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<\/p>\nAi Lettori: To the Readers<\/p>\n
Who were these readers?<\/p>\n
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I am studying a 1615 English Edition of The Secrets of Alexis<\/em>. The book was originally published in Italian under the name De\u2019 Secreti del Reverendo Donno Alessio Piemontese<\/em> in 1555 (WorldCat). This book was printed by William Stansby in London. It is a book of recipes for medicines, dyes, cosmetics, alchemy, etc. For more information on the physical book or the people who helped make it, please see my previous posts The Secrets of Alexis<\/a> \u00a0and The Secrets of \u2026 Who?<\/a>.<\/p>\n In my last post, I looked at the \u201cTo the Reader\u201d and the way the author describes himself in it. This time, I want to look at how he views the reader, or rather, readers. In the Italian, this section is titled \u201cAi Lettori,\u201d meaning \u201cTo the Readers,\u201d the \u201ci\u201d at the end of both words indicating plural readers<\/em>. With the vast popularity of the book, I feel the Italian offers a more fitting heading.<\/p>\n Alessio spent his life collecting these \u201csecrets,\u201d reaching a point where he was \u201cassured that few other men [had] so many as\u201d him. He had originally kept these recipes secret because out of \u201cambition and vain glory, to know that which another should be ignorant of.\u201d He changed his mind, however, after a man had died of something he might have cured because he was too proud to share the remedy, and the physician was too vain to let another man help his patient. He wanted these \u201csecrets\u201d made public so that no one else would die in vain. In this way, his target audience is everyone and anyone possible\u2014as many people as possible.<\/p>\n With so many print runs in so many languages, The Secrets of Alexis<\/em> was certainly successful in reaching a wide audience. In 1894, an article from The Hospital <\/em>notes how people would carry copies cheaply bound in blue paper with them to country fairs and such from the mid-16th<\/sup> into the early 17th<\/sup> century. This indicates, firstly, that the book was a staple for home remedies and amateur alchemy for almost half a century, and secondly, that historians have used The Secrets<\/em> study the medical understanding of people at the time of its publication and the peak of its popularity. In a way, the historians are another, though unanticipated, audience of the book.<\/p>\n Charles C. Sellers, c.1970<\/p><\/div>\n As for this specific copy, I know for certain of only two owners: Dickinson College and Charles Coleman Sellers. Sellers was born in Overbrook, Pennsylvania March 16th<\/sup>, 1903. He attended Haverford College, graduating in 1925, and then earned his Master of Arts at Harvard the following year. In 1957, he received his doctorate from Temple University. He worked as a historian and a librarian for various libraries and institutions. These include Wesleyan University (1937-1949), American Philosophic Society of Philadelphia (1947-1951), Dickinson College (1949-1969), and Waldron Pheonix Belknap Jr. Research Library of American Painting (1956-1958). He was also the editor for the American Colonial Painting <\/em>(1959), as well as an esteemed author. Much of his work focused on early United States art history. He published three books on Charles Willson Peale in 1947, 1952, and 1969, as well as Benjamin Franklin in Portraiture<\/em> (1962) Dickinson College: A History<\/em> (1973), and Patience Wright<\/em> (1976). Sellers was married twice. His first wife was actress Helen Earle Gilbert (m. 1932-1951), whom this volume was donated in memory of. \u00a0In 1952, after Gilbert\u2019s passing, Sellers married Barbra S. Roberts.<\/p>\n This book was donated at some point between his first wife\u2019s passing in 1951 and his own passing in 1980. There does not appear to be any further information on Sellers and how he got The Secrets<\/em>, what he thought about it, when or why he donated it to the college, etc. It seems that because he worked in the archives, he felt such fanfare for his own donations were unnecessary, much to my dismay.<\/p>\n I imagine Sellers was not the first nor only owner of this book because it was printed nearly three centuries before he was born. Moreover, I noticed pencil markings on several pages, drawing attention to specific recipes. These markings may have been made by Sellers, but because of a trend I noticed in these recipes\u2014that more than a third of them\u00a0relate to sexual issues (menstruation, pregnancy, boils on the groin, etc.)\u2014I think the book may have been read by someone researching or interested in the history of people\u2019s understanding of sexual health. This would most certainly not<\/em> be the audience that Alessio intended The Secrets<\/em> for because these recipes were supposedly added in later additions, likely by a publisher or William Ward while he was translating the work to English (Martins). Also, I think this \u201cother reader\u201d was a woman because they underlined \u201cin the nature of\u201d referring to a woman, highlighting the difference in the way men and women were described in this remedy. Interestingly, the pencil markings are mostly in the second part of the book, meaning more recipes relating to sexual health in the third part were not marked. The other recipes marked look at various topics: serpents, lizards, dogs, sunblock, warts, wild beasts, \u201cmarvelous dreams\u201d etc. It is possible that these recipes were marked because they seemed a little impractical or impossible and the reader was amused by them. Branches put in a person\u2019s ears, for example, do not prevent sunburn on the top of a person\u2019s head. The trend I noticed above might actually be coincidence, and so many of these recipes were marked because there was so much faulty understanding about this topic, especially about women. A toad tied to a woman\u2019s neck will not end her menstruation quicker, nor will any herb make a woman more likely to bear sons than daughters.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Works Cited<\/p>\n \u201cCharles Coleman Sellers (1903-1980).\u201d Dickinson College Archives & Special Collections<\/em>, 2005. https:\/\/archives.dickinson.edu\/people\/charles-coleman-sellers-1903-1980<\/a>. Accessed 2 December 2024<\/p>\n \u201cDe’ secreti del reverendo Donno Alessio Piemontese. Prima [-terza] parte.\u201d Internet Archive<\/em>, 2 March 2018. https:\/\/archive.org\/details\/BIUSante_pharma_res018694\/m ode\/2up<\/a>. Accessed 2 December 2024<\/p>\n![\"\"](\"https:\/\/blogs.dickinson.edu\/historyofthebook2024\/files\/2024\/12\/Fig-2-245x300.jpg\")
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