{"id":648,"date":"2021-04-12T13:56:46","date_gmt":"2021-04-12T17:56:46","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/?p=648"},"modified":"2021-04-12T13:56:46","modified_gmt":"2021-04-12T17:56:46","slug":"stinsons-belly-songs-and-examining-a-self-deprecating-stream-of-consciousness","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/2021\/04\/12\/stinsons-belly-songs-and-examining-a-self-deprecating-stream-of-consciousness\/","title":{"rendered":"Stinson&#8217;s &#8220;Belly Songs&#8221; and examining a self-deprecating stream of consciousness"},"content":{"rendered":"<p>While the title of this post suggests an exploration of a &#8220;self-deprecating stream of consciousness,&#8221; the poem I wanted to discuss isn&#8217;t necessarily an example of that. &#8220;Pretty Fat,&#8221; one of the poems I came across within Stinson&#8217;s collection of poems, is unique in that it reads like a stream of consciousness with an incessant repetition of words like &#8220;so fat,&#8221; &#8220;ass&#8221; and &#8220;lard.&#8221; The reason that I say this isn&#8217;t really self-deprecating is because Stinson is trying to reclaim these words, as we can see at the end where she calls it &#8220;gracious flab\/gracious bone.&#8221; I find the poem quite interesting, and wanted to talk about how it both validates as well as counters the self-deprecating narratives we build for ourselves in our heads.<\/p>\n<p>As someone who has dealt with anxiety\/depression, I&#8217;m no stranger to relentless streams of negative thoughts like Stinson portrays here. At it&#8217;s core, it comes from a lack of self-worth that, in the case of this poem, would appear to stem from an internalized hatred of your own body. Personally, I&#8217;ve never had issues with body dysmorphia, but there are many who are transgender or perhaps even suffer from anorexia\/bulimia who have those kinds of thoughts daily, and could likely see themselves in this poem. That being said, I feel I can relate to the relentless stream of internal negativity that comes with that kind of conflict since I&#8217;ve dealt with that to some degree in my experience with mental illness. This is exactly why I think the resolution to the poem&#8217;s central conundrum is so satisfying.<\/p>\n<p>To counteract the negative thoughts, Stinson&#8217;s poem re-frames the meaning of these words. She suggests we think of &#8220;so fat so fat&#8221; not as a negative reminder of something society sees as a deficiency, but as &#8220;gracious flab.&#8221; It&#8217;s a matter of re-framing a &#8220;deficiency&#8221; into something that you can love and accept about yourself. The reason I like this resolution so much is that it is exactly the same tactic I learned from my therapist to deal with my anxiety disorder. Often times, my relentless stream of internal negativity can become overwhelming and my anxieties come to the forefront in a way that makes their prevalence unavoidable. Re-framing my anxieties is the best way forward because these thoughts can sometimes seem so unavoidable. I think being able to see your own self-perceived flaws as something you can come to love and accept in yourself is a very good message for Stinson to impart upon her readers, which is why I found this poem so personally interesting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While the title of this post suggests an exploration of a &#8220;self-deprecating stream of consciousness,&#8221; the poem I wanted to discuss isn&#8217;t necessarily an example of that. &#8220;Pretty Fat,&#8221; one of the poems I came across within Stinson&#8217;s collection of poems, is unique in that it reads like a stream of consciousness with an incessant &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/2021\/04\/12\/stinsons-belly-songs-and-examining-a-self-deprecating-stream-of-consciousness\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Stinson&#8217;s &#8220;Belly Songs&#8221; and examining a self-deprecating stream of consciousness<\/span><\/a><\/p>\n","protected":false},"author":4636,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169398],"tags":[],"class_list":["post-648","post","type-post","status-publish","format-standard","hentry","category-2021-blog-post"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/posts\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/users\/4636"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/posts\/648\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/media?parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/categories?post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/lgbtqhistoryandliterature\/wp-json\/wp\/v2\/tags?post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}