Month: December 2024 (Page 2 of 3)

Random House’s First trade edition of Moby Dick; Or the Whale with illustrations from Rockwell Kent affected the life and modern conception of Melville’s novel in two distinct and interesting ways. First, this edition contributed significantly to the popularity of the novel and second its impact on the growth of Moby Dick scholarship and literary studies more broadly.

Given our modern perspective and understanding of Moby Dick within the American literary canon, I am shocked to learn that Melville’s novel languished in relative obscurity at the beginning of its life. In 1920 literary scholars began to gain traction leading to the growth of the story’s popularity with the broader reading public. The fame of the novel grew further in 1926 with the creation of The Lakeside Press’s 3-volume edition with illustrations from Rockwell Kent. The explosion of the novel’s notoriety came with Random House’s publishing of the First trade edition in 1930 in Octavo format, which is the subject of this post. Perhaps, the success of this edition comes from the fact that it is the perfect size for the average reader’s hand. The 3-volume edition, published by The Lakeside Press, uses a folio format and functions as a coffee table book. The more useable Random House edition better combines the function of the novel as both a work of art and a useable item. (Manhattan Rare Books Company, 2024).

            One can easily see why this edition plays such a critical role in Moby Dick’s rise into the upper echelon of American Literary Achievement. The Manhattan Rare Books Company wrote that this edition represents “one of the greatest matches between illustrator and subject matter in the history of print.” I agree complete with this analysis. After reading the novel with these engraving included, I noticed the fantastic nature of the images and wondered if the novel could exist without them. This ties into Roger Chartier’s idea that authors do not write books; they write texts(Chartier, 2015). The craftsmanship of the printers and the talent of Rockwell Kent make this edition of Moby Dick truly special. Consider the last book you read. Would you have the same reading experience if you read a low-quality edition?

            Bad or low-quality editions significantly damage the reading experience. Yes, there is nothing wrong with reading paperback editions, and for the most part, these are the version of texts I read, but a fantastic edition makes for a sensational reading experience. Indeed, I as a reader have a deep attachment to beautiful books. I enjoy holding high-quality work and feeling the effort of the variety of artisans whose creation I have the opportunity to experience. Currently Penguin Random House produces a clothbound edition of Moby Dick in their “Penguin Clothbound Classics” line of products. Perhaps, we as a society think that classic texts prove themselves worth of the beauty that truly talented artists imbue into their physical forms Rockwell Kent’s stunting illustrations contribute significantly to the already tremendous reading experience. While, yes, Melville’s prose is elegant, there is something special about opening the novel and seeing a full-page picture of Ishmael.

The editions with illustrations from Rockwell Kent hold a unique position at the center of scholarly intrigue. This book’s position as a work of art and one of the great triumphs of illustrations in the history of printing leads scholars like Matthew Jeffrey Adams to consider the role of these images in the development of academic writing surrounding the novel more generally. Adams argues that Kent’s work functions as literary criticism because of his extensive research into Melville’s source material and visual inspirations. Kent then employed these same images in his own artistic rendition. Adams also suggest that Kent’s work begins the development of the academic discipline “Melville and the Visual Arts.” (Adams, 2018). I agree with Adams’ argument. Obviously, Kent put significant work into researching his illustrations. The design of the images perfectly integrates with the text as seen in the image above. The chapter finishes detailing Ishmael’s journey to New Bedford and immediately see the engraving of Ishmael walking. So, just as I established my mental imagine of Ishmael and his journey Kent presents his own. Thus, providing me with the opportunity to compare our visual understanding of the character. This is such a fun experience that I find it difficult to imagine reading the novel without it.

Indeed, Moby Dick; Or the Whale’s history is long and rich, beginning with its publication in 1851 and its 70-year journey to fame and rightful position at the heart of the American literary canon as well as its role at the subject of extensive scholarly research.

            With prices on rare book websites ranging from 1,500 to 4,500 dollars this edition has monetary value. There are, of course, much more valuable books out there like the Sarajevo Haggadah or the first edition of the Gutenberg Bible. As a subject of scholarly and recreational interest as well as a symbol of American Literary culture and canon this edition has significant value. Further, we should consider this version an example for future generations. Even as we continue with digitization efforts, and the eBook market continues to grow, we must still remember the value of high-quality physical copies. These editions possess the opportunity to bring authorial and visual art together. We must work to maintain this fantastic element of physical culture.

Works Cited

Abrams, Matthew Jeffrey. “Illuminated Critique: The Kent Moby Dick” Word & Image, Vol.33, no.10, 2018. https://dickinson.primo.exlibrisgroup.com/permalink/01DICKINSON_INST/1d86qtd/cdi_scopus_primary_2_s2_0_85041602666. Accessed 6 November 2024.

Chartier, Roger. “Communities of Readers.” The Broadview Reader in Book History, edited by Michelle Levy and Tom Mole, Broadview Press, 2015, pp.251-266.

“Melville Herman. Rock Well Kent. Moby Dick” Manhattan Rare Books Company, https://www.manhattanrarebooks.com/pages/books/2845/herman-kent-melville-rockwell/moby-dick-moby-dick. Accessed 6 November 2024.

“First Edition Points and Criteria for Moby Dick (illustrated by Rockwell Kent)” First Editions Points, http://www.fedpo.com/BookDetail.php/232. Accessed 6 November 2024.

“Moby Dick by Melville, Hardcover, Random House” AbeBooks, https://www.abebooks.com/servlet/SearchResults?an=Melville&bi=h&bx=off&ds=30&pn=Random+House&recentlyadded=all&sortby=1&tn=Moby+Dick&wassortselected=true&yrh=1930. Accessed 6 November 2024.

Richard Knolles’ The Generall Historie of the Turkes has enjoyed a long afterlife. Since its first publication in 1603 later scholars republished and updated the book, and it gained the respect of notable writers. The copy which now resides in the archives of Dickinson College, a first edition, bears witness to this four-century long history. While the provenance of this copy only becomes clear from the mid-twentieth century, the book carries several marks of this past–seemingly having been subject to many repair jobs.

From the moment it of publication in 1603, The Generall Historie became an instant classic. The book, being the first major English work tackling the history of the Turks, garnered an appreciation for Knolles’ ability to create a narrative from different sources (Woodhead 2004). This regard can be seen by the fact that The Generall Historie got republished in six editions in its first century of existence (Woodhead 2004). These were not mere reprints either; other authors such as Edward Grimeston extended the narrative to the year of their publications using diplomatic dispatches, even after Knolles’ death Woodhead 2004). That subsequent scholars felt the need to regularly update the history marks it as something special.

Scholars endured in their appreciation for the work. Writing in The Rambler no. 122 over a century after Knolles wrote his book, writer and critic Samuel Johnson praised him as the best historian England ever had, and that The Generall Historie in particular, “displayed all the excellencies that narration can admit” (Johnson 1751). The book’s influence does not stop there; Its fans included Lord Byron, and scholars believe it influenced even the writing of Knolles’ contemporary, Shakespeare (Bingham 2017). All this is to say that, centuries after first being put into print, The Generall Historie became immensely popular and shaped the English world’s perception of the Ottoman Empire and of History writing.

Figure 1: the beginning of the Discourse section

One question that that emerged during my research is over the book’s last section, titled “A briefe discourse of the greatnesse of the Turkish empire.” According to the Oxford Dictionary of National Biography, Knolles added this section starting with the second edition, making its presence in a first edition striking (Woodhead 2004). It of course could have been added after the fact–it starts at the beginning of a gathering, according to the signature mark–but that the page also contains the end of the proper narrative bugged me (figure 1). Surely the placement would not so neatly align between editions, and the discourse would start on a separate page. As an amateur I could not discern if this section got added afterwards by physically examining it, so comparing it to other copies became my best bet. I found a digitized first edition on Google books, and it matched Dickinson’s copy exactly, and a digitized 1631 edition on the Internet Archive has the same discourse on its own page after a continuation of Knolles’ narrative. It is certainly possible that two copies could have been altered the same way, but I believe this is doubtful. More work must be done to know for sure. Two possible scenarios include the title page simply wrong, or that the ODNB’s claim is incorrect.

Figure 2: various marks and doodles picked up over the centuries

Besides this possible addition, the only marks from the first few centuries of the book’s life are scant doodles and the wear of time (figure 2). More recently, however, the book has seen quite substantial repair work. Certain pages have extensive decay; large chunks of paper missing and their edges frayed. In these areas, someone has added a backing of a thin sheet of perhaps rice paper to stabilize the damage (figure 3).

Figure 3: An example of extremely worn pages with repairs

There have also been missteps. On page 534 and 535, another person appears to have placed several pieces of tape, the adhesive leaving massive brown stains on the pages (figure 4). It is unknown when work occurred, but they certainly wanted to preserve this copy.

Figure 4: Tape and stains from the adhesive

During the early 1940s Dickinson’s copy finally surfaces in the historical record. At some point, this copy came into the possession of Francis Wayne McVeagh. According to an inscription on the reverse of the title page, he gifted the book to his friend T. Edward Munce on June 13, 1941. An alumnus of Dickinson College (class of ’39), he sent the book to the institution in 1958 according to a memo, where it has resided ever since

Figure 5: Memo that dates when The Generall Historie came to Dickinson

(figure 5). This paper trail may give insight into another of the book’s mysteries: when it got rebound. The current binding is not original; the endpapers are of a much different stock, and the title on the spine has the modern spelling for starters. This begs the question of when this rebinding took place? A clue might be that MacVeagh’s message to Munce is written on the title page. Why not on write this on the blank endpapers instead of the centuries old paper? Munce wrote his name on the endpapers at some point, so why not MacVeagh? A possible solution could be that the rebinding occurred when MacVeagh or Munce owned the book. MacVeagh could not have written on the endpapers because they did not exist. This theory is, admittedly, a stretch. The work required to definitively prove this one way or the other is beyond my ability, requiring someone properly trained in book conservation and history.

The Generall Historie of the Turkes has been enjoyed by countless readers over the centuries. As an important work of history, its value has been recognized by several of those readers. As a work of history, it serves as a testament to that discipline’s early beginnings. The quality of Knolles’ narration impressed many critics over the centuries like Samuel Johnson. The care put into its restoration by a mystery book conservator who repaired this copy’s pages proves many people have recognized the immense value in its pages. The Generall Historie of the Turkes has had quite the afterlife indeed.

Works Cited

Bingham, Jonathan. “On Jon’s Desk: The Generall Historie of the Turkes, a beautiful book

linking the past with the present.” The University of Utah, 27 Mar. 2017, https://openbook.lib.utah.edu/tag/the-generall-historie-of-the-turkes/.

“Generall Historie of the Turkes First Edition – Richard Knolles.” Bauman Rare Books

<https://www.baumanrarebooks.com/rare-books/knolles-richard/generall-historie-of-the-turkes/111711.aspx>

Knolles, Richard. The Generall Historie of the Turkes. Adam Islip, 1603.

Knolles, Richard. The Generall Historie of the Turkes. Adam Islip, 1603. Google Books.

https://books.google.com/books/about/The_generall_historie_of_the_Turkes.html?id=BudbAAAAcAAJ.

Knolles, Richard. The Generall Historie of the Turkes. Adam Islip, 1603. Internet Archive, 2

Mar. 2021, https://archive.org/details/dli.ministry.02270/page/n805/mode/2up.

“The Rambler.: [pt.4].” In the digital collection Eighteenth Century Collections Online.

University of Michigan Library Digital Collections. https://name.umdl.umich.edu/004772607.0001.004.

Woodhead, Christine. “Knolles, Richard.” Oxford Dictionary of National Biography, Oxford

University Press, 2004. https://www.oxforddnb.com/display/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128- e-15752?rskey=i063hN&result=1#odnb-9780198614128-e-15752-div1-d1770859e286.

Figure 1
The signatures of Hatty and Alice B. French

In my previous post on An Almanack, I determined that this book is not an almanac by any means. The book does not contain meteorological predictions, but rather the children’s literacy pamphlet The New England Primer. However, in understanding this book to be a children’s text the inclusion of owner’s names helps determine the afterlife of the present copy of An Almanack. Although difficult to read due to the combination of foxing and the writing being in pencil, the inside cover has the signatures of sisters Hatty and Alice B French (fig.1). I used Ancestory.com for much of the information I was able to collect on the sisters, who thankfully provided New Hampshire as their residency as “N.H.” (fig. 1). Including their residency made finding them much easier on Ancestory.com, I was able to narrow down the search results and it helped to ensure that I had the correct people while I was looking through documents. Hatty and Alice were the youngest of 9 siblings and the daughters of Stephen and Sarah Stevens French. Harriet “Hatty” Augusta French was born on April 19th, 1848, and passed away on November 8th, 1888. Little is known about Hatty as she never married and did not have any children. There is, however, a wealth of information about her younger sister Alice that contributes to the concept of how An Almanack was intended to be read and its value by the church.

Figure 2 The New London Literary and Scientific Institution record

Alice Bird French- Mills was born on August 25th, 1851, and passed away on May 20th, 1912. There are records of Alice attending the New London Literary and Scientific Institution in 1871, and Boston University in 1877 (fig. 2). Alice is attributed the title Doctor, which was rare for women in the late 1800s, with approximately 2,432 women practicing as doctors according to Hobart and William Smith Colleges. Dr. Alice Bird French married her husband Dr. Henry Mills in April of 1880, the same month she earned her degree. Henry had previously been married twice, both wives passed away along with the three children he had fathered with them. He was 78 when he married Alice, while Alice was only 29. The two did not have any children but rather conducted work together at their sanitorium until Henry’s death in 1897. Sanatoriums in 1880 as isolated environments used to treat tuberculosis (Harvard Library). The exact sanatorium the two worked at is unknown but sanatoriums were common in New York, the residence of the couple following their marriage. 

On February 19th, 1900, Alice applied for a passport which she was granted. The passport allowed for her to travel Syria and Palestine for a year when she returned in 1901 fig 3. There is however no record of this trip, apart from the dictation of such on Ancestory.com. After her return to the country, she began to preform medical missionary work as part of the Presbyterian church. The Womans Board of Home Missions was the organization she worked for in the Appalachian Mountains. She lived out the rest of her life in West Virginia, doing missionary work in Coal River, Dry Creek, and Raleigh County. She passed away in New Jersey.

Figure 3
The passport application of Alice B. French

The information learned about Dr. Alice Bird French- Mills explains how An Almanack was used in 1850. Raised in a religious household, Alice and her siblings, especially Hatty due to her birth and the publication being four years apart, would have likely learned to read the New England Primer within the almanac. English was taught through a religious lens, including the alphabet taught in relation to biblical stories, with images and brief references. Even the introduction of An Almanack makes the claim that the book was held in such regard that it would be placed next to the Bible on a bookshelf. Alice becoming highly educated as well as a missionary supports the idea of the Primer as a tool to educate children in English and religion.  

Figure 4 & 5 The religious stories used to teach letters, and the introduction describing the importance of the primer

Works Cited 

AncestryLibrary. Ancestry.com, ancestrylibrary.com. Accessed 2 Nov. 2024. 

“Contagion: Historical Views of Diseases and Epidemics.” Curiosity Collections, Harvard Library, curiosity.lib.harvard.edu/. 

Justin, Meryl S. “The Entry of Women into Medicine in America: Education and Obstacles 1847-1910.” Hobart and William Smith, Hobart and William Smith Colleges, www.hws.edu/about/history/elizabeth-blackwell/entry-of-women-into-medicine.aspx#:~:text=By%201880%20there%20were%202432,by%201900%20there%20were%207387.&text=The%20first%20medical%20society%20openings,of%20acceptance%20for%20female%20practitioners. Accessed 8 Nov. 2024. 

New Hampshire State, General Court, Assembly, Census. Assembly Document. 15 June 1860. Ancestry Library Edition, ancestrylibrary.com. Accessed 8 Nov. 2024. 

Newman, H. (1843). An almanack containing an account of the Coelestial Motions, Aspects, &c. For the year of the Christian Empire, 1691. Ira Webster. 

“Passport Request.” 15 Feb. 1900. Ancestry Library Edition, ancestrylibrary.com. Accessed 8 Nov. 2024. 

U.S., School Catalogs, 1765-1935. Ancestry Library Edition, ancestrylibrary.com. Accessed 8 Nov. 2024. 

Nestled in between the dust jacket and cover page of “Gospel Hymns Combined” rests the calling card of a familiar donor to the Dickinson College Archives (figure 1). George Alan, professor of philosophy and theology from 1963 to 1974, subsequently served his community as dean of Dickinson College until 1996 with a brief one-year stint as interim president after his predecessor had resigned his duties in the winter of 1986.

Figure 1: Calling card of Dr. George Allan, Dickinson Archives.

After completing a four year degree at Grinnell, he earned a master’s degree in systematic theology at Union Theological Seminary and then a Ph.D in Philosophy at Yale. Dr. George Alan maintained a special fascination with the spiritual throughout his entire life, further noted by his membership in the Metaphysical Society of America. Prototypically scholarly, the gentle lines of wisdom that would one day wrinkle his brow would begin taking root in 1935 at the bleak cold of dawn of the blistering winter plains of North Dakota (figure 2). Dr. Alan notes in an autobiographical sketch from 2012 that his Whiteheadian interpretation of life was rooted in “North Dakota realities,” primarily due to the Depression era mentality of his family, “celebrating the good things when they came and when they were gone rejoicing that once, uniquely and fortunately, they had been.”

Figure 2: Dr. George Allan.

Whitehead’s doctrine emphasizes the importance of subjective experience, arguing that subjective experience is not just a byproduct of how biological processes sense an objective reality and that the relationships that arise from intertwining subjective experiences are the basis of reality. That these subjective experiences are a result of the inherent consciousness of humans given by God “the supreme receiver,” who gathers these consciousnesses and responds to them in a process. However, Dr. Allan takes this sensibility a step further.

Interviewing Dr. Allan as his quaint home in Mechanicsburg, Pennsylvania, I was stirred by his contention that “God is directive, but not commander,” in that the concept of “God” was created by our subjective experiences to embody what a society deems as “right” offering subconscious guidance in the direction of “good” and away from “wrong.” That is not to say that Dr. Allan was insistent on minimizing those who are religious by any stretch of the imagination. In fact, he made sure to mention that he was good friends with a great many followers of the Western religions, many of whom were colleagues who he “misses dearly,” and that he has a great respect for the East Asian religions (which he mentioned embody the idea of God as a conceptual directive rather than personal God). In fact, he had a great reverence for one minister in particular, his father.

George Allan’s deep fascination with theology most likely came from his father, all though he made no literal claims of such in my interview. His father, born ino American citizenship in 1890 to Scottish parents in New York would find work in his young adult life with religious organizations before entering the seminary. Deemed unfit to serve in WW1, he would instead help survivors and refugees at the docks entering the New York harbor. Through this line of work he would eventually find his way into the Presbyterian church and would be sent out to Sioux Falls, South Dakota to minister there. Eventually however, he would come into disagreement with the Presbyterian Church and join the Shriners and Congregational church respectively in Grand Forks North Dakota, where George Allan would be born.

Figure 4: Torn Binding of “Gospel Hymns Combined,” 1890.

In his capacities as a member of the Shriners as well as a minister in the Congregational Church, Dr. Allan’s father could have been, as Dr. Allan stated in the interview, involved in Sunday school sessions in some capacity. The scribbles on the back flyleaf suggest that this was at one point in the hands of a child

Figure 3: Scribbles on back cover and torn flyleaf of “Gospel Hymns Combined,” 1890.

suggested by tears on the back flyleaf (figure 3). The general wear and tear of the book could have been as a result of rough careless handling by a child or student, as the binding is torn and the front and back covers are degraded (figures 4, 5, and 6).

Since joining the Dickinson Archives, the book has not received any maintenance or repairs. The binding and boards are all original, and so are their damages. The paper is blotted and stained, yellow and brown as a result of many years of oxidation, and still torn. The fact that Dickinson has not given the book any special attention indicates that this book is not an inherently valuable text.

Figure 5: Degradation of front cover of “Gospel Hymns Combined,” 1890.

Figure 6: Degradation of back cover of “Gospel Hymns Combined,” 1890.

However, the lack of conservation or restoration efforts on the book does not diminish its historical value, nor its subjective value. While the written text has had no impact on American culture in a broad sense, it could have played in the life of  George Allan’s father as well as the children who could have been handling the book during Sunday school. Dr. Allan mentioned that his father divvied up his library after he passed away between George Allan and his siblings. Among the books that he acquired, Dr. Allan donated a large portion of them to the Dickinson Archives, “Gospel Hymns Combined” presumably among them.

References

Waidner-Spahr Library. “George James Allan (1935-).” Dickinson College Archives & Special Collections. 2005 https://archives.dickinson.edu/people/george-james-allan-1935

George Allan. “Autobiographical Sketch.” Brill.com. 2012. https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://brill.com/previewpdf/book/edcoll/9789401210737/B9789401210737-s020.xml&ved=2ahUKEwjb2d7lnJGJAxXAq4kEHQodO6YQFnoECBUQAQ&usg=AOvVaw2RtSt7tsu97hWlsvf_RX7_

Researching the afterlife of Baedeker’s Great Britain introduced me to an entire subsection of the book collecting world I had previously been unaware of. My intention was to try and track what I am calling the Edition Evolution of the Great Britain Guide, as my copy is the sixth edition, and given the scope of my guidebook (the table of contents spans several pages, and as I mentioned in my previous post, it covers content from geographic locations, floor plans, and popular activities within its area), it is not unreasonable to assume that there would be at least some form of significant change between editions. Luckily for me, I was not disappointed.

In my research, I was able to find out some of the history behind the legacy of Karl Baedeker, spanning several generations of Baedeker, and their guidebooks. Karl was born in 1801, into a family of bookseller and publishers. He started the “Baedeker” business in 1827, which coincidentally was around the time when tourism was really taking off (pun unintended). Following the foundation of this business, his first guidebook was published in 1832, 74 years before the publication of my own guidebook. The first edition was titled Rheinreise von Mainz bis Koln, as the Baedeker family was German – the first English edition guidebook wouldn’t be printed until 1861. This edition was called Baedeker’s Rhine, the first edition of which is currently being sold for a little over $5,000. As his company built its reputation, Karl travelled everywhere he could to gather the information to construct his guidebooks, until his death in 1859. He is hailed as the inventor of the formal guidebook according to at least a few people, including a chapter in a book titled Giants of Tourism by D.M. Bruce, R.W. Butler, and R. Russell, where they refer to him as “the perceived ‘inventor’ of the formal guidebook,” and his guidebooks themselves as a “bible” for 19^th-century travelers. After Karl’s demise, his three sons continued his business, and it is still operating to this day.

As I gathered this information, I came across a wide variety of Baedeker’s guidebooks that are being sold online. First editions go for quite a bit of money, especially on rare book seller’s websites. But they are also being sold on places like Etsy, eBay, Amazon, and generally a good number of used bookselling platforms. Even when I narrowed my search down to just the Great Britain guide, there are still a lot of results. This surprised me – given the condition of my book, which implies that it was largely used a shelf piece or perhaps escapism on behalf of the owner, I had assumed that these books were pretty exclusively “collector” edition books. But the original intention of the books was for them to be actively used as convenient travel guides, so of course they were widely spread for tourism purposes. I also came across a lovely book called the Baedekeriana (2010) by Michael Wild, who was fascinated by the history of the Baedekers and wanted to compile it. It includes written accounts from people who worked with the Baedekers, and is an anthology of articles about past Baedeker guidebooks.

The Baedekeriana details the intense attention to detail and accuracy, as well as the impact that cultural differences and World War I and World War II had on the printing of guidebooks, especially for a German-based company. I am excited to spend more time understanding this history myself, but for now I turned my attention more avidly towards the specific evolution of the Great Britain guidebook. Initially, I was only able to find the editions that bookended my own – the 5^th edition, printed in 1901, and the 7^th printed in 1910. Given that my own book was printed in 1906, these dates only affirmed to me that the attention to detail referenced in my research on the Baedekers was accurate.

Fig. 1

My edition of the guidebook is described as having “22 maps, 58 plans, and a panorama” (Fig. 1). The 5^th has “18 maps, 39 plans, and a panorama”; the 7^th “28 maps, 65 plans, and a panorama.” The visible growth of content just in the frontmatter of each book is a testament to the attention to detail given to the content of each guidebook. Over just 9 years there is an increase of 10 maps in just one specific guidebook. How are other books growing? How did this specific guide change along with significant world events?

I was able to find an 1894 Baedeker’s Great Britain on eBay that showed some of the internal book – it has “16 maps, 30 plans, and a panorama.” Interestingly, the title page says it has 16 maps, but the list of Baedeker’s guide books behind the front cover lists the third edition of Great Britain as having 15 maps. I’m not sure why this discrepancy exists, and after taking a closer look at the other PDFs I found, the 5^th edition describes the Great Britain guide book in that same list to have “16 maps, 30 plans, and a panorama”, the 7^th doesn’t display that list at all, and mine is frustratingly obscured by a library identification card.

Something else I stumbled across while I was traipsing across the internet trying to find other editions of the Great Britain guide was the shocking discovery of just the Baedeker maps being sold. The very things that drew me in initially are apparently the main draw for a good number of interested parties. On Etsy some of them are being sold for $115, which is an unfortunate loss for those looking to find intact editions.

Works Referenced:

Wild, Michael. Baedekeriana: An Anthology. Red Scar Press, 2010.