Category: Writing Process

Writing is Exhausting… Take a Break!

Welcome back from spring break! As Carlisle bounces back and forth between tornado alerts and spring sunshine, students across campus are preparing to re-enter the fray for the second half of the semester. For some students, this means looking forward to completing a full year at Dickinson, for some it means thinking ahead to study abroad in the fall. For seniors, it means beginning to gather together the threads of the last four years, and starting to tie those threads off in senior capstones and theses.

But just because you’re coming back from spring break doesn’t mean you should throw yourself back into top gear. Some of the best writing happens because you stop. It sounds counterintuitive, I know, but think back to our running analogy– it’s not in the running that we build up muscles, but the rests we take between workouts. The same is true of writing. Working for longer hours does not necessarily mean producing more writing.

meme of a farmer reflecting on his work

 

So next time you find yourself spending two hours to craft the perfect sentence, consider putting your laptop away, getting up and stretching, and even going for a little walk. The dogwoods outside the library are just about to start blooming– go check them out! Or go on a coffee run to the Quarry (just don’t forget to drink some water, too), even a lap around your dorm. Physically moving away from your work space can help with the fatigue of writing. And remember– all nighters are not your friend. Better to sleep for six hours than attempt to write on no sleep. No body wants that for you!

Another good tip to keep in mind is one that is a favorite among ophthalmologists: the 20-20-20 rule. Every twenty minutes look at least 20 feet away for at least 20 seconds. Staring at screens all day creates eye strain (this is because we blink less than half as often as we should when using screens) which can cause headaches, sensitivity to light, and difficulty concentrating. The 20-20-20 rule helps protect your eyesight and your mental load.

If you’re coming in to the Writing Center this week consider asking your tutor what their favorite ways to combat writing fatigue are.

Free-Writing: The Strongest Tool in your Toolbox

“The beautiful part of writing is that you don’t have to get it right the first time, unlike, say, a brain surgeon.”

— Robert Cormier, American author, columnist and reporter

When it comes to college writing, one of the biggest mistakes a writer can make is treating a paper as a single monolithic task. The most successful writers (however you define that term– to me, successful writers are those for whom the business of writing isn’t crippling ) are the ones who break writing up into smaller pieces. Starting at the first sentence of the introduction and writing to the last sentence of the conclusion very, very rarely works. That’s why we teach writing as an iterative process, something that moves in spurts and starts, not something that is linear.

Since many of us get sidetracked by the need to get our wording “just right” as we draft, that can be a very anxiety inducing part of the process. One of the most powerful tools to help, in a situation like that, is free-writing. Free-writing means writing continuously, without stop, without any attention to grammar or sentence structure or style. Often, free-writing gives us some of the best raw material for building out more polished writing.

So next time you feel stuck, or getting sucked into the minutia of your sentences, or are simply getting bored of writing, try one of these exercises:

Free-Write like the CIA

  • set a timer for 2 minutes and start writing
  • the only rule is: don’t stop writing! If you need write “I don’t know what to write” 16 times in a row, go for it!
  • leave blanks spaces (or place holders, like ‘verb here’ or ‘quotation’ or ‘come back to this’) when you start to hesitate.
  • if you’re a multilingual writer, try writing in a language other than English or a mix of both.
  • the free-writing may look like some sort of redacted CIA document as you writes, but the point is to ignore individual word choice and focus instead on general gist
  • you can also try “invisible writing”, dimming the computer screen while writing so that you doen’t get sucked into the temptation of fixing individual word choice

Looped Free-Writing (aka ‘mining’)

  • set a timer for 2 minutes and start writing, following the prompt above
  • after 2 minutes look over what you’ve written, pick one sentence (or phrase, or idea) that you find interesting
  • write for another 2 minutes expanding on that idea (still focusing on writing continuously, not writing nicely)
  • repeat as long as this is productive

You can use free-writing at the very beginning of your writing process, as you’re collecting your ideas, after you’ve sorted out your structure or outline and are getting started with drafting, when you get stuck in an unproductive writing rut…pretty much any time you like! Give it a go this week and see what happens…

Writing is a Conversation

Ask three different people what writing is and you’ll get three different answers. One person might tell you that it is the physical act of assigning visual forms to words and thoughts, of representing on paper (even digitally) our ideas. Another might say that writing is simply a form of communication, while the third might argue that writing is a way of making meaning.

It can be easy to default to thinking about writing mainly as the first two of these definitions, a tool for transferring ideas to paper, but it is in that meaning-making definition that the real meat of writing resides. Another way to think about this is to think of the social nature of writing: writing always has an audience, an reader that the author is somehow interacting with or trying to persuade. The stakes of that persuasion may be different–a text message to your friends inviting them to dinner at the caf feels very different than a grocery list written for yourself or an academic paper written for a class– but the interaction between author and audience is never absent.

Because of that, it can be helpful to think about writing as a conversation. You pitch yourself different depending on who you’re speaking to, right? Asking your best friend if you can borrow something of theirs should sound very different than asking a professor for a letter of recommendation! You would use different forms of address, you might build up to your ask in different ways, you’d probably pick different environments or times of day at which to ask, and even the intonations of your voice might even be different. While we can’t completely recreate those verbal cues of intonation in writing, we can influence how the reader “hears” us through our use of specific vocabulary, syntax (i.e. choices of grammar or sentence structure), and even formatting. This is what we mean when we talk about ‘tone‘ in writing.

For instance, in the paragraph above, I signaled a more personal tone by using the pronoun “you” and addressing you, my reader, directly. I signaled a slightly more informal tone by using some varying punctuation, both in the form of the rhetorical question and in the exclamation point. I used a contraction (“can’t” instead “cannot”) for the same reason. You can imagine how differently this post would read if I were prioritizing an impersonal and extremely formal tone (boring– that’s how it would read!) Those are all rhetorical decisions I made, decisions that I hope will effect how persuasive my argument is to you, and they are all decisions that I made with my audience in mind.

As you write this week, consider these questions:

  1. Who are you writing for? Your professor? Your peers? A fictional audience? 
  2. What information does that person need, and what do they already have? 
  3. What changes can you make to your tone to be as persuasive as possible?
  4. Would you be writing differently if you were only writing for yourself?

Happy writing!

 

 

What is the “Writing Process”?

We talk a lot about process here at the Writing Center, but what exactly does that mean? The process of writing is just transferring information from your brain into squiggly marks on a screen that then turn into information in someone else’s brain, right? Well…

If you signed up today to run a marathon in three months, you’d probably do some things to prepare. You might buy some good running shoes…and if you did, you’d have to break them in before setting out on a run….and if you weren’t used to running, you might start by walking every day and then adding in some light jogging… and you might ask a friend to join you to keep you motivated… then you might join a running club to start getting into the habit of extending your pace etc. Oh, and you’d definitely curate a running play-list!

The point is, there is a lot that goes into running a marathon that you don’t see the day of the race (and without all of that, the race itself would be even more painful that it already is!) Writing is the same. We spend so much time looking at the final product (literature, journal essays, polished speeches) that we don’t always acknowledge the messy stuff that goes into creating that product.

The good news is that the Writing Process doesn’t involve getting up before the sun rises (I mean, it can, you do you) and forcing yourself to get on the treadmill or brave the elements. We tend to break down the things that happen before a piece of writing materializes on your screen into a couple of different stages. And I will admit, they do take time and effort:

The first stage we talk about is invention, in other words, coming up with an idea. That idea usually (always) changes and evolves and slips away from you and morphs into something totally different, but there is always a moment when you say to yourself some version of “what am I going to write about?” Sometimes it takes a loooong time to answer that question for the first time. And just because we name it first doesn’t mean it really comes first– you might find that you can only get to that moment by experimenting with writing down some ideas or doing some pre-writing.

Pre-writing is the wacky stuff. This is the brainstorming, the word mapping, the annotations and highlighting on a text, the conversation with your mom at 7pm (or your roommate at 2am) about the assignment. It’s the outlining and the half finished sentences that might work but might not. Usually it looks something like this:

The shitty first draft is an integral part of the writing process, absolutely 100% as important as the thing you turn in. Crucially, it is not the thing you turn it. Anne Lamott describes it as ” the child’s draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.” Call it what you like, shitty first draft, stream of consciousness, free-writing– the main thing is that at this stage you have to make an agreement with yourself not to “edit as you go”. You’ve got to look yourself in the eye and say, “You can write whatever you want, I won’t judge you.”

A lot of us never give ourselves permission to just write without adding another word or phrase to the sentence (“I have to write beautifully/enough that I have something to turn in by midnight/intelligently/without showing that I really don’t know anything about this topic/well enough to get an A on this essay”). Try it out. Because once you write a draft without judgement, you have something to work with, something to revise.

Revision is not, as a lot of us have been taught, fixing word choice and double-checking grammar (that, along with formatting, is editing). Revision is rewriting. This is when you look at that shitty first draft and say to yourself, “Good job. Now lets see what we can do with this.” Revision involves asking lots of questions, trying out different things (different words and phrases, yes, but also maybe a different organization, a different angle, maybe even a different answer to the main question).

Because of the nature of a screen, these stages of writing are presented as a list that looks chronological: we start with invention, we do some pre-writing, we draft, we revise, then we edit. In reality, writing resists that sort of linear cleanliness. Writing is messy, there’s nothing clean or linear about it. It’s more of a Mobius strip than anything else. There’s no right or wrong place to start (well, the wrong place to start is the one that prevents you from moving freely through your ideas) and more likely than not, the “pre-writing” is something you’ll return to again and again.

These are phrases that will probably occur in later blog posts. The key take away is that writing is a lot more than translating information from one brain to another via words on a page. Stay tuned for next week’s Writing Studio blog post: how to brainstorm and why!

Welcome!

Welcome, writers!

This first post on the Dickinson Writing Studio blog comes as the Spring 2025 semester kicks off with sub-freezing temperatures and a blanket of snow. On days like these, we have to conserve energy by bundling up and moving slowly– everything seems to take longer in the snow, whether that’s getting out of bed in the morning or walking from one class to another. All those layers of insulation mean we’re constantly pulling coats and hats and scarves off and on and off again, and everything just takes that much more effort. But with this weather also comes the potential for an impromptu snowball fight on the quad or a snowman peering out over Britton Plaza. Some of us will pause and remember what it was like to wake up to a snow day as a child, while others among will marvel at experiencing snow for the first time. Snow changes the world around us in startling ways.

Writing is not so different! It can feel like a chore or an obstacle, something that slows things down and highlights your anxieties and vulnerabilities; at the same it can feel like permission granted to be creative, to experiment and take risks, to interact with the world and your own thoughts in a different way. Both of these things can be (and usually are!) true at the same time.

The Germans and Scandinavians say there’s no bad weather, only bad clothing. In the Writing Center, we say there are no bad writers, only bad writing processes.* Over the course of this semester, this weekly blog post will be here to help you develop your personal writing process. We will share tips and resources as well as best practices for writing in a number of different genres. For now, we hope you enjoy the snow and stay warm!

*We don’t actually say that, but we do think every writer can benefit from figuring out what works for them individually and learning how to avoid the common writing pitfalls that lead to imposter syndrome and writer’s block!

© 2025 Writing Studio


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