Category: Digital Media (Page 2 of 2)

Last week on this blog, I discussed how I started teaching students digital skills through class-sourced website assignments. There, I gave a brief introduction to class-sourcing, which involves faculty assigning students to create online projects instead of traditional papers and other assignments, and links to my website that describes the theory and practice of class-sourcing. This week, I want to discuss briefly how I adapted class-sourced website assignments over the three classes that I have taught them, as well as the broader implications of class-sourced assignments.

There are two key ways I have adapted class-sourced website assignments for my future students. First, I have thought through more consciously about the needs of those who would be using the websites in the future, and primarily students and educators at the college and high school level. I have therefore sought to adapt the assignments to fit these needs, and thus asked students creating the website to add a new section to the websites, where they would provide some examples of class activities that educators can assign to those they teach or that learners can do on their own as a way of gaining more from the website. This activity is available to any teacher who assigns a class-sourced assignment. Here is an example of one website that I have assigned in several classes and which has worked well, and here is another I intend to assign to future classes (Figure 1). Second, I have taken websites created by my students in former classes and assigned them to those in my subsequent classes. Learners thus received an opportunity to engage with class-sourced assignments as consumers before they would be the creators of similar class-sourced online projects. This activity is available to those educators who want to assign class-sourced materials made by others as supplementary materials, depending on the availability of topical class-sourced materials. Let me briefly add that I have branched out of doing only class-sourced website assignments and have done online bibliographies through www.Delicious.com, and visual analysis projects through www.Pinterest.com, all available on my website, www.glebtsipursky.com.

Dissident Movement – Figure 1

The second big question I wanted to discuss in this blog post is a vision for the future. Drawing on my experience, I contend that class-sourced assignments produce content well suited to teaching others. In fact, these and similar classsourced artifacts have the potential to satisfy the demand among faculty and high school teachers for free class materials, especially ones available on the internet where learners spend so much of their time. Since faculty guide their creation, these products can be specifically tailored to the needs of teaching and learning, in comparison to crowdsourced sources such as Wikipedia. Moreover, since faculty check and correct their students’ assignments, class-sourced artifacts deserve more trust than crowdsourced data that lacks such evaluation. Furthermore, there can be many digital artifacts dealing with the same topic: by presenting a diversity of perspectives and interpretations, classsourced materials can offer a fuller and richer portrayal than the cohesive and unified narrative style of either Wikipedia or textbooks.

Once enough have been created and compiled together in an organized fashion, classsourced projects would serve as a valuable informational resource for the public. Such efforts to organize these artifacts can start at the level of individual faculty, as I did with my personal webpage, and grow to span departments, universities, and eventually the national and even international level. Faculty can partner with schools, museums, governments, businesses, non-profit organizations, and other institutions to create digital artifacts that serve the particular needs of such external stakeholders. In this age of digital technology and tightening budgets, class-sourcing would help ensure that history stays relevant and demonstrates actively the value of academic contributions to society as a whole.

Gleb Tsipursky has introduced you to the general ideas behind class-sourcing and some of the media he uses. In this post I would like to introduce how I have adapted Gleb’s project to my Soviet history course.

Dickinson  College has long been known for fostering global education and study abroad. More recently, we have taken up the call to teach our students and ourselves to be better stewards through the study and practice of sustainability. To this end, many faculty have been creating and reworking, to varying degrees, courses so that we can highlight issues of sustainability in our fields. Given that most definitions of sustainability included not only environmental concerns, but also issues of human rights, access to political and economic power, and maintenance of cultures, the study of the Soviet Union seemed a logical course for me to begin with.

Following Gleb’s lead, I have changed my assignments in this course from a traditional research paper to a series of projects that will support students’ use of and contribution to our digitized knowledge base. In a series of steps, students will accumulate a bibliography on their topics, modify and annotate the bibliography, collect digitized sources (e.g. films, maps, timelines, photographs, etc.) that will help them tell their story, and then construct a lengthy multimedia blog post that will educate the broader public on their topics. Notes and bibliographies will be collected using Evernote so that students can easily sync their work between tablets and computers. Students will then share these Evernote assignments with classmates for peer review and with the wider world via the Twitter hashtag #h254 (the course number) and other social media. Final projects will be posted to our blog in December and will be promoted via this blog and numerous social media.

I will return every few weeks to update on the course’s progress and provide my thoughts on the pros and cons of each stage. Gleb will return tomorrow with his latest blog post.

We would appreciate your feedback.

We search constantly for ways to teach students better, to serve our discipline, profession, and the broader public more fully, and to stay relevant in this digital era. I would like to propose one strategy that has the potential to advance our collective capacity on all of these fronts: a new method of digital humanities-informed teaching and learning that I term class-sourcing. This concept adapts the term crowdsourcing, meaning the outsourcing of tasks to a wide group of volunteers, for instance the organization of information best exemplified by Wikipedia. A related but distinct process, class-sourcing consists of two elements, namely having students and faculty create online digital artifacts that organize knowledge, subsequently publicizing, and conglomerating these creations for the benefit of a widely diverse audience. I will discuss the first component in this blog post, and the second component next week.

Class-sourcing involves having faculty give class assignments where students make publicly-accessible online digital artifacts, such as wikis, websites, blogs, videos, podcasts, visual images, and others. These projects aim to report on class to a broad audience in a visually appealing fashion. This component of class-sourcing advances our ability to teach students about history while conveying the skills of a liberal art education. Similar to a paper, students conduct independent research on a specific topic they chose, analyze the information they find, and organize and communicate this data, which strengthens research, writing, and critical thinking, as well as historical understanding.

However, online digital artifacts provide additional benefits, as they advance our ability to teach students digital literacy skills relevant to professional and civic life in the modern digital age. A related advantage of class-sourcing comes from the capacity of digital artifacts to improve student engagement and performance, due to the novel nature of this assignment and the deployment and development of digital skills, which creates a constructive classroom dynamic and enhances comprehension of course content. Additionally, the public nature of the online projects results in improved academic performance, since as class feedback has shown, students are more committed to producing a better project if they know it will be available for a broad audience.

My proposals emerge from my own experience asking those in my classes to create websites on Soviet and imperial Russian history based on original primary source research. These students produced websites on a variety of topics, such as “The KGB,” and “Bloody Sunday, 1905” (Figure 1). From the very beginning, students expressed enthusiasm over these assignments. They have impressed me with their commitment and the quality of their final product generally exceeded my expectations. Furthermore, these digital artifacts have a clear impact, as you can see by typing “The KGB” into Google, where my students’ website currently comes up fourth in the search rankings. For in-depth directions on undertaking this activity and a list of student-created websites, see my personal webpage. After my students created the websites, I checked them for accuracy and corrected mistakes, as I would do for any assignment. Then, I assigned the best examples among these websites as supplementary readings to students in my subsequent classes.

Next week, I will discuss how I have adapted the class-sourced website assignment over the three classes that I have taught it, as well as the broader impications of class-sourced assignments. Stay tuned!