{"id":5383,"date":"2019-12-18T21:59:48","date_gmt":"2019-12-18T21:59:48","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/modern-us-history\/?p=5383"},"modified":"2019-12-20T02:25:13","modified_gmt":"2019-12-20T02:25:13","slug":"bibliography-47","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/modern-us-history\/bibliography-47\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Primary sources<\/span>\u00a0<\/span><\/h4>\n

Allender, Nina.\u00a0<\/span>The Spirit of \u201876 On to the Senate!\u00a0<\/span><\/i>1915. 17 in 12.25 in. National Women\u2019s Party Archives. Accessed December 2, 2019.\u00a0<\/span>https:\/\/nationalwomansparty.pastperfectonline.com\/webobject\/E7392D1D-DE62-40A9-8180-903714719855<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

California Commission on the Status of Women.\u00a01979.\u00a0<\/span>Women in the Visual Arts: Report of the California Commission on the Status of Women.\u00a0<\/span><\/i>Sacramento: California Commission on the Status of Women.\u00a0<\/span>\u00a0<\/span><\/p>\n

Daily Motion. \u201cBuffy Sainte Marie, Now That\u00a0<\/span>The<\/span>\u00a0Buffalo\u2019s Gone.\u201d YouTube Video, 2:46. December 3, 2019. <\/span>https:\/\/www.dailymotion.com\/video\/x2rgnkg<\/span><\/a>\u00a0<\/span><\/p>\n

Golden, Judith.\u00a0<\/span>Response to \u201cWhat is Feminist Art?\u201d<\/span><\/i>\u00a01976.\u00a029 x 22 cm. Washinton D.C., Archives of American Art, Smithsonian Institution. Accessed November 29, 2019.\u00a0<\/span>https:\/\/ids.si.edu\/ids\/deliveryService\/?id=AAA-AAA_womabuil_69106&max=1300<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Harris, George and Ewing, Martha.\u00a0<\/span>Delegation of Officers of the National American Woman Suffrage Association.<\/span><\/i>\u00a01917. National Archives Catalog. Accessed December 5, 2019.\u00a0<\/span>https:\/\/catalog.archives.gov\/id\/533767<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Hartigan, Grace.\u00a0<\/span>Shinnecock Canal.<\/span><\/i>\u00a01957. Oil on Canvas, 7\u20196\u00a0<\/span>\u00bd \u201d<\/span>\u00a0x 6\u20194\u201d. New York: Museum of Modern Art.\u00a0<\/span>https:\/\/www.moma.org\/audio\/playlist\/297\/620<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

McCardell, Claire.\u00a0<\/span>Monastic Dress.\u00a0<\/span><\/i>1949.\u00a0<\/span>Wool,<\/span>\u00a0manufactured by Townley Frocks. New York, Metropolitan Museum of Art. Accessed December 4, 2019.\u00a0<\/span>https:\/\/www.metmuseum.org\/art\/collection\/search\/97501<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

NPR. \u201cThe International Sweethearts of Rhythm: \u2018Jump Children!\u2019\u201d YouTube video, 2:05. November 30, 2019.\u00a0<\/span>https:\/\/www.youtube.com\/watch?v=94fcqEkPmSk&feature=emb_title<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Piper, Adrian.\u00a0<\/span>LSD Alice.<\/span><\/i>\u00a01965. Colored felt-tip pen, ballpoint pen, pencil on paper. 22.9 X 30 cm. Archives of Women Artists Research and Exhibitions. Accessed December 11, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

TeachRock<\/span>. \u201cGertrude \u2018Ma\u2019 Rainey- Prove It <\/span>On<\/span> Me Blues\u201d YouTube Video, 2:41. December 2, 2019.\u00a0<\/span>https:\/\/www.youtube.com\/watch?v=yRyaUcVfhak<\/span><\/a>\u00a0<\/span>\u00a0<\/span><\/p>\n

Secondary sources<\/span>\u00a0<\/span><\/h4>\n

Apollo International Art Magazine. 2009. \u201cAdrian Piper: A Synthesis of Institutions, 1965-2016.\u201d <\/span>Museum of Modern Art. <\/span><\/i>December 10, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

Banes, Ruth A. 1990. \u201cBlack Pearls: Blues Queens of the 1920s.\u201d <\/span>Rutgers University Press.<\/span><\/i> 21 (1): 57-71. Accessed November 4, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

Crane, Diana. 1999. \u201cFashion Design and Social Change: Women Designers and Stylistic Innovation.\u201d <\/span>Journal of American Culture. <\/span><\/i>22 (1). 61-69. Accessed November 4, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

Foner, Eric. 2017. <\/span>Give Me Liberty! American History Seagull Volume 2.<\/span><\/i> New York: W. W. Norton and Company.<\/span>\u00a0<\/span><\/p>\n

Harley, Sharon. 2019. <\/span>African American Women and the Nineteenth Amendment.\u00a0<\/span><\/i>National Park Service. Accessed December 4, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

Higashi, Sumiko. 1979. <\/span>Woman’s Being, Woman’s Place: Female Identity & Vocation in American History. <\/span><\/i>Boston: G.K. Hall.<\/span>\u00a0<\/span><\/p>\n

Lee, Martha. 2008. <\/span>American New Woman Revisited. <\/span><\/i>New Brunswick: Rutgers University Press<\/span>.<\/span><\/i>\u00a0<\/span><\/p>\n

McDonough, John. \u201cAmerica\u2019s Sweethearts; An All-Girl Band that Broke Racial Boundaries.\u201d <\/span>National Public Radio. <\/span><\/i>(2011).<\/span>\u00a0<\/span><\/p>\n

National Archives and Records Administration. 2019. \u201cWomen\u2019s Suffrage and the 19<\/span>th<\/span> Amendment.\u201d Accessed December 2, 2019.<\/span>\u00a0<\/span><\/p>\n

Shaw, Sophie. 2019. \u201cThe History of Women Wearing Suffragette White.\u201d CR Fashion Book. Accessed December 2, 2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

Spies, Kathleen. 2004. \u201cGirls and Gags: Sexual Display and Humor in Reginald Marsh\u2019s Burlesque Images.\u201d <\/span>American Art Archives. <\/span><\/i>18 (2). 32-57. Accessed November 4, 2019.<\/span>\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Primary sources\u00a0 Allender, Nina.\u00a0The Spirit of \u201876 On to the Senate!\u00a01915. 17 in 12.25 in. National Women\u2019s Party Archives. Accessed December 2, 2019.\u00a0https:\/\/nationalwomansparty.pastperfectonline.com\/webobject\/E7392D1D-DE62-40A9-8180-903714719855\u00a0\u00a0 California Commission on the Status of Women.\u00a01979.\u00a0Women… Read more »<\/a><\/p>\n","protected":false},"author":4136,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[225510],"tags":[],"class_list":["post-5383","post","type-post","status-publish","format-standard","hentry","category-patty-thistle"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts\/5383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/users\/4136"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/comments?post=5383"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/posts\/5383\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/media?parent=5383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/categories?post=5383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/modern-us-history\/wp-json\/wp\/v2\/tags?post=5383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}