Mixing It Up

Observations and ideas about race, ethnicity and mixing.

Page 4 of 8

Eugenics and Toni Morrison’s Home

Part of what interested me most from these readings so far is Francis Galton’s definition of eugenics as “science which deals with all influences that improve the inborn qualities of a race; also with those that develop them to the utmost advantage” (79). This makes it seem so clinical, unbiased, and harmless—even inarguable. If the only goal of this so-called “science” is to improve the human race, how bad could it be? The mobilization of science in this way is extremely dangerous as it shrouds the inherent racist biases in what are supposed to be facts and legitimate scientific methods.

At the same time of reading this text, in another class I read Home by Toni Morrison which deals with many things, one of which being eugenics. One of the main characters, Ycidra, is employed by a white doctor in Georgia to help schedule his appointments and keep track of his scientific work. Ycidra discovers that this doctor is heavily interested in eugenics and is mainly “helping” the poor community of Atlanta. He administers shots and medicines he concocted himself to Ycidra. She nearly dies, however after a recovered she learns that she will never be able to have children. Morrison’s Home sheds light on the atrocities committed in the name of a false science as Ycidra is a victim of the forced sterilization of black women as a direct result of eugenics programs in the United States.

Reading these two texts side-by-side was enlightening because reading Galton’s “Eugenics: its Definition, Scope and Aims” allowed me to understand the thinking of people who believed in its message and how these racist ideologies were presented to the public through the ruse of science, and Home by Toni Morrison humanized the issue further by illustrating the experience of an unsuspecting woman who was abused by a doctor that justified sterilizing her without her knowledge or consent because, in his opinion, it was for the good of the human race.

An Island Divided In The Time of the Butterflies

The relevance of this course in my everyday life has manifested again in the form of tying in with my English class. Lately, we have done several readings about identity and some history about the Caribbean, including watching the documentary Haiti and Dominican Republic: An Island Divided. In my English class, we recently read In the Time of the Butterflies by Julia Alvarez which is also set in the Dominican Republic. While the documentary discussed Trujillo, the book focused much more on the impact of Trujillo, specifically on the Mirabal sisters (three revolutionaries who were assassinated under Trujillo’s orders and one sister that survived). Watching this documentary was interesting because the novel focused heavily on gender roles under his reign and did not focus on race or even discuss the Haitian genocide. For example, it mentions the fact that Trujillo wears makeup, but it did not explain that he wore makeup in attempt to make his skin look lighter. The makeup was only brought because Alvarez was describing Minerva Mirabal slapping Trujillo’s face after he made unwanted sexual advances (which happened in real life). The novel is important because of the light it sheds on the plight women under Trujillo, but the exclusion of the persecution of an entire people is disturbing. Both reading the novel and watching the documentary helped paint a fuller picture of the atrocities committed by Trujillo.

 

 

Alvarez, Julia. In the Time of the Butterflies. Algonquin Books of Chapel Hill, 2010.

Photographs and Susan Sontag

Since our last class on Thursday, I have not been able to stop thinking about the photographs we examined in class of indentured laborers in Trinidad. Being able to actually see snapshots into the lives of a group of people that we have been learning about was very eye-opening. Instead of abstractly thinking about the function of Indian laborers in society in the Caribbean, the photographs served as a concrete source of proof, a snapshot into their daily lives. Being able to see these women stooped over the rice paddies was much more impactful than just imagining it; it strengthened my understanding of indentured labor.

 

This weekend I started reading On Photography by Susan Sontag, and her ideas allowed me to view the experience of seeing those photographs in a different light. Sontag claims that “[p]hotographs furnish evidence” (5), and I certainly found that to be the case regarding my learning about the Coolies.

 

Works Cited

Sontag, Susan. On Photography. Picador, 2010.

American Influence in Trinidad

A Brighter Sun by Samuel Selvon really struck me in the way the U.S. and the Whites not only have influenced other countries but the minds of the individuals living in these countries, as seen through Tiger in the novel.  After getting married at the tender age of 16 and starting his own family, Tiger, initially finds himself trying to replicate the ‘Indian model’ of living in a small village in Trinidad. However, as time progresses, Tiger learns how to read and desires to become more educated while the town he lives in starts to change, particularly by the infiltration of the Americans. As the Americans decide to build a road across the village, Tiger gets excited with the idea of working for the Americans and this opportunity gets him thinking of new ideas particularly the idea of improving his life in all ways and living better. Although this is a positive thing, this infatuation for the new really puts him in a bad position with his wife, who feels that he has become preoccupied with things that have put her and the family second. This juxtaposition is interesting, because it shows the power that the actions of the Americans  had on culture and on a society who was not necessarily ready for change or even wanting change. The old traditional way of living means retention of culture, while the new means challenging these values, or getting rid of them completely.

H&M In Hot Water Again Over Cultural Misappropriation

Less than a month after H&M recalled an image of a black child modelling a hoodie with the slogan “coolest monkey in the jungle,” they have once more returned to the limelight and were forced to recall a range of socks with a pattern that appeared to resemble the word “Allah” written in Arabic. Although it was intended to be a lego holding a hammer, this illustration bares resemblance to the Arabic language. Throughout these controversies, high-profile figures have spoken out calling H&M’s image “offensive”, “irresponsible” and “racist”. Although they hired a diversity specialist, they should have already had heightened cultural sensitivity in both scenarios. Traditional tribal patterns, derogatory terms and prints are often seen in contemporary fashion despite their negative connotations and cultural misappropriation. It is critical to to be considerate and oppose these styles as they foster stereotypes and hurt identities. To keep clear of further controversies, fashion lines should have a strong commitment to addressing diversity and inclusiveness and be vigilant selecting designs.

 

Link: http://www.vogue.co.uk/article/hm-socks-allah-pattern

National Geographic’s past exposed

As I was reading the news today, I came across an article with a disturbing title. “A probe into the past exposes National Geographic’s racist content.” A study done by a history professor at the University of Virginia discovered the racist behavior in National Geographic’s past.  As I continued to read, the author gave examples of some of the evidence the study unearthed. “A 1916 edition, for example, featured two Aboriginal people with a caption that read, ‘South Australian Blackfellows: These savages rank lowest in intelligence of all human beings'” (Dzhanova). We recently learned about Aboriginal people and how they were regarded as “children of the forest” and viewed as a wild people, and being considered “savages.” This also goes back to the beginning of the class when we learned about how early scientists attempted to use race to determine intelligence or social capacity and to distinguish which races were “superior.”  National Geographic’s use of stereotypes and their tendency to portray people of color as laborers has given their once impeccable name a permanent mark. As this information comes to light, and in an attempt to make up for the century of discrimination, each issue of National Geographic this year will be part of a series on racial, ethnic and religious groups, this time portraying them correctly.

https://www.nbcnews.com/news/us-news/probe-past-exposes-national-geographic-s-racist-content-n857746

#Wakanda Forever!

Over spring break I was asked by a random stranger where I was from, I told him Rwanda and he immediately thought I meant Wakanda. I thought that was funny and then I proceeded to explain to him how Wakanda was fictional and how Rwanda is very much real. But on then I started thinking about the movie and what it means for me as an African and a black person in America. I realized the significance of the movie and how represented different black identities; with Killmonger having grown in the US and the people of Wakanda as Africans who had never left the continent. One of the most powerful moments in the movie was towards the end when Eric utters the words “bury me in the ocean with my ancestors that jumped from the ships. Because they knew death was better than bondage.” This immediately reminded me of the middle passage and what form of resistances Africans were showing even before they got to the New world. Additionally, the fact that Wakanda was never colonized presents the idea of what Africa might have become without colonization. It also challenges the idea that colonial powers did Africans a favor by colonizing them. Furthermore, the move brings together Black people all over the Global because it celebrates African culture and encourages people to learn more about said culture. For example, days after the movie came out posts on social media were trending that explained the origins of some of the attires in the movie. Different African tribes inspired all of the clothes in the movie. As a black person, this movie literally changed my life!

 

Colorism

March 18th

“The woman skin lighter than yours and mine she feel she better than people on this hill” (Lovelace 21).

 

Colorism. The discrimination based on skin tone that has been formulated through the years of colonization. This sense of belonging to become involved with the higher class has driven people to associate, mate, and create new circles in order to include themselves or future generations into a “white” society. Around the world this concept various but colorism is a cultural aspect recognized in the Caribbeans and Latin America. It is something that replaces the cruel racism experienced in American society but still present within these community islands. The lighter you are the more privilege one will have. This is unfortunate belief because how light or dark a person is will depend on the broader group they are in: White or Black.

I write about this because these are topics still in need to discuss. With colonization, the foundation of colorism is part of the norm now. So as to challenge the oppressor with institutional and everyday racism, we must all call into question how the hegemonic power has used colorism to separate people. The hype about Black Panther is tremendously significant because it not only a “Black” movie but a dark-skinned cast.This is something that would have been unheard of or recognized properly ten years ago. A famous actress by Amandla Stenberg has played roles in the Hunger Games and teen flicks and she had recently shared her rejection to the hit movie by Marvel. Her rejection was considerate as it acknowledges herself as light-skinned woman wanting the right actress to portray the sentiment Black Panther stood for.

We need more Amandla Stenberg’s in the media and in society to help represent everyone and denounce this social construct. Colorism is a dangerous form of discrimination as it turns marginalized groups from within against each other. Like racism, it will not go away in a day, this will take time. But with the continuous discussion of it, there can be improvements made for in society.

 

https://www.vanityfair.com/hollywood/2018/03/amandla-stenberg-black-panther

 

Earl Lovelace, The Dragon Can’t Dance

 

An Identity To Be Proud Of

I think one of the important messages in “The Dragon Can’t Dance” is how it is impossible to move forward in society when the people of the society don’t understand their history. The novels is in constant hope for the community to get grow and transform and to fight against its oppressed past. During the carnival season, we see the cultural resistance against slavery and colonialism. I think that Lovelace wrote this book to express an identity for Trinidadian people can be proud of. For example, he talks about the importance of calypso. The act was previously illegal but he shows how it reveals their culture and identity. He writes to create a place where the typical colonial, Eurocentric ways of thinking can be challenged and other identities and ways of thinking can be understood.

Coolie Women

I really liked the lecture on March 1st where we viewed photos of Indian women. In these photos, women advertised their beauty and their prosperity. Almost always, the women depicted were laden with silver and gold. Their bodies showcased these precious metals usually in the form of bangles on their wrists. They also were generally depicted wearing silk blouses and ornies on their head, adorned with lace. I found it interesting that wearing these metals and blouses allowed these women to show their wealth and status. These representations of self were all very similar in the women’s facial expressions. Most women had inscrutable expressions, no photo shew a woman smiling, which is common for photos seen in the present day.

coolie women

I think it’s interesting that these women were referred to as Coolies because the term was conventionally used to refer to laborers, but in these photos the women appear to be moderately wealthy. Using the term “Coolie” to refer to these women marks them as foreigners in the Caribbean. It made it clear that they were not from this place, and served the purpose of laboring, regardless of their status.

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