Waste Separation Comparison in Berlin and New York City

7 Reasons Recycling Isn't Working in New York City - The New York Times

Berlin is a city that takes trash separation seriously and has put in place a system that is necessary for all houses. Berliner residents are required to categorize their garbage according to the city’s waste separation system. In addition to plastic, metal, glass, and biological trash, this also contains paper and cardboard. Residents are encouraged to correctly sort their rubbish before discarding it, with separate containers being given for each type. Facilities for composting and recycling are spread out around the city, which has a well-developed waste management system. For each type of garbage, the city offers regular waste collection services, and residents have access to recycling containers and composting locations. But there are still some cases where people did not sort their waste properly, but they will end up getting economic fine from the government. 

New York City has made steps to adopt trash separation, enhance recycling, and promote composting. The city has established objectives to decrease garbage delivered to landfills and enhance waste disposal procedures.The city’s trash separation program mandates residential waste separation for specific waste kinds, including hazardous and electronic waste, and offers regular garbage collection services for these items. Other waste kinds, such paper, plastic, and glass, must be separated on a voluntary basis, and not all people have access to recycling or composting facilities. In order to enhance recycling and composting, New York City has launched a number of efforts, including extending curbside recycling programs, giving homes composting containers, and establishing public education campaigns to encourage trash reduction and safe garbage disposal. Despite these initiatives, the city’s waste management system still has issues, including unlawful dumping, overflowing trash cans, and a lack of infrastructure for recycling and composting. Furthermore, the city’s reliance on landfills for waste disposal has a detrimental effect on the environment and the health of neighboring populations. There were not any national laws for cases where people did not do their waste separation, so it ended up that New York City had a lower percentage in recycling rate than Berlin.

In Berlin, there are different types of bins that are located throughout the city. In Berlin, they have the gray household waste bin, the food bin, the orange or yellow recycling bin, the blue waste paper bin, bottle banks and bins, and bulky waste bin. In New York, there are five types of bins in New York City, which are waste, metal, glass, plastic, and cartons. But compared with Berlin, New York City didn’t have many options and New York City encouraged everyone to start recycling but there was no national law that was able to apply to New York City residents in order for them to get into the work of waste separation. About the recycling rate between Berlin and New York City, Berlin had 54% of recycling rate and New York City had 17% of recycling rate. Even New York City has a recycling rule for all residents to sort their waste, but there are still many people who did not obey and they did it illegally. To fix the problem, New York City should learned from Berlin that if people didn’t sort the waste properly, there will be economic fine that the resident have to pay for it, New York City should be increase the access to recycling and composting facilities, even they have metal, glass, plastic, and cartons bin, they should have more option like food bin, bulky bin in order to protect the environment. Because according to the New York Times, a bulky bin is not required. And there is a lack of options for food bins. So New York City should learn from Berlin and if the problem is improved, the percentage of recycling rate will be increasing.

Sources: 

Barnard, Anne. “7 Reasons Recycling Isn’t Working in New York City.” The New York Times, The New York Times, 29 Jan. 2020, https://www.nytimes.com/2020/01/29/nyregion/nyc-recycling.html.

“Recycling Laws for Residents.” DSNY – the City of New York Department of Sanitation, www.nyc.gov/assets/dsny/site/resources/recycling-and-garbage-laws/recycling-laws-for-residents#:~:text=All%20residents%2C%20agencies%2C%20and%20institutions,certain%20areas%20throughout%20the%20City. Accessed 1 May 2023.

Case Integration Summary Berlin, www.collectors2020.eu/wp-content/uploads/2020/08/Case_Integration_Summary_Berlin.pdf. Accessed 1 May 2023.

“Recycling Facts.” GrowNYC, 10 Dec. 2019, www.grownyc.org/recycling/facts#:~:text=New%20York%20City%20residents%20currently,up%205.7%25%20of%20our%20waste.

Bravo, Eduardo. “The German Recycling System: The World’s Best Recycling Country.” Tomorrow.City – The Biggest Platform about Urban Innovation, 2 Sept. 2021, tomorrow.city/a/german-recycling-system#:~:text=Is%20recycling%20mandatory%20in%20Germany,waste%20into%20the%20wrong%20bin.

“Recycling in the United States.” Wikipedia, 1 Feb. 2023, en.wikipedia.org/wiki/Recycling_in_the_United_States#:~:text=There%20is%20no%20national%20law,introduce%20their%20own%20recycling%20requirements.

Caspar David Friedrich – Wanderer above the Sea of Fog

Caspar David Friedrich, a German painter, produced the work “Wanderer above the Sea of Fog” in 1818. The Romantic period, which lasted from the late 18th to the middle of the 19th century, is known for having some of the most recognizable works ever created. In the painting, a single person is shown gazing out over a huge expanse of mountains and valleys shrouded in fog while standing on a rocky protrusion. The man’s face can’t be seen because of the black robe covering his body and walking stick in his hand. The painting has a feeling of mystery and grandeur because to the towering mountains and the churning fog that dominate the scene.

The painting has a strong connection to German landscapes and portrays the country’s cultural and historical setting during the Romantic era. The painting was produced in 1818, a year of profound social and political change in Germany. Germany was going through its Industrial Revolution at the time, which contributed to a rising sense of isolation and estrangement from nature. In response to this trend, the Romantic movement was born, emphasizing the value of personal experience, emotion, and the natural world. The painting, which in numerous aspects reflects Germany’s cultural and historical setting, embodies this Romantic ideal of man’s interaction with nature. The scenery depicted in the painting is hilly, which is a typical aspect of the German countryside. Mountains frequently appear in Friedrich’s painting as symbols of both the majesty and the mystique of the natural world. A figure standing on a rocky protrusion in the painting might be interpreted as a metaphor for the person’s interaction with nature. Because of his black coat, the person stands out and draws attention to the contrast between the natural environment and human presence. The painting’s use of light and shadow illustrates the Romantic movement’s emphasis on personal experience and emotion. A gentle, golden light that conveys concentration and reflection surrounds the person. The fog that envelops the mountains underlines the concept that nature is a strong force that is beyond human comprehension and contributes to the painting’s feeling of mystery and majesty.

According to the painting, we can learn “Wanderer above the Sea of Fog” provides a distinctive viewpoint on the surroundings in addition to just representing it. The painting’s subject, who is standing on a rocky protrusion and is gazing out over a huge expanse of mountains and valleys, invites the viewer to put oneself in that similar situation. This viewpoint conveys awe and majesty that is hard to convey in other ways. The painting has a sense of mystery and wonder that is enhanced by the use of light and shadow, and the swirling fog also contributes to this feeling. The painting illustrates the focus on personal experience and emotion that the Romantic movement placed. The painting enables the observer to interact with the scene on a personal level, to take in its majesty and beauty, and to be awed and inspired. It is not possible to develop an emotional connection to the environment just via scientific research or observation. It is crucial to remember that art has the power to elicit feelings and meaning in a manner that is often difficult to achieve via other methods. The painting “Wanderer above the Sea of Fog” provides an experience that is distinct from merely looking at a scene. With this painting, Friedrich captures the essence of the landscape by evoking feelings and ideas as well as its physical qualities.

Source:

https://www.artble.com/artists/caspar_david_friedrich/paintings/wanderer_above_the_sea_of_fog