{"id":2459,"date":"2018-12-21T11:22:33","date_gmt":"2018-12-21T11:22:33","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/modern-us-history\/?p=2459"},"modified":"2018-12-21T12:46:01","modified_gmt":"2018-12-21T12:46:01","slug":"black-womens-expression-of-art-and-critique-on-america-9-5","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/modern-us-history\/black-womens-expression-of-art-and-critique-on-america-9-5\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Primary Sources:\u00a0<\/strong><\/p>\n

    \n
  1. Angelou, Maya. Harold Bloom, editor. 1996.\u00a0I Know Why the Caged Bird Sings<\/em>. New York :Chelsea House Publishers.<\/li>\n
  2. Buchanan, Beverly. Rituals and Ruins<\/em>. 1981. Brooklyn, New York Museum. Database: https:\/\/artsy.net\/show<\/li>\n
  3. Catlett, Elizabeth. Student\u2019s Aspire<\/em>. 1997. Howard University.\u00a0<\/em>Washington, D.C.<\/li>\n
  4. Fauset, Jessie Edmon. Plum Bun. <\/em>1928. New York.<\/li>\n
  5. Hurston, Zora Neal. Their Eyes Were Watching God<\/em>. 18 September 1937. J.B. Lippincott & Co.<\/li>\n
  6. Jones, Lois Mailou. La Baker Painting<\/em>. 1977. Contemporary Art. Museum of Fine Arts, Boston,<\/li>\n
  7. The Tulsa Star Newspaper. 19 Aug. 1914. Negro Women\u2019s Club Work in\u00a0Oklahoma. <\/em>http:\/\/chroniclingamerica.loc.gov<\/a><\/li>\n
  8. Thomas, Alma. Apollo 12 Splash Down<\/em>. 1970. Michael Rosenfeld Gallery, New York. https:\/\/Artsy.net<\/li>\n
  9. Thomas, Lillian J. B. Federation of Colored Women<\/em>. 7 April 1987. Association of Indianapolis. Colonial Revival Architecture.<\/li>\n
  10. Savage, Augusta. The Harp.<\/em> 1937. World\u2019s Fair. https:\/\/exhibitions.nypl.org<\/a><\/li>\n
  11. Simone, Nina. 1 June 1965. Feeling Good.\u00a0<\/em><\/li>\n
  12. Stewart, Ollie. Zora Hurston In Haiti Writing Her Fourth Book<\/em>. 7 August 1997. Bay Bottoms News. http:\/\/baybottomnews.com\/zora-was-never-happy-with-her-own-work\/<\/a><\/li>\n
  13. Women\u2019s Political Council. Untitled leaflet. 5 December 1955.<\/li>\n
  14. In Essence, a Celebration of Black Women<\/em>. Unknown leaflet.1996. The New York Times. https:\/\/www.nytimes.com\/1990\/05\/07\/business\/the-media-business-in-essence-a<\/a>celebration-of-black-women.html<\/li>\n<\/ol>\n

    Secondary Sources:<\/strong><\/p>\n

      \n
    1. Williams, Stereo. The Most Disrespected Person in America Is Still the Black Woman<\/em>. 9 Apr 2017.<\/li>\n
    2. Foner, Eric. 2008. Give Me Liberty: An American History. <\/em>Volume 2. 5th<\/sup> New York: W.W. Norton & Company.<\/li>\n
    3. Soto, Michael. 2016. Measuring the Harlem Renaissance.<\/em> Amherst: Uni. of Massachusetts Press.<\/li>\n
    4. Smethurst, James Edward. 2005. The Black Arts <\/em>Chapel Hill: The Uni. of North Carolina Press.<\/li>\n
    5. Fox, Regis M. 2017. Resistance Reimagined: Black Women\u2019s Critical Thought as Survival. <\/em>Gainesville: University Press of Florida. ISBN: 9780813056586<\/li>\n
    6. Howard, William L. America in Black and White. <\/em>June 1998. Magill\u2019s Literary Annual. pp. 1-4.<\/li>\n
    7. West, Elizabeth. African Spirituality in Black Women\u2019s Fiction: Threaded Visions of Memory, Community, Nature and Being.<\/em> Lanham: Lexington Books.<\/li>\n
    8. Fisher, Adriana Renee. 2018. I Am Because We Are, and Because We Are, Therefore I Am: The Role of Christianity in the Cultivation of a Psychological Sense of Belonging in the Lives of African American Women<\/em>. Illinois and Lexington, Kentucky. DAI. Section B: Sciences & Engineering.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

      Primary Sources:\u00a0 Angelou, Maya. Harold Bloom, editor. 1996.\u00a0I Know Why the Caged Bird Sings. New York :Chelsea House Publishers. Buchanan, Beverly. Rituals and Ruins. 1981. Brooklyn, New York Museum. Database:… Read more »<\/a><\/p>\n","protected":false},"author":3931,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[177944,1],"tags":[],"class_list":["post-2459","post","type-post","status-publish","format-standard","hentry","category-keyshana-edwards","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts\/2459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/users\/3931"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/comments?post=2459"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts\/2459\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/media?parent=2459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/categories?post=2459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/tags?post=2459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}