The German Green Party

One of the major reasons that Germany has been able to enact as much sustainable change nationwide as it has is the work of the Green Party in the German Parliament. Officially established in West Germany in the 1980s and in East Germany in 1990 and finally merged in 1993, it gained enough support by 1998 to form a coalition government with the Social Democratic Party, holding federal power until 2005. With the election of 2021, the Green Party of Germany is once again part of the coalition government currently leading Germany.

Its political power has allowed some of its agenda to come to fruition, most notably, the closing of all nuclear power plants in Germany. While nuclear energy is a big part of sustainable energy in many countries, as it does not produce fossil fuels, the issue of nuclear waste is a concerning problem in a country as relatively small and densely populated as Germany. The Green Party first gained popularity from its stance on nuclear energy following the fallout from the Chernobyl accident in Ukraine, and its continued campaign to ensure nuclear energy would not be a part of Germany’s energy transition was successful with Germany’s last nuclear power plant closing in April of 2023.

As a voting block, the Green Party has caused some of Germany’s sustainable policy choices, but perhaps even more significant has been their effect on the climate conversation as a whole. As they gained support relatively quickly, it became clear that the German public was concerned with the environmental issues they championed. In order to keep their voting base happy, other parties began to shift their agendas to allocate more resources towards sustainable policy, making the “Energiewende” (energy transition) a central topic in German government almost regardless of which party came to power.

The idea of a Green Party is not unique to Germany, and the United States does have its own version, but the structure of the U.S. government has not allowed it the same impact. Additionally, environmental policy has unfortunately become an extremely polarizing partisan issue in the United States. Although environmental concerns are prevalent, there is currently not much of a path for citizens to impose their will on the government, as there are really only two viable parties, so even if neither will advocate for the degree of change desired, neither will suffer any consequences. Without significant change to government procedure in the United States, a similar effect could not be achieved. The structure of the German government is situated to give citizens’ votes much more impact, allowing the Green Party to gain some power and its ideas to spread across the government, overall helping to create the German that is known as a leader in sustainable energy today.

References:

Conradt, D. P. (2023, April 23). Green Party of Germany. Encyclopædia Britannica. https://www.britannica.com/topic/Green-Party-of-Germany

Goossen, B. (2019, February 22). What the US can learn from Germany’s stunning environmental movement. Waging Nonviolence. https://wagingnonviolence.org/2013/11/us-can-learn-germanys-stunning-environmental-movement/

Uekotter, F. (2021, April 23). How the Greens went mainstream. Foreign Policy. https://foreignpolicy.com/2021/04/23/how-the-greens-went-mainstream/

Abtei im Eichwald – Caspar David Friedrich

Abtei im Eichwald, known in English as The Abbey in the Oakwood, is one of many of Caspar David Friedrich’s depictions of the ruins of Eldena Abbey. This particular iteration stands out because of the dark, Gothic tone of the piece. The funeral, graveyard, scraggly trees, waning light, and sliver of a moon all combine in this painting to send a message about the relationship between nature and humanity. Painted between 1809 and 1810, it is solidly a part of the Romantic Period.

Many people interpret this piece of being representative of the temporary nature of humans and human creations. This is both because of the crumbling Abbey and the funeral. The combination of a grand building being brought down to such a disheveled state and the reminder of human death creates a theme of humanity coming to a close. While the Abbey in this painting was inspired by a real place, the foreboding trees were a creative choice, so their presence is obviously significant.The contrast between the tiny, mourning humans and the tall, overgrown trees finetunes the message to one of nature overtaking humanity.

This is related to German environments because it depicts the role of trees, and by extension forests, seen throughout many pieces of art and literature, such as the Brothers Grimm’s Fairy Tales. Forests are consistently shown as powerful, mystical forces. They are neither good nor evil, but it is understood they should be feared. The imagery of these trees overtaking a religiously sacred place is a classic example of this. The fact that German artists and writers persistently chose this specific portrayal of forests shows a broader cultural dynamic between Germans and their trees.

Geographically speaking, this dynamic makes sense and can help modern day people understand what a pre-industrialized Germany looked like. It is difficult to picture what it was like before most places were easily navigable by vehicles, but that time is well-preserved by German artworks like this one. In a time where travel was by foot, directions were word-of-mouth or from personal experience, and the technology to efficiently create pathways and roads was just not there, forests were a genuinely dangerous place to travel through. The high risk of getting lost with little hope of rescue contributed to the formidable reputation of forests in German art.

That being said, forests were also an easy source of wood for the average German. With wood being necessary for everything from heating to building, its appearance as an endlessly accessible and vital resource for early Germans granted forests a level of respect. This complicated perspective on forests created from their role as both dangerous, inconvenient, travel-inhibitors and also an invaluable resource of the fuel for daily life is one that is difficult to understand from simply looking at the facts, but becomes much clearer in light of artistic renditions such as this one.

Citations:

Frenssen, Birthe. “Ruins of Eldena Abbey.” Caspar David Friedrich Seit 1774 In Greifswald, Universitäts- Und Hansestadt Greifswald, http://www.caspar-david-friedrich-greifswald.de/ruins-of-eldena-abbey.html.

Friedrich, Caspar David. Abtei Im Eichwald. 1809, Alte Nationalgallerie.