{"id":1200,"date":"2018-10-02T22:48:42","date_gmt":"2018-10-03T02:48:42","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/secretlives\/?p=1200"},"modified":"2018-10-02T22:48:42","modified_gmt":"2018-10-03T02:48:42","slug":"fear-of-the-working-class-in-a-terribly-strange-bed","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/secretlives\/2018\/10\/02\/fear-of-the-working-class-in-a-terribly-strange-bed\/","title":{"rendered":"Fear of the Working Class in “A Terribly Strange Bed”"},"content":{"rendered":"

\u201cWe had come to see blackguards…the English stranger was going to break the bank\u201d (Collins 29).<\/span><\/p>\n

I was first drawn to this passage because of the story\u2019s strange fixation with silence. As I did more of a close read, however, I noticed other word clusters and binaries which suggest something more than just eerie quiet. Collins repeats the phrase \u201cnever spoke\u201d three times when describing specific guests of the gambling hall. Other words, such as \u201cmute,\u201d \u201cquiet,\u201d \u201cwhispered\u201d and \u201cstaring\u201d (because when one is staring, he is not speaking) are distributed throughout the passage. But there is so much more to unpack, which leads me to believe that the haunting silence simply adds to the aesthetic rather than being Faulkner\u2019s main concern, as was my original thought. After all, what about silence agitates the Victorian and <\/span>not<\/span><\/i> me? <\/span><\/p>\n

I think this has more to do with the people who produce the unnatural quiet than the lack of sound itself. Collins\u2019 alliteration (\u201c…the <\/span>flabby fat-face, pimply player who pricked his piece of pasteboard perseveringly<\/span><\/i>\u2026\u201d) draws negative attention to the type of client the gambling house attracts. Faulkner describes the hall\u2019s patrons as being \u201cthin,\u201d \u201chaggard,\u201d \u201cdirty,\u201d \u201csunken,\u201d \u201cwrinkled,\u201d \u201cdesperate,\u201d \u201chungry,\u201d and as having \u201csunken…vulture eyes.\u201d Collins\u2019 word choice in describing the scene (\u201cspirits,\u201d \u201catmosphere,\u201d \u201cweird,\u201d \u201cstrange,\u201d \u201csuperstitious\u201d) is oddly reminiscent of the supernatural–that to which the lower class Victorians were notorious for subscribing. \u201cBlackguard,\u201d a rude or unscrupulous person, repeats twice, again noting the type of people who haunt the gambling hall. Faulkner describes a man who merely watches with his greedy \u201cvulture eyes\u201d as the other gamblers play. He cannot participate, however, because he has gambled away \u201chis last <\/span>sou<\/span><\/i>.\u201d This desolation, juxtaposed with Faulkner\u2019s apparent luck at winning (the word \u201cwon\u201d repeats four times in one sentence) \u201cincredibly,\u201d \u201cprodigiously,\u201d suggests that success in a seedy gambling house such as this one is exceedingly rare. Or, rather, it suggests that success–in a more general sense–among the people who frequent the hall is abnormal. Luck does not often visit the members of low society. Faulkner tells Mr. Kerby that he had \u201centered the place to laugh,\u201d but that the \u201cspectacle before [him] was something to weep over.\u201d \u201cTragedy\u201d repeats twice, and words such as \u201chorrible,\u201d \u201cdepression\u201d and \u201cunfortunate\u201d are scattered about the passage. I think that the immediate disgust Faulkner has for the patrons is a facade for a deeper feeling among the high and middle class Victorians. This was the height of the Industrial Revolution, and while it was also the Age of Reform, living conditions for the poor, working class citizens of Europe had hit rock bottom. Though Faulkner does not sympathize with the regulars, he fears them because they evoke a feeling of guilt from his subconscious. Some, when they see a homeless person on the side of the road, feel anger or repugnance. But this revulsion masks subconscious feelings of guilt and sorrow. We cannot but feel guilty and remorseful for being better off, and I think that this is what the passage is hiding.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cWe had come to see blackguards…the English stranger was going to break the bank\u201d (Collins 29). I was first drawn to this passage because of the story\u2019s strange fixation with silence. As I did more of a close read, however, I noticed other word clusters and binaries which suggest something more than just eerie quiet. … Continue reading Fear of the Working Class in “A Terribly Strange Bed”<\/span><\/a><\/p>\n","protected":false},"author":3880,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[125359],"tags":[],"class_list":["post-1200","post","type-post","status-publish","format-standard","hentry","category-2018-blog-post"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/1200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/users\/3880"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/comments?post=1200"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/1200\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/media?parent=1200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/categories?post=1200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/tags?post=1200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}