{"id":1802,"date":"2009-09-13T12:45:07","date_gmt":"2009-09-13T16:45:07","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/norwichhumanities\/?p=1802"},"modified":"2009-09-14T14:29:39","modified_gmt":"2009-09-14T18:29:39","slug":"inescapable-class","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/2009\/09\/inescapable-class\/","title":{"rendered":"Inescapable Class"},"content":{"rendered":"

This summer I went to my local bookstore to pick up some of the summer reading for this course. I also decided to splurge on some travel essays and one very large guidebook. One of the books that caught my eye was Kate Fox\u2019s Watching the English<\/a><\/span>. In this tome of valuable information, Fox breaks down the hidden rules of English behavior\u2026everything from food rules to dress code. Fox is not only an anthropologist, but also an English woman and her ability to laugh at herself and her people make her observations both accurate and amusing. I was laughing the entire time I was reading. The way she writes is so witty and entertaining that I found myself both apprehensive and even more excited to come to London. How was I going to survive in a place where it was not socially acceptable to smile at strangers as I walked down the street? I was also particularly worried about my laughter. As most of you now know, when I find something funny, I will laugh\u2026 loudly and for a long time. I can\u2019t control it. I was worried everyone in England was going to think I was just the stupid American who is always loud. More about that later\u2026Fox concludes that all these behavior rules revolve around class. You do things the way you do because of your class, plain and simple.<\/p>\n

One of the most fascinating aspects of this theory has to do with language. I\u2019m sure most of us have noticed that even though we are in England, there is not one generic English accent. And, according to Fox, \u201cone cannot even talk at all without immediately revealing one\u2019s own social class.\u201d The indicators are in both the pronunciations and word choice. I\u2019ll elaborate on one of my favorites\u2026. \u2018Pardon.\u2019 The English apologize for everything, even if it\u2019s not their fault. If you bump into an English person on the street, they will probably apologize anyway. However, the word they use is an immediate indicator of their class. A lower-middle of middle-middle person will say \u2018pardon.\u2019 A upper middle will say \u2018sorry-what?\u2019 and an upper class person will simply say \u2018what?\u2019 Ironically the same response of \u2018what?\u2019 is also used by the working class, although they may drop the \u2018t\u2019 to make it \u2018wha-\u2018<\/p>\n

So, we have leaned that speech is the most immediate and most obvious way to place a person within your class GPS system. In Lee Hall\u2019s The Pitmen Painters<\/a><\/em>, one of the first interactions between Mr. Lyons and the group of pitmen involved differences in speech. Mr. Lyons could not understand their thick accents and different pronunciations. Obviously Mr. Lyons was speaking what is commonly known as \u201cOxford English\u201d whereas the pitmen were speaking in their own regional dialect. The Ashington group was a group of brilliant artists who just happened to be pitmen. But the people around them would often jump to conclusions when meeting them due to their speech. In Blood Brothers<\/a><\/em> twins Mickey and Eddie were split up at birth and raised apart. Mickey remained with his biological mother in a working class environment. Edward (Eddie) was raised by the upper class Lyon family. Mickey points out the language differences from the first time he speaks with his brother by making fun of Eddie for his \u2018posh\u2019 phrases like \u201cshag the vicar\u201d and \u201csmashing.\u201d It\u2019s the little details reveal the most about class differences. Although the brothers were great friend in their youth, it was the struggle between their classes that eventually led to tragic downfall. Your accent and speech does not reveal anything about your accomplishments but it does place you somewhere on that class scale. In a nation where verbal culture is prized over any sort of palpable or physical expression, language is the primary tool for recognizing social status.<\/p>\n

The one place where all these class rules are put on \u2018hold\u2019 (well, I\u2019ll let you decide) is the pub. The pub is a place with its own customs and is the main place of social bonding. Like in most cultures, the drinking-place tends to be socially equal or at least the differences are based on separate rules from the rest of society. Therefore, the pub is not really place of social or class equality, but the class differences are judged differently or are suspended whilst inside the pub. Only the English would have a completely different set of behavior rules specifically for the pub. I can\u2019t believe these people sometimes. In a striking contradiction the rest of England, the pub is one of the few places where you can start a conversation with a complete stranger\u2026as long as you\u2019re not too forward and ask their name. This rule only applies at the bar counter and the fact that you go to the bar to order food and drink (rather than having someone come to your table) forces one to be social. It just keeps getting more and more strange. The art of queuing is quintessentially English. Always respect the queue, at the store, at the tube stop, wherever. But in the pub this rule changes. Instead of the usual neat and orderly structure, the thirsty pub goes all hang around the counter. This is what Kate Fox calls the \u201cinvisible queue,\u201d where both the publicans and the customers know their positions in the waiting line. Everyone knows who is next and if you try and get service before your turn, the bar staff will ignore you the rest of your stay. One evening last week was a part of a group who decided to grab a drink at The Court, a local pub on Tottenham Court Road.\u00a0 We accidentally placed ourselves outside the range of the invisible queue to disastrous consequences. Not only were we yelled at in front of the entire pub, it was hard to get service the rest of the night.<\/p>\n

That aside, I have had a great time every time I go to a pub. It\u2019s a great place to people watch (one of my favorite pastimes) and see the rare interactions between the English. Of course, all pubs are not created equal. I will agree with my classmates that The Court caters to a younger crowd and is the kind of place where our American volume is somewhat more acceptable, whereas the Marlborough Arms is great place to grab a meal and to catch up with your fiends. Nothing against pubs like The Court, but I prefer places where I can sit down and not have to yell across the table to be heard. I guess that\u2019s my inner 60-year-old woman talking. Besides, the chicken and leek pie on Sunday nights at the Arms is fantastic! Pub culture is a valuable part of life in England, and most people have found a pub that really fits their personality or lifestyle. You can lean a lot about the English by observing what goes on in a pub, and at the same time, you have to leave the pub to fully understand the culture. This place is full of contradictions. While I am yet to become a \u2018regular,\u2019 I hope I can investigate more of this strange phenomenon of the England when I get to Norwich\u2026 I might even find a football team to support.<\/p>\n

To recap, everything is about class. Each social class has identifying elements that place one in a certain class. Don\u2019t say \u2018pardon\u2019, avoid using fancy French words like serviette<\/a><\/em>, and mind the invisible queue at pubs. We will all be reading Watching the English<\/span> once we get to Norwich so now you all have something to look forward to. Keep an eye out for these hidden behaviors. I find it all quite fascinating. Also, if anyone feels like pie tonight, meet me at the Arms.<\/p>\n","protected":false},"excerpt":{"rendered":"

This summer I went to my local bookstore to pick up some of the summer reading for this course. I also decided to splurge on some travel essays and one very large guidebook. One of the books that caught my eye was Kate Fox\u2019s Watching the English. In this tome of valuable information, Fox breaks […]<\/p>\n","protected":false},"author":49,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[741],"tags":[1353,1354,1351,1346,1320,1374,1373],"class_list":["post-1802","post","type-post","status-publish","format-standard","hentry","category-grace","tag-blood-brothers","tag-class","tag-class-struggle","tag-pub-culture","tag-the-pitman-painters","tag-the-queue","tag-watching-the-english"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/1802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/comments?post=1802"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/1802\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/media?parent=1802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/categories?post=1802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/tags?post=1802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}