{"id":3367,"date":"2010-09-17T19:53:39","date_gmt":"2010-09-17T23:53:39","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/norwichhumanities\/?p=3367"},"modified":"2010-09-17T19:53:39","modified_gmt":"2010-09-17T23:53:39","slug":"a-plays-reach-should-exceed-its-grasp-a-commentary-by-luke-wronski","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/2010\/09\/a-plays-reach-should-exceed-its-grasp-a-commentary-by-luke-wronski\/","title":{"rendered":"A Play’s Reach Should Exceed its Grasp: A Commentary by Luke Wronski"},"content":{"rendered":"

As a class, we have seen three very different plays during our time here in London, and tonight, I was finally satiated with The Habit of Art.\u00a0 Before starting another heated argument equal to me being the only student on the program that enjoyed Mrs. Dalloway, I would immediately agree with all the primary critiques.\u00a0 The play was indulgent.\u00a0 The play-within-a-play theme did not really do much at all for the work as a whole except insert a few quick laughs.\u00a0 The first act really tested my patience with the playwright.\u00a0 However, after intermission, things changed.\u00a0 Ideas became more fully developed and more ideas were brought forth.\u00a0 Alan Bennett seemed to gain more control over his thoughts and presented them more clearly to the audience.\u00a0 And, perhaps the most essential thing that occurred in the play\u2019s latter half, it started to make sense.\u00a0 When the play ended, not all the Quallms<\/em> mentioned above were resolved; but, I kept thinking about the second set of qualities to the play and I was thoroughly intrigued, even if I did not have many clear answers.<\/p>\n

The Habit of Art differs greatly from the other plays in that it tries very hard to achieve very difficult and complex goals and, ultimately, it misses.\u00a0 But, it does not miss by much, and its attempt is an admirable one.\u00a0 In The Merry Wives of Windsor and The 39 Steps we see the opposite.\u00a0 Simple and clever ideas performed to their maximum potential in skilled productions with experienced actors in their own rights.\u00a0 However, given the choice between the contrasting types of plays, I invariably side with the former.\u00a0 I heartily enjoyed Merry Wives and found 39 Steps to be adequate; but, I feel that after watching The Habit of Art, I walked home with more than chuckles. \u00a0\u00a0I\u2019ll explain my reasoning.<\/p>\n

Merry Wives easily comes in as my number two, but there are several factors that prevented it from claiming my top spot.\u00a0 Don\u2019t get me wrong, I love Shakespeare (I\u2019m practically majoring in Shakespeare), but let\u2019s be honest, Merry Wives is not one of Bill\u2019s best works.\u00a0 Merry Wives was conceived by Shakespeare after Queen Elizabeth asked the poet himself to write another play featuring the most popular Shakespearean character of his time, Falstaff.\u00a0 This explains why the knight, known for his hilarious appearances in Shakespeare\u2019s medieval histories (Henry IV I& II), is present in a play about contemporary Elizabethan Windsor aristocracy, about two hundred years later.\u00a0 (Also, in my opinion, the popularity of Falstaff also explains why Henry IV part II was written, after pretty much every event of consequence had already occurred in Part I).\u00a0 Merry Wives was written as another opportunity for Elizabethan playgoers to see their favourite debauched knight get into more hilarious hijiniks.\u00a0 The play is decidedly funny, but ultimately lacks the substance along with the laughs typical of Shakespeare\u2019s comedies and later romances.\u00a0 What seems to me to be an even greater marvel of Merry Wives is trying to gauge the ease in which Shakespeare churned out this comedy, a product of popular demand.\u00a0 Its plots, characters and laughs are all fresh and full of comic zeal, even if lacking that extra bit more.\u00a0 Merry Wives is more along the lines of Shakespeare\u2019s earlier comedies (think Comedy of Errors), but what I was really looking for in the course was The Winter\u2019s Tale.<\/p>\n

39 Steps treads along slightly different lines than Merry Wives.\u00a0 It is not so much an effortless product of a brilliant playwright, as it is one simple, very clever idea executed to perfection.\u00a0 Just the sheer thought of it:\u00a0 a famous Hitchcock film, performed by a cast of four and played for slapstick laughs is a masterstroke.\u00a0 However, the West End has seen this all before.\u00a0 Many productions prove the point that, on the West End, a clever idea can be turned into a long-running hit that makes a lot of money.\u00a0 You know, it reminds me … there\u2019s this quote about cleverness … but, I forget what it is.\u00a0 39 Steps was very crisply performed and played for maximum laughs, but I think that slapstick comedy falls on deaf ears after awhile.\u00a0 I would suspect if we went to a production of similar character the very next night, it would not only diminish our collective opinion of the latter, but of the former as well.\u00a0 39 Steps was funny, enthusiastic, but formulaic.\u00a0 In my opinion, John Buchan, the playwright of 39 Steps, did not so much succeed in matching witty dialogue to an idea with potential as he did just not mess up a funny premise with the potential to be converted into a West End mega cash cow.\u00a0 For me, I was looking for a play with a bit more.<\/p>\n

The Habit of Art gave me that extra bit more, even without ignoring its problematic elements.\u00a0 What excited me about that production were simply the play\u2019s ideas.\u00a0 The Habit of Art was full of them.\u00a0 Ideas about Auden, about Britten, about the two of them.\u00a0 Ideas about history, about remembering the great artists and about the people close to them that were forgotten.\u00a0 Allegories to the aforementioned themes of greatness in the arts and the theatre may have surfaced amidst a puddle of murky water; but, in the end, they were drawn clearly enough to identify and appreciate.\u00a0 Alan Bennett has not written a flaw-free play by any stretch of imagination, but he has thought long and hard, and presented those ideas to us adequately.\u00a0 This is why I praise Bennett\u2019s play; it has substance.\u00a0 When I left the theatre (among other people leaving the theatre was Sir Ian McKellan … just saying) I thought about Bennett\u2019s various arguments, as a I do now, and that is really why I go to see plays.\u00a0 I view the theatre as a forum for one playwright\u2019s insight on human nature, not as a source of diversion similar to television and film.\u00a0 It is in this sense where The Habit of Art exceeds the others.\u00a0 But enough of my pretension.\u00a0 Basically, I agree with the saying (and this quote I do know) \u201cA man\u2019s reach should exceed his grasp.\u201d\u00a0 I feel that a play that nearly misses on something complex and intricate is more admirable (and in my opinion, more enjoyable) than a play that succeeds in its modest goals.\u00a0 The Habit of Art (and Mrs. Dalloway) gave that to me and that is why I praise the production as my favourite among the trio and esteem it above the others.<\/p>\n","protected":false},"excerpt":{"rendered":"

As a class, we have seen three very different plays during our time here in London, and tonight, I was finally satiated with The Habit of Art.\u00a0 Before starting another heated argument equal to me being the only student on the program that enjoyed Mrs. Dalloway, I would immediately agree with all the primary critiques.\u00a0 […]<\/p>\n","protected":false},"author":371,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[6696],"tags":[],"class_list":["post-3367","post","type-post","status-publish","format-standard","hentry","category-2010-luke"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/3367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/users\/371"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/comments?post=3367"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/3367\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/media?parent=3367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/categories?post=3367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/tags?post=3367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}