Fashioning Back in Time at the Castello Sforzesco
By Sofia-Teresa Di Bacco
In a captivating visit back in time, we, the students of the Dickinson Mosaic 2024 along with Professor Farrell and Professor Sweeney, took part in an enriching visit to the Castello Sforzesco in Milan on March 7. This immersive experience allowed us to connect with the historical tapestry of Milan, both figuratively and literally, by studying clothing through artworks, ceramics, armor, and sculptures, all reflecting the cultural roots that shaped the city.
Originally constructed in the 15th century, though built on an earlier fortification of the 14th century, Il Castello Sforzesco stands as a testament to Milan’s rich history and cultural heritage. Built by Francesco Sforza, the powerful Duke of Milan, the castle served as a fortress and was later transformed into a residence for the Sforza family. The Renaissance period saw the castle undergo significant architectural enhancements, becoming a symbol of artistic and cultural abundance. Today, it remains a focal point in Milan — a sharp contrast to the surrounding lively cityscape with haute couture shops and towering billboards promoting consumerism at every turn (see the picture below). By climbing to the top of the Castle, one is able immediately to notice this intriguing juxtaposition.
Despite the modern facade of Milan as a global fashion capital, Il Castello Sforzesco stands as an important reminder of the city’s origins in Italian fashion during the Renaissance. Its historical significance resonates with the birthplace of influential artistic movements, reflecting the craftsmanship and elegance that define Italian style. The castle serves as a living museum, preserving the essence of Milan’s cultural evolution and connecting the present with a vibrant and creative past.
I and many other students were astounded to realize that Michelangelo’s Rondanini Pietà (see the picture below) was on display in a breathtakingly simple room in the castle. This was Michelangelo’s final work and was left unfinished. I soon realized that this sculpture is not only one of Michelangelo’s most magnificent masterpieces, but also relays a profound message through the means of dress. What is so unique about his last piece is that it is uncertain if the figure portrayed in the back is truly the Madonna or a self-portrait of Michelangelo himself. The sculpted figure standing behind Christ is wearing a leather garb, a common article of clothing that sculptors wore to protect themselves as they worked. It is important to note that during this time he was facing many challenges because of the Protestant Reformation, causing him much distress towards the end of his life, which some believe caused the message to be unclear. In the end, the Dickinson Mosaic students had a wonderful experience visiting the Castello Sforzesco. Not only did it allow us to take a break from the high-speed, commercialized fashion district, but it also gave us a first-hand look on the history behind it. I hope this blog was an enjoyable read and that you continue to follow our journey through the Italian world of fashion!
