 55.<\/p>\n

 <\/p>\n

\n

 <\/p>\n

 <\/p>\n

microgram<\/strong><\/p>\n

evening settles<\/p>\n

into a conversed<\/p>\n

canvas glowing<\/p>\n

at the first flake<\/p>\n

then without<\/p>\n

sound & word<\/p>\n

i am beside myself<\/p>\n

robert walser said<\/p>\n

succumbing : stum<\/p>\n

bling at the slope :<\/p>\n

his hat rolled on<\/p>\n

for a while from<\/p>\n

a low angle a last<\/p>\n

full stop on the<\/p>\n

overly exposed<\/p>\n

photographic plate<\/p>\n

 <\/p>\n

Notes<\/strong><\/p>\n

Robert Walser, born April 15, 1878 was a German-speaking Swiss writer who loved long, lonely walks. From 1929 on, after a mental breakdown, he lived in the sanatorium Herisau. More and more, he used the way of writing he called the pencil method<\/em>: He wrote poems and prose in a diminutive S\u00fctterlin hand, letters measuring about a millimeter of height. On the 25th of December 1956 he was found, dead of a heart attack, in a field of snow near the sanatorium. The photographs of the dead walker in the snow resemble a similar image of the dead poet Sebastian in the snow in Walser’s first novel, Geschwister Tanner<\/em>.<\/p>\n

 <\/p>\n

Werner Morlang and Bernhard Echte were the first ones who deciphered Robert Walser’s microscripts. In the 1990s, they published a six-volume edition, Aus dem Bleistiftgebiet<\/em> (From the pencil area<\/em>).<\/p>\n

 <\/p>\n

\n

 <\/p>\n

sea haress at the pool<\/strong><\/p>\n

you have to get used<\/p>\n

you have to get used<\/p>\n

to the fact that every<\/p>\n

pool is filled with diff<\/p>\n

erent water & people<\/p>\n

though the old women<\/p>\n

seem to have come all<\/p>\n

the way from my origi<\/p>\n

nal home place across<\/p>\n

the atlantic they talk<\/p>\n

about the same old<\/p>\n

things only in a foreign<\/p>\n

language & meanwhile<\/p>\n

to the 85 year old the<\/p>\n

grown toenail had bro<\/p>\n

ken into a deadly wea<\/p>\n

pon requiring shears<\/p>\n

handled by her swim<\/p>\n

mate but this is after the<\/p>\n

workout with my tinted<\/p>\n

goggles usually protect<\/p>\n

ing me against eternal<\/p>\n

sunshine which turn the<\/p>\n

water up state into a de<\/p>\n

ep see from which i e<\/p>\n

merge with an undulating<\/em><\/p>\n

chest <\/em>& vermount fuji in<\/p>\n

my chirping<\/em> twitching<\/em> eye<\/p>\n

 <\/p>\n

johnsdaughter, vt<\/strong><\/p>\n

[dropping the real<\/strong><\/p>\n

state of my belong<\/strong><\/p>\n

ing\/eternal sunshine]<\/strong><\/p>\n

 <\/p>\n

almost the whole day<\/p>\n

i have concealed with<\/p>\n

in myself : this lostness<\/p>\n

\u2013 verlorenheit \u2013 of my<\/p>\n

tongue : how far have<\/p>\n

i come departing in north<\/p>\n

baden or as we call it<\/p>\n

badisch siberia with stop<\/p>\n

overs in dull workplaces<\/p>\n

w\/o intimate relations<\/p>\n

other than far voices<\/p>\n

oh i was wandering a<\/em><\/p>\n

round <\/em>like today in half<\/p>\n

leaved woods & fields<\/p>\n

every thing only bricolage <\/em><\/p>\n

a tinkering with words<\/p>\n

by mind<\/sup>ing pencils<\/p>\n

 <\/p>\n

hybrids : sustain your energy<\/strong><\/p>\n

\"Lepus<\/a>

Lepus Cornutus<\/p><\/div>\n

the lepus cornutus is not what you think of a haress\u2019 cuckolded husband but has been leaping through historiae animalium : theatra universalis since medieval times making it on the 1662 frontispiece of physica curiosa with even farther illustration : in 1743 it has been sighted in jacob theodor klein\u2019s summa dubiorum : furthermore was listed as having crossed the borders in 1817 to appear in the nouveau dictionnaire d’histoire naturelle but that\u2019s just an assumption because of its extreme shyness :\u00a0although there are reports of rare cases where some female had \u2013 as sleeping belly up \u2013 been milked for the purpose of various medicinal treatments in cases of lascivious & hypersexual behavior : homesickness : bouts of melancholy or virgin births & one case of resurrection : faithfully miraculous & mysterious they only breed during winter electrical storms & are extremely dangerous if approached : defending their territory luring intruders away by convincingly imitating the human voice sometimes even pointing the path towards saxony : there it goes : that way :<\/p>\n

 <\/p>\n

\n

 <\/p>\n

children\u2019s song<\/strong><\/p>\n

not yet cast the coat<\/p>\n

the handmade paper<\/p>\n

lantern lit by stars &<\/p>\n

ourselves : still in fog<\/p>\n

liolage i wait for ink<\/p>\n

ing time : not the short<\/p>\n

breathed lines of sheet<\/p>\n

cut patterns : but the<\/p>\n

cuplets of snow <\/em>rabim<\/p>\n

mel rabammel rabum<\/p>\n

 <\/p>\n

Notes<\/strong><\/p>\n

 <\/p>\n

St. Martin’s Day, also known as the Feast of St. Martin, Martinstag or Martinmas, the Feast of St. Martin of Tours or Martin le Mis\u00e9ricordieux, is a time for feasting celebrations. St. Martin was known as friend of the children and patron of the poor. In Germany, on the night of Nov. 11, children walk in processions carrying lanterns, which they made in school, and sing Martin songs. Usually, the walk starts at a church and goes to a public square. A man on horseback dressed like St. Martin accompanies the children. When they reach the square, Martin\u2019s bonfire is lit and Martin\u2019s pretzels are distributed<\/p>\n

 <\/p>\n

\n

 <\/p>\n

portrait of the stargazer field<\/strong><\/p>\n

 <\/p>\n

is there anguish that swirls<\/p>\n

& whirls & will never end les<\/p>\n

bons mots carried their furo<\/p>\n

sophical exclamation mark<\/p>\n

tonicity idiomaticity inaudible<\/p>\n

furibility that mix & port\u00e9e the<\/p>\n

german tongue the taste of self<\/p>\n

: hares : ein verm\u00f6gen : possessed<\/p>\n

costing a fortune & nearly impo<\/p>\n

ssible to bound outside the circle<\/p>\n

of assassins kafka would say :<\/p>\n

now after the night the day you<\/p>\n

would say where are we where<\/p>\n

do we awaken where do we keep<\/p>\n

watch on awakening this new us<\/p>\n

 <\/p>\n

 <\/p>\n

thamnocoloi<\/strong><\/p>\n

at spychernplatz, <\/strong><\/p>\n

berlin germany<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

meene beene<\/p>\n

tun so wehe<\/p>\n

down to core<\/p>\n

& pith i wish<\/p>\n

hoppel di po<\/p>\n

ppel myself<\/p>\n

to beat the ho<\/p>\n

oks to mingle<\/p>\n

for a blissful<\/p>\n

supper in their<\/p>\n

island’s shrubs<\/p>\n

 <\/p>\n

Notes<\/strong><\/p>\n

 <\/p>\n

thamnocolous: shrub inhabiting species (Dictionary of Ecology and Environment).<\/p>\n

meene beene tun so wehe: Berlinian for my legs hurt so much.<\/p>\n

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poems from: herding the queen’s hares   hare paw notes Italics: from Friederike Mayr\u00f6cker’s dieses J\u00e4ckchen (n\u00e4mlich) des Vogel Greif (that little jacket (namely) of the bird Griffin), Suhrkamp 2009 and \u00e9tudes, Suhrkamp 2013, Frankfurt am Main, Germany. Mayr\u00f6cker’s first mentioned title refers to the Brothers Grimm fairytale of the Bird Griffin, KHM 165 in […]<\/p>\n","protected":false},"author":394,"featured_media":0,"parent":4372,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-4619","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/pages\/4619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/users\/394"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/comments?post=4619"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/pages\/4619\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/pages\/4372"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/glossen\/wp-json\/wp\/v2\/media?parent=4619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}