{"id":453,"date":"2016-04-21T15:47:25","date_gmt":"2016-04-21T19:47:25","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/secretlives\/?p=453"},"modified":"2016-04-21T15:48:28","modified_gmt":"2016-04-21T19:48:28","slug":"male-saviors-and-a-womens-beauty","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/secretlives\/2016\/04\/21\/male-saviors-and-a-womens-beauty\/","title":{"rendered":"Male Saviors and a Women&#8217;s Beauty"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">In Tennyson\u2019s poem a woman known as \u201cThe Lady of Shalott\u201d is cursed to live in an isolated tower. As a second condition of this curse, the woman is confined to look at a mirror. As she stares at the mirror she weaves together an image of Camelot as she sees it in the reflection. While in her tower, Sir Lancelot rides by and is seen by the lady. The final stanzas of Part 3 read, \u201cthe mirror crack\u2019d from side to side; \u201cThe curse is come upon me,\u201d cried The Lady of Shalott\u201d (1184). In the poem\u2019s conclusion, the lady leaves the tower in a boat, only to die before meeting Lancelot. Interestingly enough, this is the first time Lancelot sees the lady\u2013who died traveling to the palace at Camelot. Upon seeing her body, Lancelot said \u201cShe has a lovely face; God in his mercy her grace\u201d (1185).<\/span><\/p>\n<figure style=\"width: 550px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.craigcarey.net\/f14rr\/files\/2014\/11\/flat550x550075f.jpg\" alt=\"\" width=\"550\" height=\"550\" \/><figcaption class=\"wp-caption-text\">The Lady of Shalott and her mirror.<\/figcaption><\/figure>\n<p class=\"p1\">\n<p class=\"p1\"><span class=\"s1\">This poem puts forth two complicated ideas about Victorian gender-dynamics. First we have the Lady of Shalott who induces the curse by her desire to see Lancelot. While her affinity with Lancelot ultimately results in her death, her interest in him also leads her to leave the tower. In this way, Lancelot appears representative of the freedom a man can bring to a woman. Her desire for companionship is evident in another line of the poem, \u201cwhen the moon was overhead, Came two young lovers lately wed; \u2018I am half sick of shadows,\u2019 said Lady of Shalott\u201d (1883). The loneliness the lady experiences in seeing the newly weds demonstrates her disscontempt with her isolation. In this way, Lancelot represents how the male being can alleviate the Lady of Shalott\u2019s desolation. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The second idea put forth is the superficial value of women. When the Lady of Shalott is discovered, Lancelot says nothing of her character or situation, but simply comments on her physical qualities. It\u2019s ironic, as Lancelot\u2019s only lines in this poem are in reference to the lady\u2019s features. Nearly this entire poem is dedicated to the lady\u2019s curse and her struggles\u2013yet the on lookers who received her body know none of this. To them and Lancelot, the lady appears as nothing more than \u201ca lovely face\u201d (1884). The Lady of Shalott signifies the only form of beauty that men found in women at the time\u2013surface beauty. In these ways, the poem depicts a world where men are the saviors of women and where women are nothing more than vessels of beauty. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Tennyson\u2019s poem a woman known as \u201cThe Lady of Shalott\u201d is cursed to live in an isolated tower. As a second condition of this curse, the woman is confined to look at a mirror. As she stares at the mirror she weaves together an image of Camelot as she sees it in the reflection. &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/secretlives\/2016\/04\/21\/male-saviors-and-a-womens-beauty\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Male Saviors and a Women&#8217;s Beauty<\/span><\/a><\/p>\n","protected":false},"author":1818,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123782],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","hentry","category-2016-blog-post"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/users\/1818"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/secretlives\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}