Throughout the Woman in White by Wilkie Collins, the reader witnesses drastic changes in many of the characters. Most notably, there are shifts among the female characters between the stereotypical ‘rash and emotional’ woman to a more stable and ‘masculine’ female character. This change in dynamic is witnessed in many of the characters. For example, Marion, who is more masculine and rational than the other female characters, becomes much more unstable and ‘feminine’ as the novel progresses. One of the most subtle, yet pivotal, changes however is seen in Anne, the woman in white.
At first, Anne is described as hysteric. When Walter first speaks with her she is said to have “spoke with unnecessary earnestness and agitation, and shrank back from me several paces” (25). She is uncomfortable and far from calm. This is particularly apparent when Sir Percival Glyde is mentioned and the woman screams uncontrollably. She possesses many of the characteristics a typical Victorian woman would have been said to exhibit. However, Anne’s character begins to change as the plot progresses. In a later passage, Walter sees Anne at Mrs. Fairlie’s grave, and her actions are much different than what one would expect. The novel states, “she then glanced all round her, and, taking a white linen cloth or handkerchief from under her cloak, turned aside towards the brook” (95). This picture of the woman in white is pure and peaceful. “She dipped the cloth then kneel down before the inscription, and apply her wet cloth to the cleansing of it” (95).
The language in this paragraph is particularly descriptive and striking, unlike the rest of the passage. Throughout the first epoch, Walter narrates the story and his tone is observant and at some points critical or unsure of the female characters. Although, his language becomes slightly feminine or more emotional when he describes having ‘strange feelings’. His tone is, for the most part, straightforward. With this description, there seems to be an immense amount of clarity in trying to figure out the mystery that is the woman in white. This passage, and its eloquence, is a turning point in the novel. From this point on, we learn more about Anne and her past and how truly crucial she is to the development of the plot as well as the progression of the other characters. For it is at this point in the novel, many of the other characters, such as Laura, begin to alter too.
I agree with you that this passage is a turning point in the novel. I think Anne’s serenity and peacefulness while cleaning Mrs Fairlie’s grave is linked to the strong positive emotions that the memory of her benefactress provokes in her. Regarding the switch that will occur later on in Marian and Laura’s behavior, I wonder whether the purpose of the author here was to alter the behavior of these two characters in order not to be identified one as the typical Victorian woman, and the other as her opposite.
I think some great points are made here, but I don’t know that I agree that the scene where Anne visits the graveyard is peaceful. While the writing is eloquent and descriptive, I don’t think this makes Anne look any less hysterical. To me, the imagery of a woman cleaning a grave with a white linen cloth is dramatic and disturbing. This is, however, an important part of the book and as readers we learn how important Anne is to the story.