{"id":300,"date":"2015-02-20T05:00:38","date_gmt":"2015-02-20T05:00:38","guid":{"rendered":"http:\/\/blogs.dickinson.edu\/victorianlit\/?p=300"},"modified":"2016-08-24T15:51:38","modified_gmt":"2016-08-24T15:51:38","slug":"the-good-the-bad-and-the-children","status":"publish","type":"post","link":"https:\/\/blogs.dickinson.edu\/victorianlit\/2015\/02\/20\/the-good-the-bad-and-the-children\/","title":{"rendered":"The Good, the Bad, and the Children"},"content":{"rendered":"<p>Marian\u2019s comment on how Walter and Laura\u2019s children will speak for her made me think of the differences between how the children from illegitimate marriages and the children from legitimate marriages are portrayed in the novel. While it seems that the children of Laura and Walter are going to grow up in a strong and happy marriage, and become the new voice of a new generation, the children that were born outside of marriage \u2013 Anne and Percival \u2013both end up in the grave.<\/p>\n<p>Marian\u2019s comments that the children will \u201cspeak for [her]\u201d in \u201c<em>their<\/em> language\u201d (Collins 621) suggests that the children will be a part of a new generation that will speak of her struggles as a woman in the Victorian society. The strength and intelligence that she has shown throughout the novel will then be a part of what the children will inherit from her. Since Marian remained an unmarried woman, the children that will \u201cspeak for her\u201d then suggests further that Collins considered it to be a woman\u2019s right to remain unmarried if she so wished it. The children are therefore portrayed to become advocates for radical movements in the society. Additionally, Walter junior is at the end of the story revealed to be the new heir of Limmeridge House, further showing that he has a bright future ahead of him.<\/p>\n<p>However, Anne and Percival\u2019s fates fare for the worse than the children of Walter and Laura. They were both born outside of marriage, as Anne was a result of an affair Laura\u2019s father had, and Percival\u2019s parents were unable to be legally married. Both Anne and Percival are portrayed to have something \u201cwrong\u201d with them: While Anne is described to be mentally handicapped, Percival is throughout the novel depicted to be the villain of the story, along with Count Fosco. Additionally, they both die at the end of the novel: Anne\u2019s tombstone hardly gets a description, compared to the fake tombstone of Laura\u2019s, and there is not even a mention of a funeral for Percival.<\/p>\n<p>The Victorian society was, at this time, concerned with the single women like Marian. Like Greg\u2019s article demonstrates, many men worried about \u201cwomen, more or less well educated\u2026[retire] to a lonely and destitute old age\u2026they have nothing to do, and none to love, cherish and obey\u201d (Greg 159). I therefore wonder why Collins chose to protest against this idea of women in the novel, but still portrayed children from illegitimate marriages as either challenged or evil, and doom them both to death. As Walter and Laura got married at the end of the novel, it suggests that Collins\u2019 solution for a successful family is marriage, but not love, as Percival\u2019s parents did love each other, but had to remain unmarried. I am therefore left wondering why an author would protest against the ideas that Greg demonstrate in his article, but still maintain the idea that only children within wedlock can succeed in life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marian\u2019s comment on how Walter and Laura\u2019s children will speak for her made me think of the differences between how the children from illegitimate marriages and the children from legitimate marriages are portrayed in the novel. While it seems that the children of Laura and Walter are going to grow up in a strong and &hellip; <a href=\"https:\/\/blogs.dickinson.edu\/victorianlit\/2015\/02\/20\/the-good-the-bad-and-the-children\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Good, the Bad, and the Children<\/span><\/a><\/p>\n","protected":false},"author":2593,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[111380,108029],"tags":[],"class_list":["post-300","post","type-post","status-publish","format-standard","hentry","category-360-victorian-sexualities","category-spring-2015"],"_links":{"self":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts\/300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/users\/2593"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/comments?post=300"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/posts\/300\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/media?parent=300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/categories?post=300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.dickinson.edu\/victorianlit\/wp-json\/wp\/v2\/tags?post=300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}