{"id":168,"date":"2020-04-16T20:55:44","date_gmt":"2020-04-16T20:55:44","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/trouttalk\/?page_id=168"},"modified":"2020-11-17T17:05:10","modified_gmt":"2020-11-17T17:05:10","slug":"object-stories","status":"publish","type":"page","link":"https:\/\/blogs.dickinson.edu\/trouttalk\/conversations\/object-stories\/","title":{"rendered":"Object Stories"},"content":{"rendered":"<p>Join our Curator of Education Heather Flaherty as she shares some of her favorite stories about art objects in The Trout Gallery permanent collection.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_800\" aria-describedby=\"caption-attachment-800\" style=\"width: 230px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-800\" src=\"http:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/11\/1985.11_Prim-LoRes-1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/11\/1985.11_Prim-LoRes-1-230x300.jpg 230w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/11\/1985.11_Prim-LoRes-1-46x60.jpg 46w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/11\/1985.11_Prim-LoRes-1.jpg 565w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><figcaption id=\"caption-attachment-800\" class=\"wp-caption-text\">Salvador Dal\u00ed<br \/><em>Cosmic Madonna<\/em><br \/>Lithograph on Arches paper<br \/>38.25 x 31.5 in. ,\u00a01981,\u00a020th c.<br \/>1985.11<br \/>Gift of Joseph Weniger<\/figcaption><\/figure>\n<p style=\"text-align: center\"><a href=\"http:\/\/blogs.dickinson.edu\/trouttalk\/2020\/11\/17\/a-new-hope-dali-and-surrealism\/\"><span style=\"color: #800000\"><strong>A New Hope: Dali and Surrealism<\/strong><\/span><\/a><\/p>\n<p style=\"text-align: center\">Trout Gallery student assistant, Jackson Rhodes, writes about the unpredictability of this past year and how art can give us a sense of hope.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_689\" aria-describedby=\"caption-attachment-689\" style=\"width: 229px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-689\" src=\"http:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-229x300.jpg\" alt=\"Image of subject of post.\" width=\"229\" height=\"300\" srcset=\"https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-229x300.jpg 229w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-783x1024.jpg 783w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-768x1004.jpg 768w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-1174x1536.jpg 1174w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli-46x60.jpg 46w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/07\/largeAli.jpg 1546w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><figcaption id=\"caption-attachment-689\" class=\"wp-caption-text\">Iranian, Shia devotional object: miniature painting mounted on a fragment of the Kiswah (covering of the Kaaba), Oil on silk<br \/>15.5 x 16.13 in.<br \/>Late 19th to early 20th c.<br \/>1965.1.39, Gift of Mrs. Lloyd Gamble Cole.<\/figcaption><\/figure>\n<p style=\"text-align: center\">\u00a0<a href=\"http:\/\/blogs.dickinson.edu\/trouttalk\/2020\/07\/15\/iran-islam-and-an-illumination-the-case-of-the-triangular-frame\/\"><strong><span style=\"color: #339966\">Iran, Islam and an Illumination: The Case of the Triangular Frame<\/span><\/strong><\/a><\/p>\n<p style=\"text-align: center\">In this object story, watch a video to discover how The Trout Gallery investigated a puzzling object.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_613\" aria-describedby=\"caption-attachment-613\" style=\"width: 244px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-613\" src=\"http:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" srcset=\"https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2-244x300.jpg 244w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2-831x1024.jpg 831w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2-768x946.jpg 768w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2-49x60.jpg 49w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/06\/Essay2.jpg 1200w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><figcaption id=\"caption-attachment-613\" class=\"wp-caption-text\">Lalla Essaydi, Harem, #14C, Chromogenic print on Kodak paper mounted to aluminum<br \/>40 x 30 in. , 2009<br \/>2017.8<\/figcaption><\/figure>\n<p style=\"text-align: center\"><a href=\"http:\/\/blogs.dickinson.edu\/trouttalk\/2020\/06\/17\/confined-space-an-artists-interrogation\/\"><strong><span style=\"color: #000080\">Confined Space: An Artist&#8217;s Interrogation<\/span><\/strong><\/a><\/p>\n<p style=\"text-align: center\">Moroccan-born artist Lalla Essaydi explores how physical space is connected to cultural ideology and personal memory.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_97\" aria-describedby=\"caption-attachment-97\" style=\"width: 269px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-97\" src=\"http:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/04\/Matters1-1-269x300.jpg\" alt=\"\" width=\"269\" height=\"300\" srcset=\"https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/04\/Matters1-1-269x300.jpg 269w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/04\/Matters1-1-54x60.jpg 54w, https:\/\/blogs.dickinson.edu\/trouttalk\/files\/2020\/04\/Matters1-1.jpg 600w\" sizes=\"auto, (max-width: 269px) 100vw, 269px\" \/><figcaption id=\"caption-attachment-97\" class=\"wp-caption-text\">Shan Goshorn, <em>Two Views<\/em>, whole basket.<\/figcaption><\/figure>\n<p style=\"text-align: center\"><strong><span style=\"color: #800000\"><a style=\"color: #800000\" href=\"http:\/\/blogs.dickinson.edu\/trouttalk\/2020\/04\/10\/the-medium-matters\/\">The Medium Matters<\/a><\/span><\/strong><\/p>\n<p style=\"text-align: center\">Eastern Band Cherokee artist Shan Goshorn demonstrates that the medium of a work of art truly does matter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Join our Curator of Education Heather Flaherty as she shares some of her favorite stories about art objects in The Trout Gallery permanent collection. &nbsp; &nbsp; A New Hope: Dali and Surrealism Trout Gallery student assistant, Jackson Rhodes, writes about the unpredictability of this past year and how art can give us a sense of &hellip; 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