{"id":1902,"date":"2021-12-02T22:17:08","date_gmt":"2021-12-02T22:17:08","guid":{"rendered":"https:\/\/blogs.dickinson.edu\/victorianlit\/?p=1902"},"modified":"2021-12-02T22:17:08","modified_gmt":"2021-12-02T22:17:08","slug":"gender-construction-in-the-yellow-drawing-room","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/victorianlit\/2021\/12\/02\/gender-construction-in-the-yellow-drawing-room\/","title":{"rendered":"Gender Construction in &#8220;The Yellow Drawing Room&#8221;"},"content":{"rendered":"\r\n<p>In Mona Caird\u2019s \u201cThe Yellow Drawing Room,\u201d St. Vincent fixates on Vanora\u2019s gender in curiously. He notes, disapproves, and prescribes alternatives for all her actions, tastes, and opinions. And yet, despite his quest to make Vanora a loving, lovable woman in his image, his description of gender is strikingly modern. I do not mean to say that his sense of propriety is in anywhere ideal, nor that anyone should behave according to a fictional misogynist, like Vincent. Rather, the ways in which gender appears through this story seems to suggest that Victorian society had some idea of performance and gender as intertwined. <br \/><br \/>Throughout the story, Vanora represents a problem in Victorian society. As Vincent put it, \u201c[s]he was supremely, overpoweringly womanly,\u201d that the \u201cwomanhood of her sisters paled before the exuberant feminine quality which I could not but acknowledge in Vanora\u201d (Caird 105). Vanora radiates femininity from her very being. And yet, paradoxically, everything she does, undoes her. Her excessive femininity (and excessive liveliness), according to Vincent, depreciates her womanhood. He belittles her in saying that she has \u201cmany qualities and ideas that are not suited to [her] sex\u201d (Caird 106). Yet, never does Vincent separate which qualities femininize Vanora and which un-feminize her. In fact, the same actions that define her character do so in seemingly contradictory ways. Somehow, she is a woman, perhaps the most woman-like woman in the story, but she is also somehow not quite a woman. In being lively and bright, she brings out femininity. But by not adhering to a Victorian propriety, her liveliness gives her those \u2018qualities unsuited to her sex\u2019. In short, it seems that her actions bring about qualities which then help define her gender. <br \/><br \/>While \u201cThe Yellow Drawing Room\u201d is certainly not an early rendition of Judith Butler, the appearance and focus on gender construction through actions is striking to read from a Victorian perspective. It seems that, during a historically contentious point in female propriety, behavior was at the center of a deeply anxious discourse on gender. Behavior, actions, and performance all seems to bring about those qualities which aid in the making of gender.<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>In Mona Caird\u2019s \u201cThe Yellow Drawing Room,\u201d St. Vincent fixates on Vanora\u2019s gender in curiously. He notes, disapproves, and prescribes alternatives for all her actions, tastes, and opinions. And yet, despite his quest to make Vanora a loving, lovable woman in his image, his description of gender is strikingly modern. I do not mean to &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/victorianlit\/2021\/12\/02\/gender-construction-in-the-yellow-drawing-room\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Gender Construction in &#8220;The Yellow Drawing Room&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4220,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[135983],"tags":[],"class_list":["post-1902","post","type-post","status-publish","format-standard","hentry","category-fall-2021"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts\/1902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/users\/4220"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/comments?post=1902"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts\/1902\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/media?parent=1902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/categories?post=1902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/tags?post=1902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}