In both \u201cChapaev\u201d and \u201cWe Grow Out of Iron\u201d, the authors are teaching the audience about industrialism and revolutionary thoughts. After the revolution in 1917, new thoughts on modernity emerged.<\/p>\n
In Gastev\u2019s poem, \u201cWe Grow Out of Iron\u201d, symbols of factories and iron structures elude to society changes, both literal and metaphorically. Gastev describes the buildings are very large and indestructible. The author also describes them as ever-growing structures. After the revolution of 1917, new definitions of modernity emerged. Technology and industrialization became much more ominous. Gatev hints at this in the poem, \u201cthey demand yet greater strength\u201d. Not only are the building actually growing taller, they are growing more powerful.<\/p>\n
The poem also mentions the factory workers\u2019 role in this emerging industrialization. As the factories grow stronger, so do the workers. They are taking on more tasks and their importance in industry is ever growing. With greater responsibility comes the workers\u2019 feeling of inhumanity. The poem says, \u201cMy feet remain on the ground, but my head is above the building.\u201d The author is teaching the audience the importance of factory workers in industry and modernity. The works have become \u201cone with the building\u2019s iron.\u201d The revolution, as illustrated in \u201cChapaev\u201d, is all about the congregation and rise of the working class.<\/p>\n","protected":false},"excerpt":{"rendered":"
In both \u201cChapaev\u201d and \u201cWe Grow Out of Iron\u201d, the authors are teaching the audience about industrialism and revolutionary thoughts. After the revolution in 1917, new thoughts on modernity emerged. In Gastev\u2019s poem, \u201cWe Grow Out of Iron\u201d, symbols of … Continue reading