{"id":722,"date":"2009-08-25T18:43:48","date_gmt":"2009-08-25T22:43:48","guid":{"rendered":"http:\/\/linux.dickinson.edu\/wpmu\/norwichhumanities\/?p=722"},"modified":"2009-08-25T18:43:48","modified_gmt":"2009-08-25T22:43:48","slug":"the-virgin-blue","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/2009\/08\/the-virgin-blue\/","title":{"rendered":"The Virgin Blue"},"content":{"rendered":"<p>After a delightful performance by E.L.F. trio in St. Martin in-the-Fields, I walked over to the National Gallery with some classmates. I was about to enter a museum with one of the most extensive collections of artwork from the 13<sup>th<\/sup> to early 20<sup>th<\/sup> centuries, and I was in heaven. As an art history major, art museums, especially one as large as this one, make me feel like a kid in a candy store. Our group made a plan to meet up at 4pm and so Kelley and I headed off to the Sainsbury Wing to investigate paintings from the 13<sup>th<\/sup> to 15<sup>th<\/sup> century. Although I prefer modern art, I found the works in this section very moving. Of course, they all had a Christian connotation and most of them were placed in a church at one time as an altarpiece or as part of a triptych. As a Reform Jew, I really don\u2019t know much about Christianity outside of the Old Testament; however, everyone can appreciate the beauty of these paintings and the emotions they evoke. After passing through room after room of the Virgin Mary and Christ I began to wonder, why is the Virgin always depicted in blue robes? The blue is a similar shade in every painting, somewhere in between the color of a clear sky at dusk and a robin\u2019s egg. Naturally, I looked it up when I returned to the Arran House. Some of the answers I found ranged from the ridiculous \u201cbecause it\u2019s her favorite color\u201d to the more academic explanation, \u201cblue was the color Byzantine empresses wore.\u201d All I can say is that the particular shade of blue is a color I\u2019ve only ever seen in these paintings, so I guess I\u2019ll leave it as \u2018the Virgin Blue.\u2019<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 As we moved through the rest of the museum I was overcome with joy\u2026 I was seeing some of my favorite lessons come to life. When you see a picture that you study in your textbook or in a slide comes to life, it\u2019s like seeing it for the first time all over again. Major players like Masaccio, Titian, Raphael and Bellini were all here. It was hard for me to believe that I was actually standing in front of THE Aronlfini Wedding Portrait by Jan van Eyck. This paining first began my love affair with the Dutch school of painters and semiotics\u2026. now I was here, in front of it. I could actually see the dog (for fidelity), the removed shoes (the marriage as a religious sacrament), and the reflection of Van Eyck himself in the mirror along with the inscription \u201cvan Eyck was here.\u201d Also, for anyone who is interested, his bride is NOT pregnant. She is simply wearing the style of dress that was popular at this time period. I was even able to see Holbein\u2019s <em>The Ambassadors<\/em> (1533)<em> <\/em>and walk across the room to see the anamorphic perspective skull.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 However, when I walked into the 19<sup>th<\/sup> and early 20<sup>th<\/sup> century gallery my heart really began to race. As Kelly will attest, I did audibly gasp when I saw Gauguin\u2019s<em> Still Life with Mangoes<\/em> (1891-6). This section was by far my favorite. The late nineteenth century painters were the first school to paint modernity; they disregarded all the set rules, added some color and painted the world around them rather than the bible or portraits. Degas, van Gogh, Cezanne, each one brought paining to a new place either with subject matter, texture or color. The Degas gallery was especially moving. I am fascinated with his series that captures the private movements in women\u2019s lives. He takes everyday scenes intimate such as a woman drying herself off after a bath or having her hair combed and turns it into a story for the viewer. We are left wondering, who is she? What is she doing? Why?<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Of course, I could not make it through the entire gallery in one day. So I plan on returning soon to take in the 17<sup>th<\/sup> century (including one of my absolute favorites, Vermeer) and to revisit the early-modern painters. Everyone should visit the National Gallery, regardless of his or her \u201cart background.\u201d It really is the crown jewel in the world of art museums.\u00a0 I anyone wants to come back with me, please let me know.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a delightful performance by E.L.F. trio in St. Martin in-the-Fields, I walked over to the National Gallery with some classmates. I was about to enter a museum with one of the most extensive collections of artwork from the 13th to early 20th centuries, and I was in heaven. As an art history major, art [&hellip;]<\/p>\n","protected":false},"author":49,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[741,77],"tags":[12,916],"class_list":["post-722","post","type-post","status-publish","format-standard","hentry","category-grace","category-museums","tag-art","tag-religion"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/comments?post=722"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/posts\/722\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/media?parent=722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/categories?post=722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/norwichhumanities\/wp-json\/wp\/v2\/tags?post=722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}