{"id":484,"date":"2015-06-14T21:29:10","date_gmt":"2015-06-14T21:29:10","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/inequalityinbrazil\/?p=484"},"modified":"2015-06-16T04:01:05","modified_gmt":"2015-06-16T04:01:05","slug":"484","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/inequalityinbrazil\/2015\/06\/14\/484\/","title":{"rendered":"Cities, Storytelling, and the Power of Representation"},"content":{"rendered":"

June 12, 2015<\/p>\n

By: Alejandro Heredia<\/p>\n

Today started with a quick lecture on the article \u201cFortified Enclaves: The New Urban Segregation\u201d by Teresa P.R. Caldeira. In her article, Caldeira argues that the presence of privatized, gated communities promotes class separation. This is to say that since these gated communities are often very self-sufficient, higher class people don\u2019t have to leave these spaces very often, and therefore seldom interact with lower class people. We also talked about the ways in which this class separation perpetuates stereotypes about lower class communities.<\/p>\n

After our lecture, we had an impromtu visit from the President of the International Storytelling Center, Kiran Singh Sirah. Yesterday, Rob had a long conversation with him about his life and work, and when he told the group about their conversation, we were excited to ask if he could talk to us the next day, before he left the hostel. Kiran first told us his story, which began with his Indian parent\u2019s immigration from Uganda to England before he was even born. He also told us about the prejudices that he experienced as a brown boy in England, and how his own experiences with racial oppression inspired him to work against injustice in his adult life.<\/p>\n

Kiran\u2019s work revolves around advocacy for storytelling in the realm of social justice, particularly as a tool for conflict resolution. He told us that one of the only things that can change a group\u2019s strict views of another is by sitting in a room and experiencing their individual stories through mediums like visual art, poetry, music, or dance. Among his many accomplishments as a teacher, curator, and artist, in 2012, Kiran was invited to give an address at the United Nations Headquarters titled \u201cTelling Stories That Matter.\u201d<\/p>\n

I was particularly moved by Kiran\u2019s conversation with us because his work aligns with the work I hope to do in the world. As a poet and fiction writer, I write to liberate myself first, but I also write to guide others to liberate themselves. When I leave Dickinson, I want to provide creative spaces for New York City youths to write about their experiences and help them imagine the kind of world they want to live in. It was an honor to meet someone who uses storytelling and art to lessen social justice issues that affect oppressed communities around the world.<\/p>\n

After lunch with Kiran, we left him to visit two museums. The first, Museu da L\u00edngua Portuguesa, featured the history of the Portuguese language, especially Brazilian Portuguese. It also demonstrated that Brazilian Portuguese has Italian, African, Japanese, and indigenous influences, due to the large diversity of the Brazilian population.<\/p>\n

We also visited Pinacoteca de S\u00e3o Paulo, a modern art museum right across the street from Museu da L\u00edngua Portuguesa.\u00a0 The permanent exhibition at the museum aims to highlight over 300 years of Brazilian art, from the colonial period to the mid-twentieth century. Two of the pieces that stuck out the most to me were \u201cAfrica\u201d and \u201cAmerica,\u201d by Stephan Kesller. These paintings were made in the 1600s, and they depict European contact with African and Native American communities, respectively. In \u201cAfrica,\u201d the artist depicts a peaceful encounter between a European and an African man, and they are surrounded by symbols and participants of \u201cAfrican\u201d culture. First, this painting conflates the entirety of the continent into a homogenous \u201cAfrican\u201d culture. The painting also suggests that interaction between these two groups was as peaceful as the painting depicts.<\/p>\n

The second painting shows a similar interaction between the European and Indigenous populations. \u00a0In addition, in the center of the painting, there is a fire pit cooking human body parts. This perpetuates the stereotype that indigenous people around the world are cannibalistic, wild people that needed to be guided by European powers. As we left the museum, I thought about people of color\u2019s long history of oppression, and how much work still needs to be done today to continue to liberate the most disenfranchised individuals in our communities.<\/p>\n