Schrebergärten

Schrebergärtens

Schrebergärtens are crucial to the preservation of green spaces within and around urban regions. Schrebergärtens were traditionally used as small farming lands and temporary housing for the poor during the Industrialization era (Lorbek and Martinsen 2015, S103). These land plots eventually became green spaces that were marketed specifically towards children by doctor Schreber from Leipzig, Germany in the early 1800’s, of which he believed would benefit children’s personal growth (Grenier 2018). Schrebergärtens were named after doctor Schreber in respect of his visions for allotment gardens (Grenier 2018). During the time periods both during and after World War 1 and 2 and Germany’s financial downfall, Schrebergärtens became temporary housing and farming options (Lorbeck and Martinsen 2015, S104).

Today, Schrebergärtens are regulated by the Bundeskleingartengesetz (Grenier 2018). This organization oversees the individuals responsible for their respective Schrebergärten and the maintenance of the property. An example of the garden maintenance includes that at least one third of the garden must be dedicated to the cultivation of fruits and vegetables and sheds on the garden plots may not be used as a residential space (Grenier 2018). Though these rules may seem strict, there are to protect the purpose of Schrebergärtens, which is to provide urban populations with protected green spaces. There are over 1 million Schrebergärtens in Germany and over five million different caretakers for these properties, which can be attributed to the histroical and modern successes of the Schrebergärtens in Germany (Lorbek and Martinsen 2015, S104).

I am not confident in the idea that Schrebergärtens could be used within the United States with the same success as they have in a German context. I think it would be very difficult for property owners to give up their land outside of cities to the government to be used as protected land when that land would more than likely have high property value. This land could become highly valued investment properties for potential suburbs and industries. Another strong argument against Schrebergärtens would be the existence of national parks and other already federally protected land spaces around the United States. The push of tourism towards national parks may be a cheaper and more time-friendly option over Schrebergärtens.

I think there is a possibility, however, that Schrebergärtens could be successful in less populated areas with limited industrialization. This not only would help sustain rural economies by promoting tourism but would also encourage spending time in natural green spaces, making them a more vital resource to the United States. Although I do not see Schrebergärtens becoming a success in America, I do believe the idea and intentions of urbanized green spaces may work well in less populated communities with naturally green environments and may increase the appreciation of untouched ecosystems hidden within the United States.

Resources

Grenier, Elizabeth. 2018. “A brief guide to German colonies.” Deutsche Welle, May 30, 2018. https://www.dw.com/en/a-brief-guide-to-german-garden-colonies/a-39133787.

Lorbek, Maja and Martinsen, Milena. 2015. “Allotment Garden Dwellings: Exploring Tradition and Legal Framework.” Urbani Izziv 26 (2015): S98–113. http://www.jstor.org/stable/24920950.

“Trees” by Nils Udo

Udo, Nils. “Trees”. Photograph. Nils-Udo, Gasteig Munich, 1989. https://www.nils-udo.com/art-in-the-urban-space/?lang=en

Nils Udo is a German artist who is known for his pinpointed focus on environmentalist artworks including sculptures, paintings, and photographs. He was born in Bavaria, Germany in 1937 and was raised to appreciate the beauty of nature through German culture as well as work experience which he gained as a farming assistant in the Chiemgau Alps (Song, 2010). As Nils Udo grew in age, his fascination with nature continued to grow and heavily impacted his work as an artist. Taking a look at a specific piece of his work, “Trees” is a perfect example of Nils Udo showcasing his appreciation and conservational approach towards nature. “Trees” is a sculpture that was created by Nils Udo from branches of decaying trees in Munich (Udo, 1989). This work was created in 1989 and is “land-art,” which is a specific style of artwork popularized in the 1960’s-70’s that used materials from nature such as leaves, sticks, dirt, and used them to create a sculpture either within the area the materials were derived from or using the materials to create works that are showcased indoors (Tate Gallery, 2023). Nils Udo created many “land-art” pieces within Germany, such as “Trees” in Munich, and across the globe from France to Canada.

Nils Udo’s purpose in creating “land-art” was to limit the negative consequences of consumerism on the environment as well as to enhance the natural beauty of an area for the average individual (Song, 2010). Using items already found within each local environment helps keep the area free from potentially harmful and foreign structures or substances that could cause detrimental effects to local wildlife or plant life (Song, 2010). Nils Udo used this practice to display the beauty already hidden within local environments. Nils Udo is very passionate about preserving the environment and slowing the impacts of climate change which is why his works are centered around enhancing the beauty of an environment with materials that are native to the area.

Overall, the artwork “Trees” is important to German environments and Germany because it showcases the beauty of nature within its natural environment which pertains to trees from Munich for this artwork. Germany’s sustainable history and cultural significance of the environment aided Nils Udo in his artwork and his use of “land-art” which prompted his positions on environmental activism (Song, 2010). We can learn from this artwork and look for more sustainable resources within our own environment and use them to enhance our world as well as emphasize the beauty of the world as it is. These practices would aid in protecting the environment as well as limiting the use of over consumerism in the United States.

Resources

Dunne, Aidan. “Visual Arts: South: To the Waters and the Wild.” Circa, no. 105 (2003): 21–21. https://doi.org/10.2307/25563996.

The Board of Trustees of the Tate Gallery. “Land Art.” Tate Gallery, Accessed on April 23, 2023. https://www.tate.org.uk/art/art-terms/l/land-art

Udo, Nils. Trees. Photograph. Nils-Udo, Gasteig Munich, 1989. https://www.nils-udo.com/art-in-the-urban-space/?lang=en

Young Imm Kang Song. “Art in Nature and Schools: Nils-Udo.” The Journal of Aesthetic Education 44, no. 3 (2010): 96–108. https://doi.org/10.5406/jaesteduc.44.3.0096.