“Unexplained Feelings” and Paying Attention to Subtext in The Woman in White

Throughout the first third of The Woman in White “unexplainable feelings” often become entirely explainable. Walter Hartright’s first unexplainable uneasiness upon the prospect of his going to teach at Limmeridge House is enlightened given his disastrous love for Miss Fairlie. His unexplainable tension upon first seeing Miss Fairlie is realized when he at last connects her similarities with Anne Catherick. These “unexplainable” feelings have generally been found to be very explainable, when the situation is placed in the correct context. Mr. Gilmore’s obliviousness over the situation between Walter and Laura during Mr. Hartright’s last night at Limmeridge House is an excellent example of dramatic irony; the reader understands the situation the character is confused about.

When Miss Halcombe is obliged (perhaps coerced is the better word here) by Percival Glyde to write a letter to Anne Catherick’s mother, his behavior seems entirely by-the-book to Mr. Gilmore, but it is clear to the reader that Mrs. Halcombe doubts his character despite herself. She had “a certain hesitation of manner,” and “looked uneasy” (WIW, 132). There are small moments in the text that reinforce the importance of paying attention to “unexplainable uneasiness,” regardless of what a character is trying to convince themselves of – here, it is Percival’s upstanding character. The reader is encouraged to trust observations before the character’s feelings, and try to separate the two the best they can.

An excellent example of this is Percival’s interaction with Miss Fairlie’s dog. The reader has observed, along with Mr. Hartright in his account of events, that the dog is loyal to her mistress; she always accompanies Laura on walks, and the dog is “pressed against her dress impatiently for notice and encouragement,”  when Walter observes her from his window. Even as Mr. Gilmore is entirely convinced (or determined to convince himself) that Percival is a good man, he still details his observations; when Percival “good-humouredly” calls out to the dog, she instead “shrank away from his outstretched hand, whined, shivered, and hid itself under a sofa… As he opened the door, the [dog] poked out her sharp muzzle… and barked and snapped at him” (133-134). This makes the reader question what is real and what is not: we haven’t seen the dog interact beyond Walter’s observance of her with Miss Fairlie; perhaps this is just how she behaves.

Mr. Gilmore entirely attributes this behavior to the dog, but Miss Halcombe hesitates around him; Anne Catherick sent a warning letter; Walter is suspicious of Percival’s character – the investigation is ongoing. How much of the doubt can be attributed to easy explanations: young, foolish love between Walter and Laura; Anne Catherick’s mental illness; Marianne’s desire to see her sister in a happy relationship? Mr. Gilmore has thus far described Percival’s behavior as entirely morally upstanding. Walter and Miss Halcombe have received no concrete proof their suspicions are founded in fact. And yet the dog cowers away and snaps at him. When Mr. Gilmore himself later approaches Miss Fairlie and her dog on his own, he expects the dog to snap at him, too. Instead, “the whimsical little brute falsified [his] expectations by jumping into [his] lap, and poking its sharp muzzle familiarly into [his] hand” (141). Who is a better judge of character: Mr. Gilmore, or the dog?

When Mr. Gilmore leaves his meeting with Laura, he recalls that though he had entered the room “believing Sir Percival Glyde had fair reason to complain of the manner in which she was treating him… [he] left it, secretly hoping that matters might end in her taking him at his word and claiming her release” (145). By the end of his account, Mr. Gilmore has completely changed his attitude towards Percival – “no daughter of mine should have been married to any man alive under such a settlement as I was compelled to make for Laura Fairlie” (161). Character’s “unexplained feelings” or suspicions are often validated by the surrounding subtext – Anne and Laura’s white clothing, and the dog’s behavior are examples of this. The unreliability of narrators in this novel serves to encourage the reader to pay closer attention to what is written between the lines. What is real, and what is imagined? Paying attention to patterns and “unexplainable feelings” will very likely yield explanations in due time, if this trend stays consistent.

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