{"id":1887,"date":"2021-10-27T22:06:41","date_gmt":"2021-10-28T02:06:41","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/secretlives\/?p=1887"},"modified":"2021-10-27T22:16:35","modified_gmt":"2021-10-28T02:16:35","slug":"dracula-stoker-birds-of-a-feather","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/secretlives\/2021\/10\/27\/dracula-stoker-birds-of-a-feather\/","title":{"rendered":"Dracula &amp; Stoker: Birds of a Feather?"},"content":{"rendered":"<p class=\"p1\">The juxtaposition of Dracula\u2019s tender love for Jonathan with his aggressive control over the female vampires simultaneously questions and reinforces Victorian notions of sexuality and gender roles. Stoker pushes against heteronormativity while maintaining the subordination of women, potentially suggesting an expression of his own homosexuality within a patriarchal society. Dracula vehemently scolds the female vampires\u2019 advances on Jonathan, marked by a cluster of violent words including \u201cfury,\u201d \u201cstrong,\u201d \u201cpower,\u201d \u201crage,\u201d \u201cwrath,\u201d \u201churled,\u201d \u201cbeating,\u201d and \u201cbeware.\u201d (p. 46). These threatening descriptions boldly contrast with the cluster of caring words surrounding Dracula\u2019s feelings towards Jonathan, such as \u201clove,\u201d \u201cattentively,\u201d \u201csoft,\u201d and \u201cpassion\u201d (p. 46). Thus, Stoker creates a binary between Dracula\u2019s love for Jonathan and his animosity towards the female vampires, both rejecting and supporting Victorian gender roles. Dracula\u2019s obstruction of romantic\/sexual encounters between Jonathan and the female vampires and his affirmation that he is capable of love after \u201clooking at [Jonathan\u2019s] face attentively\u201d (p. 46), defies Victorian propriety about sexuality by suggesting homoerotic attraction. However, Dracula\u2019s use of physical force to control the females, exemplified when \u201cwith a fierce sweep of his arm, he hurled the woman away from him, and then motioned to the others, as if he were beating them back\u2026\u201d (p. 46), seems like a step backwards, and detracts from prior progressive ideas of sexuality by conforming to age-old practices of female oppression.<\/p>\n<p class=\"p1\">By exploring new paths of sexuality while perpetuating patriarchal values, Stoker may be projecting himself onto Dracula, expressing his own homosexuality while reinforcing his masculine power. After Dracula tells the female vampires, \u201cI too can love; you yourselves can tell it from the past,\u201d he immediately follows with the question \u201cIs it not so?\u201d (p. 46). This might be risky, but I think that under the assumption that Dracula is a projection of Stoker\u2019s sexuality, Dracula (and Stoker) may be insinuating that they\u2019ve previously been with women, but now question their sexuality. This interpretation puts Dracula\u2019s prey on Lucy in tension, and makes me wonder if Dracula is using Lucy to force a rekindled love for women, perhaps paralleling some aspect of Stoker\u2019s personal life. Alternatively, Stoker may be implying bisexuality. In any case, Dracula\u2019s contrasting treatment of love towards Jonathan and aggression towards the female vampires produces a simultaneous challenging of and conformance to Victorian gender roles, while also raising questions about Stoker\u2019s own sexuality.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The juxtaposition of Dracula\u2019s tender love for Jonathan with his aggressive control over the female vampires simultaneously questions and reinforces Victorian notions of sexuality and gender roles. Stoker pushes against heteronormativity while maintaining the subordination of women, potentially suggesting an expression of his own homosexuality within a patriarchal society. Dracula vehemently scolds the female vampires\u2019 &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/secretlives\/2021\/10\/27\/dracula-stoker-birds-of-a-feather\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Dracula &amp; Stoker: Birds of a Feather?<\/span><\/a><\/p>\n","protected":false},"author":4765,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169398],"tags":[],"class_list":["post-1887","post","type-post","status-publish","format-standard","hentry","category-2021-blog-post"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/1887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/users\/4765"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/comments?post=1887"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/1887\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/media?parent=1887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/categories?post=1887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/tags?post=1887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}